Music Forum Vol/No Index *Click Author or Title to sort into respective order |
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VOL |
NO |
DESCRIPTION |
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!Bulletin |
Original name of this the publication, now known as Music Forum |
1 |
1 |
The change to the name Music Forum occurred at vol 2/no.6 |
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7.30 Report |
Music - overtaking laughter as best medicine? – transcript of interviews from the 7.30 Report |
1 |
6 |
Music therapy changes lives |
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Allen Consulting Group |
A Page of Statistics: Copyright Industries and the Economy. Australian Performing Arts |
1 |
6 |
Report for Australian Copyright Council shows copyright industries contribute 3.3% of Australian GDP |
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Americans for the Arts |
US Advertising Council co-sponsors a campaign for arts education |
1 |
6 |
The Council and Americans for the Arts mount a national campaign |
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Ancell, Noel |
ANCA soars to new heights at “Summit” |
1 |
4 |
Report from the Australian National Choral Association |
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Ancell, Noel |
CD REVIEWS |
1 |
4 |
Has been responsible for a number of Music Forum CD reviews |
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Armfield, Neil |
No votes in the arts >>> votes in no arts |
1 |
6 |
The famous opera and theatre director criticises the Coalition’s 1998 election campaign |
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Arnold, Bruce |
A New Player Joins the Cultural Funding Orchestra |
1 |
2 |
Describes the operational precepts of the Australia Foundation as of August 1997 |
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Arthurs, Andy |
Why Creative Industries? |
1 |
1 |
Music at the Queensland University of Technology sits in a faculty called “Creative Industries”, with some brand new ways of doing things. |
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Arts Council of England |
The Bigger Picture: More for the Arts, More from the Arts |
1 |
6 |
New English arts policy is strong on social relevance |
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Arts Education Partnership |
Champions of Change |
1 |
4 |
US research on 25,000 students over a period of 10 years shows a major impact of continuing arts education on academic performance and socialisation |
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Ashton, Bill |
Planning for Success |
1 |
4 |
Even music people should plan for their financial future. A few words of advice from one who knows. |
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Australia Council |
How to keep Australian arts on the air if new technologies elude old regulations |
1 |
2 |
The Australia Council’s submission to the Inquiry into Convergence in the Broadcasting Industries |
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Australia Council |
What makes the LOUD Festival very, very unusual |
1 |
3 |
Announces the LOUD festival, a festival by young artists conducted via the electronic and print media |
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Australia Council, Australian Broadcasting Authority |
What music do kids like? |
1 |
5 |
A very brief summary of the results of a survey of the musical preferences of youth |
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Australia Foundation for Culture and Humanities |
How the AFCH is reassessing its role |
1 |
6 |
Summarises the newly stated objectives of the AFCH |
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Australia Post |
Joan Sutherland Is Australian Legend for 2004 |
1 |
5 |
Why her face is on a new postage stamp |
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Australian Music Exam Bd |
Changing the Face of Music Education in Australia |
1 |
2 |
The AMEB asks for readers' help |
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Australian National Choral Assn, & Music Council of Australia |
How we could have professional choirs |
1 |
3 |
A late addition to the National Strategic Plan for Choral Development |
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Bacchiella, Lou |
Campaign News |
1 |
4 |
News from the Music, Play for Life campaign |
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Bacchiella, Lou and Panucci, Frank |
The Campaign Report |
1 |
2 |
Progress in the Music. Play for Life campaign |
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Bach, Dagfinn |
Technology and the Delivery of Music |
1 |
4 |
An insider’s insights into the technological developments driving present and future upheavals in the music industry |
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Bajzek, Dieter |
Fifth National Convention of Folk Alliance Australia |
1 |
3 |
Plans for the convention |
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Ball, Robyn |
No kidding. It’s the Willowbrae Warblers |
1 |
4 |
A choir in an aged care facility restores liveliness |
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Bangbell, Kenneth |
The Recital |
1 |
5 |
Humour |
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Bannister, Roland |
Notes on the Establishment of Regional Conservatoriums of Music, with Special Reference to Riverina Conservatorium of Music |
1 |
2 |
This is one of about 15 regional conservatoria set up in NSW with some very modest State government funding |
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Barbeler, Damain |
The Musician’s Guide to the GST |
1 |
6 |
How the mooted Goods and Services Tax could affect musicians; what to do about it |
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Barbeler, Damian |
Compost: Young Composers Hoe Their Own Garden |
1 |
5 |
Artistic and entrepreneurial activities of a group of young Brisbane composers |
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Barg, David |
Listening |
1 |
2 |
Young orchestra members emulate their conductor. What is the model you present? Are you preoccupied with teacher – or with their learning? |
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Barlow, Dale |
Jazz Is… Oz |
1 |
3 |
One of Australia’s top jazz musicians returns from residence abroad, and likes what he sees |
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Barmby, David |
Musica Viva and Australian Ensemble Development |
1 |
4 |
Musica Viva Australia is preparing a new ensemble development strategy |
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Barrett, Margaret |
Research in music education |
1 |
5 |
Several Australian Research Council Large Grants and one CUTSD grant have gone to music education |
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Barwick, Linda |
Catherine Ellis |
1 |
6 |
Eulogy for Catherine Ellis, ethnomusicologist and music educator |
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Baynes, Graham |
The Disabled Make Music |
1 |
1 |
Methods that have worked in songwriting workshops for the mentally disabled |
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Beatson, Jim |
Regional Music Festivals Broadcast Nationally |
1 |
5 |
The operation of the Community Broadcasting Association of Australia's national Community Radio Satellite |
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Benge, Martin |
The State of Play: Recording Studios in Australia |
1 |
6 |
After decline in the 1990s, there is a rebirth of world class recording studios in Australia |
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Benjamin, Sarah |
What the future holds for music on the ABC |
1 |
5 |
After serious funding cuts and a threat to terminate live music on ABC radio, an ABC executive offers reassurance |
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Bennett, Dawn Elizabeth |
What’s a Musician Anyway? |
2 |
6 |
Even classical musicians are not just performers – but business people, educators, conductors, writers and managers as well. |
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Blanks, Fred |
CD REVIEWS |
2 |
3 |
Has been responsible for a number of Music Forum CD reviews |
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Blanks, Fred |
Everything but the money |
2 |
1 |
Townsville Chamber Music Festival mounts a fine program and deserves more financial support |
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Blanks, Fred |
Music Consumers’ Bill of Rights |
2 |
3 |
Information given to audiences is sadly inadequate and programs are way overpriced |
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Blanks, Fred |
Printers' Devils Make Music |
2 |
5 |
Musical typo-bloopers |
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Bodlovich, Paul |
AMIN and the Situation of the Musician |
2 |
6 |
The structure and task of the Australian Music Industry Network |
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Bofinger, Ian |
D-I-Y Audio: Transferring Old 78 Records to Compact Discs at Home or in the Office |
2 |
5 |
D-I-Y Audio: Transferring Old 78 Records to Compact Discs at Home or in the Office |
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Bofinger, Ian and Wakely, Greg |
The establishment of ‘The Virtual Conservatorium’ as an initiative of the emerging, innovative eConservatorium |
2 |
4 |
A regional conservatorium in Mackay achieves financial viability through introduction of online learning |
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BOOK REVIEW |
Andrew Ford: Undue Noise: Words about Music |
2 |
1 |
Reviewed by Claudio Pompili |
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BOOK REVIEW |
Ellen Dissanayake: Art and Intimacy: How the Arts Began |
2 |
3 |
Reviewed by Mark Isaacs |
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BOOK REVIEW |
John Sharpe: Don’t worry baby. They’ll swing their arses off. The Stories of Australian Jazz Musicians. |
2 |
1 |
Reviewed by David Sudmalis |
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BOOK REVIEW |
Musical Identities. Edited by Raymond MacDonald, David Hargreaves & Dorothy Miell. |
2 |
1 |
Reviewed by Peter Dunbar-Hall |
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BOOK REVIEW |
Peter J. Davies: Beethoven in Person: his deafness, illnesses and death |
2 |
4 |
Reviewed by Dr John Carmody |
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BOOK REVIEWS |
Book reviews |
2 |
3 |
Belonging,, by Renée Goossens. Peggy Glanville-Hicks: A Transposed Life, by James Murdoch. |
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BOOK REVIEWS |
Book reviews |
2 |
6 |
Stuart Coupe:The Promoters. Graham Leak: A Manual for Music Workshops |
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BOOK REVIEWS |
Book reviews |
2 |
6 |
Peter J. Davies. The Character of a Genius: Beethoven in Perspective. Rob Hirst: Willie’s Bar and Grill. Guy Noble: The Music Explorer |
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BOOK REVIEWS |
Book reviews |
2 |
3 |
John Whiteoak and Aline Scott-Maxwell, editors: Currency Companion to Music and Dance in Australia |
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BOOK REVIEWS |
BOOK REVIEWS |
2 |
4 |
Paul Kelly: Don’t Start Me Talking, Lyrics 1984 – 2004. Sandra Krempl: The Five Dimensions of Community |
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BOOK REVIEWS |
BOOK REVIEWS |
2 |
1 |
Nettelbeck, Colin: Dancing with DeBeauvoir: Jazz and the French. Leong, Sam, editor: Musicianship in the 21st Century: Issues, Trends and Possibilities. |
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BOOK REVIEWS |
BOOK REVIEWS |
2 |
2 |
Dunbar-Hall, Peter and Gibson, Chris: Deadly sounds, deadly places: Contemporary Aboriginal music in Australia |
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BOOKS RECEIVED |
BOOKS RECEIVEED |
2 |
3 |
List of books received since the previous issue |
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BOOKS RECEIVED |
BOOKS RECEIVEED |
2 |
4 |
List of books received since the previous issue |
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BOOKS RECEIVED |
BOOKS RECEIVEED |
2 |
5 |
List of books received since the previous issue |
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Bounds, Jenny |
Community Orchestra by Leaps and Bounds |
2 |
6 |
Nuts and bolts and the Penrith (NSW) Symphony Orchestra |
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Bradley, Margaret |
Perspectiv, Kultur dan Music |
2 |
6 |
Understanding the musical and spoken language of Indonesia affects general cultural perspectives |
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Brew, Marc |
From Infinity, New York, to Bendigo |
2 |
6 |
Catherine Threlfall interviews ‘disabled’ dancer Marc Brew about his post-accident career |
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Brissenden, A & Strahle, G |
Obituary: Jiri Tancibudek AM, Oboist |
2 |
4 |
Looking back over the career of the distinguished Czech/Australian oboist |
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Broad, Tina |
Amanda Armstrong Raises MPFL Funds for Melbourne Schoolkids |
2 |
5 |
An exemplary fund-raiser by a private person has bought four guitars for disadvantages school students |
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Broad, Tina |
Campaign Collaborators |
2 |
2 |
A list of Music Play for Life campaign collaborators |
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Broad, Tina |
How the World Works |
2 |
1 |
The Music Therapists Association is getting mileage from the campaign, and the campaign isn’t doing so badly either |
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Broad, Tina |
Music. Play for Life: What’s Happened, What’s Next |
2 |
5 |
News from the new campaign director |
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Brown, Andrew R |
Purchasing computer music equipment for education |
2 |
5 |
The last in a series of articles about the use of computers in music education |
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Brown, Andrew R |
The Computer as Show-Off |
2 |
2 |
Digitising and displaying musical information for education |
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Brown, Andrew R. |
An Introduction to Digital Sound Synthesis |
2 |
5 |
Sampling and playback, altering samples, oscillator synthesis, digital synthesis directions |
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Brown, Andrew R. |
An Introduction to Music Analysis with Computers |
2 |
6 |
Score coding and analysis, symbolic systems, audio analysis, grammars, metaphoric representation |
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Brown, Andrew R. |
Interactive Performance with Electronic Technology |
2 |
4 |
Describes a number of ways in which live performers can interact with electronic technology |
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Brown, Andrew R. |
Multimedia Documents in Music Education |
2 |
2 |
Overview of sound design in multimedia, with special reference to the educational context |
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Brown, Andrew. R |
Aural and Musicianship Training with Computers |
2 |
4 |
Explores the issues in choosing and using computer software for developing aural and musicianship skills |
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Brown, Andrew. R |
Histories and Directions of Music Technology |
2 |
4 |
History of pre-electronic music technologies, automated music, electronic music technologies; layers of persistence. |
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Brown, Andrew. R |
Learning and Recording: Audio Technology in Education |
2 |
2 |
A guide to the various recording technologies and their uses in music education |
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Brown, Andrew. R |
Scoring at School: desktop music publishing for education |
2 |
4 |
A guide to computer music notation procedures, systems and products |
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Brown, Andrew. R |
The Internet and Music Research in Education |
2 |
1 |
How to use the internet for music research |
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Brown, Andrew. R |
The Synthesizer - Education's Electronic Xylophone |
2 |
3 |
The synthesizer: classroom applications; training for solo and group performance |
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Brown, Andrew. R |
Your Friend, the Algorithm |
2 |
1 |
How algorithmic musical composition works; relevant commercial software systems |
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Brown, Andrew. R |
Your Friend, the Sequencer |
2 |
5 |
The computer sequencer: history, description, uses |
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Brown, Steven, and Volgsten, Ulrik |
Music and Manipulation. II. Controlling the Music; Controlling the Listener |
2 |
6 |
Two aspects of manipulation involving music, and their objectives |
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Buggy, Brian |
The Evolution of a School Orchestral and Band Program |
2 |
3 |
A successful model of a school instrumental music program – for inspiration and emulation |
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Bullerjahn, Claudia |
Do Music Videos Stir up Sex and Violence in our Teenagers |
3 |
6 |
Research looks into how adolescents use MTV and the effects on them |
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Burnham, Helen and Mikulin, Margaret |
Way Out West. Making Music in the South West Corner of NSW |
3 |
5 |
A community organisation faces geographical isolation, enormous distances and unreliable and inadequate funding in attempting to provide music instruction and an annual music camp. |
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Burnside, Julian |
The Art of Dissent, or, If You Are Crazy Enough To Be an Artist, Why Not Take on the Establishment as Well? |
3 |
1 |
Argues for the essential role of the artist as social dissenter. The Third Annual MCA Address. |
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Byrnes, Clare |
The ABC: Exploring Music and Performance Online |
3 |
6 |
The Creative Director of ABC Online describes how it works |
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Cahill, Anne |
How a new orchestral national orchestralassociation will make a difference |
3 |
6 |
The objectives of the new The Orchestras of Australia Network |
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Caley,Tattersall, Carette |
Early Music Now: Early Music in North Queensland |
3 |
6 |
A round-up of current early music activities around Cairns and Townsville |
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Callinan, Brendan |
AMA’S Music Makers: Fuelling the Fire |
3 |
2 |
Speech delivered at the launch of the Music. Play for Life. Campaign, Powerhouse Museum, Sydney, March 26, 2004 |
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Canadian sources |
Canada Imposes a Levy ON MP3 Players |
3 |
6 |
APRA is seeking a levy on blank CD-Rs. Canada already has one – and now will have another on digital recording devices. |
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Canak, Danny |
Industry Scoop |
3 |
5 |
News column from the Australian music industry |
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Canak, Danny |
Industry Scoop |
3 |
4 |
News column from the Australian music industry |
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Canak, Danny |
Industry Scoop |
3 |
1 |
News column from the Australian music industry |
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Canak, Danny |
Industry Scoop |
3 |
2 |
News column from the Australian music industry |
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Canak, Danny |
Industry Scoop |
3 |
6 |
News column from the Australian music industry |
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Canak, Danny |
Industry Scoop |
3 |
2 |
News column from the Australian music industry |
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Canak, Danny |
Industry Scoop |
3 |
4 |
News column from the Australian music industry |
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Canak, Danny |
Industry Scoop |
3 |
3 |
News column from the Australian music industry |
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Canak, Danny |
Industry Scoop |
3 |
3 |
Music industry news |
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Canak, Danny |
Industry Scoop |
3 |
3 |
Music industry news |
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Canak, Danny |
Industry Scoop |
3 |
4 |
Music industry news |
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Canak, Danny |
Industry Scoop |
3 |
4 |
New column on the music industry and chart successes |
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Capling, Ann |
The Enemy Within: Globalisation, Culture and the Role of Government |
3 |
5 |
Capling says the threat from the WTO is contained. Worry about the economic rationalist within |
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Capps, Mary Jo |
Chamber music in dance clubs: Musica Viva loosens up |
3 |
5 |
The chamber music entrepreneur is successfully pursuing young audiences in their natural habitat |
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CD REVIEWS |
Recordings, reviewed |
3 |
5 |
EDITOR’S CHOICE: Kaleidoscope. A recording of orchestral works of Australian composer Roger Smalley, with the West Australian Symphony Orchestra. CLASSICAL. The Australian Trio: Hazelwood, Hewgill, Brimer. Infinite Heartbeat: Duo Sol. Lizst: From the Years of Pilgrimage: Stephanie McCallum, pno. Two of a Kind: Katie & Maggie Noonan, Red Fish Blue, TQO, Noble cond. CONTEMPORARY. Beyond Underground: Brethren. Cinema Paradiso: David Hobson, Sinfonia Australis, Cantillation, Noble cond. DeFocus: Low Res Productions. Get Back: The Basics. Liones: Liones. Position Correction: TZU. Star-Lo: uBin. Traversing the Newly Drained Swamps: Godnose. Ways and Means: Paul Kelly and 7 musicians. Don’t Start Me Talking, Lyrics 1984 – 2004: Paul Kelly (book). FILM MUSIC. Solar Max: Nigel Westlake, IMAX soundtrack. JAZZ. By the Scruff: Kadoonka. McJad Goes Organic: Hounslow, tpt, Gould, pipe organ, pno. Place: Aaron Choulai, pno plus quartet. Streaming: Chris Abrahams, pno. WORLD MUSIC. Time never sleeps: Waratah |
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CD REVIEWS |
Recordings, Reviewed |
3 |
1 |
SSO etc: Carl Vine Choral Symphony, Symphony 4.2 and Piano Concerto; Tamara-Anne Cislowska, pno, Dance of the Wild Men; Crossing a Bridge of Dreams, works by Anne Boyd; J.S.Bach Cello Suites with David Pereira; Sydney Alpha Ensemble: Silbury Air; Live @ Tweekin’ – Funky Beats for Music Freaks: various house artists; Australian Art Orchestra: Into the Fire; B(if)tek: 2020; Multiball: Multiball. |
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CD REVIEWS |
Recordings, Reviewed |
3 |
2 |
Tessa Birnie: Keyboard Spectacular; Tristram Cary: Soundings; The Song Company/austrLYSIS: The Sinking of the Rainbow Warrior; Australian Boys Choir and The Vocal Consort: Sons of the South; Miriam Morris and Christopher Field: A Souldiers Resolution; Soup: From Anuva Planet; Bernie McGann Trio: Bundeena; Alister Spence Trio: There is a Circle; Jeannie Lewis: Tango Australis; Luis Grimaldi: Tango Images |
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CD REVIEWS |
Recordings, Reviewed |
3 |
3 |
Australian Brandenburg Orchestra with Andreas Scholl: Andreas Scholl – Vivaldi; Sirius Ensemble: Francesco Maria Veracini, Sonatas Op. 1 nos. 1, 6, 12; Ian Munro, piano: Jamaican Rumba, Vol. 1: Music for Piano by Aurthur Benjamin; Tall Poppies Ensemble: Jamaican Rumba Volume 2: Chamber Music by Arthur Benjamin; John O’Donnell, Organ: Johann Sebastien Bach, Clavierubung III, Schubler Chorales, Canonic Variations; Camerata Classica directed by Philip Swanton: Just for Pleasure; Jeff Dread: The Merchant of Dub Episode II – Return from Alpha One; Deep Child: Hymns from Babylon; Various: JJJ Unearthed; Various: Culture – Music from Black Australia; James Muller Trio: All Out; 10 Part Invention: Unidentified Spaces; Abdoulaye Epizo Bangoura and others: Epizo – N’na |
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CD REVIEWS |
Recordings, Reviewed |
3 |
4 |
Purple, Black and Blues: piano music by Elena Kats-Chernin: Lisa Moore, piano; The Ockeghem Legacy: Sydney Chamber Choir cond. by Nicholas Routley; Esiterik Psikology: various artists; Intersound: Juju Space Jazz; It Is What It Isn’t: Itchee and Scratchee; Closer: Mark Isaacs; Song and Dance: Wanderlust; Sunman: Andrew Robson; Anamika: Sangam Ensemble; Kofi Goes Abroad: Eddie Quansah; Telares: Telares Ensemble |
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CD REVIEWS |
Recordings, Reviewed |
3 |
5 |
Recordings, Reviewed Franz Schubert: Complete Piano Trios — Macquarie Trio Kouvaras: Piano Works — Linda Kouvaras Lotus Moon - She-Cheen Yu, Sinfonia Australis Sea Children and other new choral music — The Australian Voices, directed by Stephen Leek Backrooms, Corridors, Table and Chairs — Betaville Orchestra Beat and Squelch 3 — The Future Was Filling in the Corners — Telafonica Pear Shaped — Pear Shaped Jazzgroove — compilation Yellow Glasses — Theak-tet Mara! Live in Europe — Mara! |
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CD REVIEWS |
Recordings, Reviewed |
3 |
6 |
Concerto Symphonique. Virtuoso Works for Piano & Orchestra, Vol. 1. Munro, TSO/Porcelijn Harmonies in Blue. Canberra New Music Ensemble Music for Federation. Sculthorpe, Edwards, Broadstock, MSO/Markus Stenz Solitudo: Alone in Darkness. Quaife, SOV/Mills Olimpia - Cantatas of Alessandro Scarlatti. Chacona directed by Rosalind Halton Perfume. The Exquisite Piano Music of France. Stephanie McCallum, piano A Sky For Dreaming. Guitar Trek Tall trees. Canberra New Music Ensemble Terrains. Michael Hannan: piano interior Body & Soul. The Song Company, dir. Peelman Digital Manipulation. FourPlay/Various Music For Reset People. The Bird Re-Fashioned. Various artists |
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CD REVIEWS |
Recordings, reviewed |
3 |
3 |
Australia Unite! The Road to Federation: Songs and Dances of Colonial Australia - SOV, Divall, Quaife, Bolton-Wood; Henryk Mikolaj Górecki: Symphony No. 3, Op. 36 ‘Symphony of Sorrowful Songs’ -- Yvonne Kenny, soprano; ASO/Takuo Yuasa; Margreta Elkins: The Classic Recordings -- Elkins, Mezzo-Soprano, LSO, QSO, Bamberger Symphoniker; Noel Mewton-Wood, piano – 3 CDs with various orchestras, artists; Song in the Night. Concert Fantasies, arrangements & original works for harp by Carlos Salzedo -- Alice Giles, harp; Storm Sight --Michael Keiran Harvey, piano; Spin -- Jeannel Carrigan, piano; The Best of Joan Sutherland Live from the Sydney Opera House, Vol. 2., Elizabethan Sydney Orchestra, Bonynge; Bagarap empires -- Fred Smith; Dub For The Masses Vol.2 -- various artists; Mechanical Bull - Mik La Vage; Pseudo Sound Project -- various artists; Train Noise -- Don Meers |
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CD REVIEWS |
Recordings, reviewed |
3 |
4 |
Recordings: Fauré Requiem, La Naissance de Venus, Cantique de Jean Racine -- Cantillation, Sinfonia Australis, Macliver, Tahu Rhodes, cond. Walker; Harvest: the music of John Tallis, Esther Rofe and Dorian Le Gallienne -- Çakmakçioglu, Robt Chamberlain, Ian Cousins, Jeannie Marsh, Tamara Smolyar; |
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CD REVIEWS |
Recordings, reviewed |
3 |
2 |
The Gentle Muse: Jane Edwards, sop., w. Helyard, Marshall McGuire; Handel Arias: Alcina, Giulio Cesare, Rinaldo: Emma Matthews, sop., NZCO cond. Armstrong; Stix ‘n’ Tones: Percussion Ensemble, Flinders St School of Music dir. Pusz; Where Morning Lies: Spiritual Songs: Clare Gormley, sop., w. Kevin Murphy; Cut Copy: Little Bird; Fractures In The Elderly: Circle of Willis; Future Conduit: Mik La Vage; Iolini: Robert Iolini; Libraries Are Fun: Artificial; Looking For Andrew Bradley: Quro; Love Hertz: Ray Diode; Zephyr: The Zephyr Quartet; Machines: Craig Fermanis Trio; Songs from the Kitchen: Keklik Aile (ensemble) |
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CD REVIEWS |
Recordings, reviewed |
3 |
5 |
The Australian Album: Asmira Woodward-Page vln and Scott Davie pno;The Ghost Ship: Tamara Anna Cislowska, pno; Sonatas & Fantasies: Slava Grigoryan, gtr with Leonard Grigoryan, second gtr; Two CDs of works by Alan Holley – Ophelia: The Gallery Players, and Masquerade: Enigma-Five; Piracy: Baroque music stolen for the recorder: Genevieve Lacey, recorder: Linda Kent, harpsichord and organ; |
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CD REVIEWS |
Recordings, Reviewed |
3 |
5 |
Discs of the works of Andrew Ford 1. Whispers. Duo Contemporain, Gerald English, Tasmanian Symphony Chamber Players, others 2. Harbour Gerald English (tenor): Australian Chamber Orchestra, others 3. Icarus Various artists Colours of Fire: the essential guitar album Gareth Koch, guitar Journey to the Otherworld Gareth Koch, guitar The Power of Love: British Opera Arias. Deborah Riedel, soprano; AOBO/Bonynge, Vivaldi: il flauto doice Genevieve Lacey, recorder; Australian Brandenburg Orchestra/Paul Dyer Beatzwork Vol2 Various/Organarchy Sound Systems DOS Telafonica The Blue Hour Vol.3: Deep Blue Andy Rantzen The Inaudible Music: Jazz, Gender and Australian Modernity Archival compilation Thirteen Sketches The Andrea Keller Quintet Not Just Music GengGong |
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CD REVIEWS |
Recordings, Reviewed |
3 |
3 |
Flat Earth -- Electra String Quartet, Inner Voices, Mark Atkins, Philip South, Steve Elphick; In Flagranti. Contemporary Works for Guitar -- Geoffrey Morris; The Inner Line — pianists Stephen Emmerson and Bernard Lanskey; Jiri Tancibudek – the Landmark Recordings — Jiri Tanicbutek, oboe, and various artists; Mozart and Brahms Clarinet Quintets — The Australia Ensemble; Soldier, soldier: the barrack-room ballads of Rudyard Kipling -- Michael Halliwell, baritone, David Miller, piano; Spanish Battle Music in the Age of Discovery -- The Song Company, directed by Michael Noone; A Feast Of Beats -- Jonny Phive; The Herd -- The Herd; Resistance -- Ali Omar; Ilura – Blastcorp; Southpaw -- Jeremy Sawkins; Old Linden Tree -- Sydney Balalaika Orchestra; Tufa – Tufa |
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CD REVIEWS |
Recordings, reviewed |
3 |
1 |
Salut! Baroque:Salut! Baroque; Taking Flight: chamber music by Sadie Harrison; An Englishman In Ibiza: Disco Stu; Appropriate Pop: Goulburn Poultry Fanciers Society; Compilation 2002: Semikazi Collective; Fundamental Sampler: Hiroshi; Mota Musik: Up'n'Atom; Music For Retirement Villages Circa 2050: Jeremy Dower; From Within: Tony Gould (pno) and Peter Petrucci (gtr); The Last Will & Testament of John Sangster (1928-1995): John Sangster and others; From the New Continent: Shen Pangeng (erhu), Catherine Ingram (pno); Willow Spirit Song: Folksongs of the Orient: Shu-Cheen Yu, sop, Sinfonia Australis, Cantillation cond. Antony Walker |
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CD REVIEWS |
Recordings, reviewed |
3 |
1 |
Charisma: Roslyn Dunlop (cl), Julia Ryder (vcl), David Vance (pno); Prayer for Peace: Cantillation, cond Antony Walker; Resurrection. Organ Works by Olivier Messiaen: Annette Goerke, organ; Song of Songs: The Song Company, dir Roland Peelman; Inside This Room: Hobson and Hirschfelder; Australian Folk 2000: 37 Original Compositions on 2 CDs: various artists; Musical Traditions in Australia: 41 Tracks on 2 CDs: various artists; The Field: The Field; Joe Chindamo plays the Paul Simon Song Book: America!: Joe Chindamo trio; Jupiter Moon: Brian Brown, leather instruments, others; Mikrokosmos: The Bartok Project, dir. Andrea Keller; Open Road. Rufus Records Soundtracks: various artists; Three Voices: Fiona Burnett w Ben Robertson, David Jones |
|
CD REVIEWS |
Recordings, reviewed |
3 |
6 |
Brahms: Complete Piano Trios: Macquarie Trio; Rachmaninoff Lilacs: Scott Davie, pno; Messiah (Handel}: Macliver, Sherman, Field, McMahon, Tahu Rhodes, Cantillation, Orchestra of the Antipodes, cond. Walker; Music for All Seasons: Australian composers Gross, Carr-Boyd, Allworth; Song of the Angel: Jane Sheldon, Sinfonia Australis, Cantillation, cond. Stanhope and Weymark; Mozart Arias and Orchestral Music. Teddy Tahu Rhodes, bar, TSO cond. Rudner; X: Ros Dunlop, cl; Fiona Burnett. Soaring at Dawn: Burnett, sop sax, jazz trio, str quartet; Debra Blaquière: Little Wing: Standards Inspired by Angels: Blaquière (voc), Chindamo, Rex; Michelle Nicole Live. Keep Your Heart Right: Nicole, voc, trio; Where's Love Gone?: Susan Gai Dowling Band; Augadhau Nawal (Songs of Our Lord): Hymns, Kores of Torres Strait; Caroline Lynn. The Shaman's Kiss: Lynn, voc, octet. |
|
CD REVIEWS |
Recordings, reviewed |
3 |
2 |
Haydn Fortepiano Trios: Oxford, Surprise & Miracle Symphonies, Fortepiano Trios Nos 12, 14 & 18; Ensemble of the Classic Era. Recital. Australian Art Song; Merlyn Quaife, sop, Michael Kieran Harvey, pno. The Liszt Album; Stephanie McCallum, pno. Africussia; D’volv guitar trio – Peter Martin, Jim Kelly, Jon Fitzgerald. Mike Nock: Changing Seasons; Mike Nock: pno, Brett Hirst, bass, Toby Hall, drums. On; Andrew Robson. Southeast; Baartz Freeman Sextet. Jenny Thomas. Into the Ether; with Jason Day, Dean Frenkel, Glen Kniebass, Andrew Schrape, Ali. Steady Steady; Seaman Dan, various musicians |
|
CD REVIEWS |
Recordings, reviewed |
3 |
2 |
Debussy Piano Music (4 CDs), Roy Howat, pno. Fantasies; Esther van Stralen, vla. New Light New Hope; Gondwana Voices, Lyn Williams and Mark O'Leary, cond. Past Life Recall: Derek Strahan. Peter Sculthorpe: Music for Cello; David Pereira, vcl, Ian Munro, pno. Slava and Leonard Grigoryan Play; Slava Grigoryan, Leonard Grigoryan, gtrs. Water Pushes Sand; Clocked Out Duo, erik Griswold, pno, Vanessa Tomlison, perc. Fourthcoming; Har Di and Co. - Guy Harvey, ten sax, Frank Di Sario, bass, Phil Collings, drms. Spirals; John Bell Trio: John Bell, vibes, Ronny Ferella, drms, melodica, Frank Disario (bass). Tomorrow, Just You Wait And See; Emma Gilmartin, voc, Tony Gould, pno. Femalia; Tufa. |
|
CD REVIEWS |
Recordings, reviewed |
3 |
2 |
Colin Bright, Young Tree Green (A Song of the Republic): Kees Boersma, cb; Sydney Symphony Orchestra cond Elgar Howarth; Mahler -- Symphony No. 4 (chamber version) and Songs of a Wayfarer (chamber version): Sydney Soloists with Clare Gormley, sop, Jeffrey Black, bar, and John Harding, cond; Get Reel: The Fiddler's Festival; Ishish. Waiting for it: Ishish; Severance: Band of Five Names; Strobe Coma Virgo: Strobe Coma Virgo, with Phil Slater; Wide Eyed. Rob Burke: Burke (sax), Tony Gould (pno), Nick Haywood (bass), Tony Floyd (drms); Harmonic Colour Fields: Warren Burt, composer and programmer; Sonic Archaeologies: Ros Bandt; Listen To My Drum: King Kadu from Werbadu |
|
CD REVIEWS |
Recordings, reviewed |
3 |
1 |
Mahler Symphony No. 5: Melbourne Symphony Orchestra, Markus Stenz, cond.; Malcolm Williamson. Complete Works for Piano: Antony Gray, piano; Saffire. The Australian Guitar Quartet: Antony Field, Slava Grigoryan, Gareth Koch, Karin Schaupp, guitars; Yvonne Minton: The Essential Recordings: compilation with orchestras; A Good Thing on Hold: Sharney Russell, voc, with sextet; Frangipani: Guy Strazzullo ; Here & Now: The Idea Of North a cappella ensemble; Tenderland: Renée Geyer; Work, Play, Sleep - Children's Songs from Around the World: Blindman's Holiday a cappella ensemble, plus Jubilate Singers, others |
|
CD REVIEWS |
Recordings, reviewed |
3 |
1 |
Lost in the Real Sky: Curseovdialect; Bach Arias & Duets: Sara Macliver and Sally-Anne Russell, Orchestra of the Antipodes/Antony Walker; Praise – An inspiring collection of hymns, choruses and sacred songs: Various artists; Puccini Passion: The Richard Bonynge Collection: Cheryl Barker, soprano, Orchestra Victoria, cond. Richard Bonynge; Downtown: Petula Clark vs The Outpsider; Independence - Volume One: Various artists; Straight from the Art: Various artists; Evolutionary Vibes Volume 5: The Winter Of Our Discotheque(Summer Edition): Various artists; Today: Maya Jupiter; The Calling: Hilltop Hoods; Evolve/All U Mob 2: Morganics; Flux: Alister Spence Trio: Alister Spence (piano), Lloyd Swanton (bass), Toby Hall (drums); |
|
CD REVIEWS |
Recordings, reviewed |
3 |
3 |
Drive By: The Necks; Allegri Miserere: Cantillation, Antony Walker and Brett Weymark, cond.; Australian Heritage: Glenda Raymond: Glenda Raymond, sop, various artists; Lifecycle, by Howard Blake: William Chen, piano; The Convict Harpsichordist: Elizabeth Anderson, harpsichord; Mozart, Clarinet Concerto & Arias: Australian Brandenburg Orchestra, Paul Dyer dir, Craig Hill, basset clarinet; Cynthia Sieden, sop.; Semele, by George Frideric Handel: Ryberg, Russell, Wood, Bennett et al; Cantillation, Sirius Ensemble, cond. Antony Walker; Yvonne Kenny: The Salley Gardens: A Treasury of English Song: Yvonne Kenny, sop, Caroline Almonte, pno; Audible Inventions: The Bird; Boardface: Gotye; Consistency Theory: 1200 Techniques; Late Set: Dark Network; SouthHeart: Jeannie Lewis; Healing Song: Eugene Ball, trumpet, Stephen Magnusson, guitar, Sergio Beresovsky, drums; Jazzhead 2003: Various artists; Line Songs: The Cathedral Band; Dha: Dha; Taikoz. Live at Angel Place: Taikoz percussion, Matthew Doyle, didjeridu |
|
CD REVIEWS |
Recordings, reviewed |
3 |
2 |
MUSIC FORUM EDITOR’S CHOICE. Storyteller: Joseph Tawadros. CLASSICAL MUSIC. The Lark Ascending: Vaughan Williams with Australian orchestras. Madama Butterfly: Opera Australia with Cheryl Barker and Jay Hunter Morris, conductor Patrick Summers. The Voice: Teddy Tahu Rhodes. CONTEMPORARY MUSIC. Doppler Shift: Electro Selections: Various artists. I Dreamed about You. Songs of Love and Longing from World War II: Phillip Sametz and The Mell-O-Tones. Make It Happen: Upshot. Part 3 - Random Thoughts: Koolism. Song of the Federation – A Musical Tribute to A.B. (Banjo) Patterson: Wallis & Matilda. Sonic Allsorts: Modern Music - Native Tongues: Various Artists. JAZZ. 1000 Wide: Kynan Robinson’s En Rusk. Assumptions 2: Magnusson/Wilson/Guthrie. Evidence: The Idea of North. Looking Up: Phil Bywater’s Buried Teasure. The Secret: Alison Wedding, voc, with trio. NEW MUSIC. Alchemy: Tasmanian Symphony Orchestra, various conductors and soloists. Corrosion: music for instruments, computers and electronics: Paul Doornbusch, c |
|
CD REVIEWS |
Recordings, reviewed |
3 |
1 |
MUSIC FORUM EDITOR’S CHOICE. Yearning for the Bell (7CDs): Riley Lee, shakuhachi. CLASSICAL MUSIC. Beethoven - Complete Piano Concertos: Gerard Willems, soloist, Sinfonia Australis cond. Antony Walker. The Great Rossini Overtures: Tasmanian Symphony Orchestra cond. Ola Rudner. CONTEMPORARY. 15.OZ: 15 Years of Australian Hip-Hop on Vinyl. Abelard and Heloise: music theatre by Ross Fiddes, Paul Kavanagh. The Art of Trance: Jumping Jack. Floppydisco: Bleepin’ J. Squawkins. Nautical Forlorn: A Selection of Works for Film, Television, Festivals and CD: David Bridie. JAZZ. Cyclosporin: Allan Browne Quintet. Fear Smile: Survival of the Fiddes. Fortune: Peter Gelling feat. Doug Williams. If Blue Was Orange: Steve Hunter. Jacinta's Song: Jenny Game Ensemble. Keeping The Standards: Mark Isaacs with Jay Anderson, Adam Nussbaum. Nine open questions: Tim Stevens Trio. NEW MUSIC. Carl Vine, The Tempest: Tasmanian Symphony Orchestra, cond. Ola Rudner, Diana Doherty, oboe. The Golem: Opera Australia from the 1993 production |
|
Chestnut, Judith |
Keeping It Simple |
3 |
5 |
Simplicity of structure, even in complex art, is what allows it to communicate successfully with audiences |
|
Chestnut, Judith |
New opportunities on the NSW Central Coast |
3 |
4 |
There is a major push to develop community on the Central Coast, bringing great opportunities for the arts, |
|
Choy, Alison Low |
The Diary of a Peripatetic Percussionist |
3 |
1 |
The author, on a Churchill Fellowship, takes lessons from the world’s best percussionists |
|
Clare, John |
CD REVIEWS |
3 |
1 |
Has been responsible for a number of Music Forum CD reviews |
|
Clare, John |
Freedman Jazz 2004 |
3 |
1 |
A review of the concert with finalists guitarist James Muller, sax players Adam Simmons and David Theak and singer Gian Slater. Muller is the MCA/Freedman Fellow for 2004. |
|
Clarke, Lance |
Contemporary Passions |
3 |
4 |
Thoughtful reflections on Christianity, expressed through original community opera |
|
CMANet |
Community Music Opportunities File |
3 |
4 |
Current opportunities in the community music sector |
|
CMANet |
Community Music Opportunities File |
3 |
3 |
Current opportunities in the community music sector |
|
CMANet |
Community Music Opportunities File |
3 |
5 |
Current opportunities in the community music sector |
|
Collins, Tim |
Young Voices, New Ideas |
3 |
6 |
Tim Collins says that voices under the age of 18 can be trained to the same level as instrumental players |
|
Colman, Helen |
The Art of Performance: Born or Acquired |
3 |
4 |
Conservatorium students tour performances to regional NSW: a preparation for professional life |
|
Community Briefing |
Community briefing |
3 |
3 |
Community music news from around Australia and the world |
|
Community Broadcasting Assn of Aust |
Community Radio: It's Big |
3 |
5 |
Community radio stations have a much larger audience than even they had believed |
|
Community CD Review |
Braddon - A Place of Our Own |
3 |
6 |
Braddon – a Place of Our Own; Federation Chorus/Orchestra, Burnie TAS |
|
Community CD Review |
Common Ground |
3 |
2 |
Students of Eora College, Sydney |
|
Community CD Review |
Resonate 2001 |
3 |
4 |
Resonate 2001. Project of Brisbane City Council |
|
Community CD Review |
Worldview |
3 |
4 |
Students of St. Paul’s, Penrith, and community members |
|
Community Music Australia |
Community Briefing |
3 |
5 |
News items from the community music sector |
|
Community Music Australia |
Community Briefing |
3 |
6 |
News items from the community music sector |
|
Community Music Australia |
Community Briefing |
4 |
1 |
Haydn Keyboard Sonatas, Vol. 1 -- Geoffrey Lancaster, Fortepiano; Persuasion & Seduction : Opera Duets -- Cheryl Barker, Coleman-Wright, TSO cond André; Villains: sinister songs and arias -- Wegner, SOV, cond Divall; Atari Baby-- Atari Baby; Gizmo -- various artists; Goodbye Mr Henderson – Sense; I Thought Of Numbers -- Cut Copy; Reaction Hero -- Little Nobody; Rectangle -- Nicholas McBride; Willow Neilson Quartet -- Willow Neilson |
|
Community Music Australia |
Community Briefing |
4 |
2 |
News items from the community music sector |
|
Community Music Australia |
Community Briefing |
4 |
2 |
News items from the community music sector |
|
Community Music Australia |
Community Briefing |
4 |
5 |
News items from the community music sector |
|
Concert reviews |
Reviews of The Necks in London, and the AYO’s Gurrelieder in Perth |
4 |
3 |
Reviews of The Necks in London, and the AYO’s Gurrelieder in Perth |
|
Conolly, Joy |
Better than My Wildest Dream |
4 |
4 |
Conolly's life was enriched when she took up clarinet after her husband died |
|
Conolly, Joy |
From 10 to 75+ -- The Hinterland Concert Band |
4 |
1 |
In this community concert band, the oldest members of the community are role models for the youngest. |
|
Conolly, Joy |
Life -- Death -- Life |
4 |
2 |
Combining a requiem for a life well spent with a pledge to the local environment. |
|
Conolly, Joy |
Never Say Die |
4 |
6 |
Choirs are doing magical things for ageing residents in two nursing homes in Queensland. |
|
Conway, Suzannah |
Australia fumbles the baton |
4 |
3 |
New opera and music theatre in Australia languishes because of inadequate funding and artistic risk-taking |
|
Coote, Martin |
Common Expression |
4 |
1 |
Musings on the meaning of community |
|
Coote, Martin |
Regional ROMP |
4 |
5 |
A program to bring music instruction to outback New South Wales |
|
Corfield, Jeff |
String Bands & Shake Hands - The Days of Old Darwin Town |
4 |
6 |
Darwin’s string bands of the 1930’s may have been the beginning of multicultural arts in Australia |
|
Costello, Stephen |
Towards a Community Music Development Policy |
4 |
2 |
Proposes basic principles for community music development |
|
Coughlan, Mark |
How the hatchet was buried in Perth |
4 |
3 |
W.A. Institute of Music new umbrella organisation for UWA Dept of Music and WA Conservatorium of Music |
|
Coulter, Senator John |
Economic rationalism: enemy of the arts |
4 |
3 |
Economic rationalism values only that which can be bought and sold, is oblivious to true value of arts |
|
Couttie, Judy |
Rocky Fringe |
4 |
3 |
The fringe festival in Rockhampton, 2001 |
|
Couttie, Judy |
Rocky Fringe River Rhythms |
4 |
3 |
A festival of percussion and dance in Rockhampton |
|
Cowley, Rowena |
Learning to Sing: What's Happening Now |
4 |
2 |
Overview of the current state of voice teaching and voice science |
|
Cowley, Rowena |
On conducting opera |
4 |
4 |
Rowena Cowley interviews Richard Gill on the task of the opera conductor |
|
Crawford, John |
What could happen to new music on new radio? |
4 |
4 |
The head of programming for ABC Classic FM looks at possibilities in the digital age |
|
CREATE Australia |
Scoping Community Cultural Development |
4 |
6 |
CREATE’s project aimed to identify the demand among community cultural development practitioners for an industry training package and to develop a draft framework for such a package. |
|
Creative Communities |
Creative Communities Project in the USA |
4 |
2 |
Key ingredients for success with partnerships between arts organisations and public housing communities. |
|
Cunningham, Stuart and Sinclair, John eds |
Floating Lives: The Media and Asian Diasporas |
4 |
4 |
Book review by Susan Faine |
|
Curtis, Leah |
International Education and Training of Screen Composers |
4 |
5 |
Leah Curtis compares the training of screen composers in Australia, USA, UK, Germany and Japan |
|
Curtis, Leah |
Scoring Flicks: Screen Music Matters |
4 |
6 |
The big issues for screen composition: a series is introduced by its guest editor |
|
Curtis, Leah |
The State of the Art: The Los Angeles Screen Music Conference |
4 |
5 |
Ethical and practical issues confronting screen music professionals in LA, and the implications for Australia. |
|
Davidson, Robert |
The Elena Interview |
4 |
4 |
An interview with composer Elena Kats-Chernin |
|
Davis, Beryl; Johnson, Elverina and McLennon Lesley |
Blow ‘im. The Yarrabah Brass Band Story |
4 |
6 |
The Yarrabah Brass Band was one of a number of indigenous bands touring North Queensland in the early 1900s |
|
Davis, John |
Under the Overview: some personal musings on Australian “art musics” |
4 |
2 |
The Director of the Australian Music Centre offers a bird’s-eye view of new music in Australia |
|
De Haan, Simone |
Marranu Manikay Bundurr - Manangrida Magic |
4 |
2 |
The first time four young NT Aboriginal brass players hear a symphony orchestra was when they performed the featured work with the Darwin Symphony |
|
de Klerk, Dirk |
Language and Vocabulary in Music |
4 |
4 |
Music is not a universal language; we benefit from access to the world's music, but have only partial comprehension |
|
De Ruiter, Frans |
From the President of the International Music Council on the occasion of its fiftieth anniversary |
4 |
6 |
Letter from the IMC President |
|
de Ruiter, Frans |
How the Dutch have increased their arts funding by 35%. (Why can't we?) |
4 |
5 |
Details of the increase in Dutch arts subsidies, and how they were achieved |
|
De Ruiter, Frans |
Letter to Lady Menuhin |
4 |
6 |
Letter to his wife on the death of Yehudi Menuhin, from the President, International Music Council |
|
de Vilder< Yantra |
On the Couch with Michael Nyman |
4 |
3 |
The American composer is alarmingly frank to a gathering of the Screen Writers’ Guild |
|
Dean, Brett |
Building our own repertoire |
4 |
4 |
We can build the Australian repertoire without derogating the tradition, says one of our foremost composers. |
|
Dench, Chris |
CD REVIEWS |
4 |
5 |
Has been responsible for a number of Music Forum CD reviews |
|
Di Mazio |
Can cause-marketing help music? 9 3 |
4 |
6 |
Description of cause marketing and application to music marketing |
|
Diaz, Justo |
Papalote Project |
4 |
2 |
Argentinian/Australian musician Justo Diaz visited Cuba and organised a recording project for Cuban musicians |
|
Dickson, Val |
Story of the World’s Greatest Band |
4 |
6 |
Yes, that was the actual name of the band. Community development through participatory music making in Charters Towers, Qld |
|
Dirkswager, Joost |
A Country’s Soul: Commitments between Governments and the Arts. I. The Netherlands |
4 |
6 |
The arts policies of the Netherlands |
|
Dodge, Greg |
Weekend Warriors, Weekend Swing Cats – What’s Next? |
4 |
3 |
In Brisbane, great programs are drawing in older people. But there’s a shortage of leaders. |
|
Douglas, Jessica |
Voices from the Vacant Lot |
4 |
1 |
How one of Australia’s best and oldest world music choirs organises its affairs |
|
Dreyfus, George |
Being George and Liking It! Reflections on the life and work of George Dreyfus on his 70th Birthday |
4 |
4 |
Book review by Fred Blanks |
|
Dunn, Christie |
Branching Out |
4 |
3 |
How Melbourne Autumn Music Festival and the Castlemaine State Festival are responding to survival pressures |
|
Easton, Michael |
Music Sampling |
4 |
5 |
The tricky copyright issues around music sampling, and how to handle them |
|
Eccles, Jeremy |
Angel Exchange |
4 |
3 |
The chamber music program at Sydney Festival was an exchange with the Cheltenham festival in England |
|
Eccles, Jeremy |
Future Priorities for Music Journalism |
4 |
1 |
The task, says Eccles, is to bring creative issues to the attention of a public that doesn’t think they really matter |
|
Elhay, Schmoe |
Selling Your Private-Release CDs on the Internet |
4 |
1 |
New ways Australian musicians are finding their audiences |
|
Elliot, Bridget |
Photographs of Australian musicians and composers |
4 |
4 |
Some photographs of Australian musicians and composers from the studio of Bridget Elliot |
|
European Music Office |
Europe Looks after Its Own |
4 |
2 |
The European Commission’s plan for the promotion of European repertoires, productions and artists |
|
European Union of Music Schools |
The importance of music schools during economically difficult times |
4 |
1 |
Calls for continuing government support, as schools contribute to unity, purposefulness in hard times |
|
Evers, Frans and Hiddink, Jan |
The new bonds between pop and art music |
4 |
2 |
Through 'house music', the dance music genre and pioneering electronic art music have come together |
|
Faine, Susan |
A Rose by Any Other Name |
4 |
6 |
Folk and traditional music, and cultural diversity in Australia |
|
Fargher, Matthew |
Reinventing the singalong |
4 |
2 |
A singalong program with disabled people has been very effective and changed the way Matthew teaches |
|
Farrell, Chris |
How the Queensland Philharmonic has resisted a takeover |
4 |
2 |
QPO claims that the Queensland Symphony is trying to take over its funding in order to buy more players |
|
Fauire, Rosemary |
Soundasations: Sound and Dance Conversations |
4 |
1 |
The story of an evolving community improvisation ritual that has continued for some years |
|
Ferdinand, Pamela |
The arts as academic panacea |
4 |
4 |
New research from Harvard says yes, and no |
|
Fin, Rita |
Developing an Orff-Schulwerk Program from Pre-School through to Year 12 |
4 |
5 |
Describes the author’s experience building a music program at the International Grammar School |
|
Findlay, Gavin |
The Map is not the Territory: Towards a cooperative approach to the future development of orchestras in Australia |
4 |
1 |
A powerful plea for more cooperation in development of the orchestral sector and for institution of national teaching standards and accreditation |
|
Fletcher, James |
The Abstract Truth |
4 |
3 |
First installment of a new column on jazz, written by James Fletcher of Sydney’s Jazzgroove Association |
|
Fletcher, James |
The Abstract Truth |
4 |
3 |
News of the jazz world |
|
Fletcher, James |
The Abstract Truth |
4 |
2 |
News from the jazz world |
|
Fletcher, James |
The Abstract Truth |
4 |
4 |
James Fletcher writes of current events in jazz |
|
Flores, Hernan |
Multicultural music: more than local colour |
4 |
3 |
Australia should do more to make professional careers possible for multicultural musicians |
|
Flynn, Sebastien |
True Art or Taxidermy? |
4 |
5 |
How Brisbane Ethnic Music and Arts Centre translates multicultural policy into practice |
|
Ford, Andrew |
Oom-pa-pah |
4 |
1 |
A personal insight. The composer recalls his experiences in writing The Waltz Book – 60 concert waltzes. |
|
Ford, Andrew |
Why Bother with Classical Music? |
5 |
2 |
The Second Annual MCA Address, 2003. Part of Ford's answer: notated music makes possible a depth of musical content and expression that is not possible with improvised music |
|
Foster, Martin |
How SOMA plays a role in the evolving expectations of orchestral musicians |
5 |
4 |
New model: the orchestra union opts for defence AND cooperative relationships with management |
|
Franklin, Gavin |
CD REVIEWS |
5 |
4 |
Has been responsible for a number of Music Forum CD reviews |
|
Future of Music Coalition |
Radio Deregulation in the USA: Has It Served Citizens and Musicians? |
5 |
4 |
Published in Music Forum as a cautionary tale |
|
Future of Music Coalition and others |
Payola is back |
5 |
2 |
Narrowing ownership of radio in the USA has been bad for music there. The same could happen in Australia. |
|
Gardner, Sarah |
Australia hom to new international arts federation |
5 |
1 |
Australia took a leading role in setting up a new association of national cultural agencies, and is host to its office |
|
Gareth Grainger |
Protection of Cultural Sovereignty in a Free Trade Environment |
5 |
1 |
How can Australia's culture be preserved from foreign powers if free trade agreements give them unlimited access |
|
Gill, Richard |
For Goodness' Sake |
5 |
6 |
Conductor and educator Gill hypothesises seven recommendations that might come from the imminent Ministerial Review of Music Education in Schools |
|
Gill, Richard |
On conducting opera |
5 |
4 |
Rowena Cowley’s interview of Richard Gill gives insight into the task of the opera conductor |
|
Gillard, Sue |
Teaching Music Business in the Schools |
5 |
3 |
The AUSMUSIC secondary school curricular packages for vocational training in music business |
|
Gillespie, Kirsty |
Digitisation of Printed Music at the National Library of Australia |
5 |
5 |
The second in a set of articles showing how new technologies are implemented at the NLA and elsewhere |
|
Given, Jock |
Mr Marconi’s Music |
5 |
2 |
Looking back over 100 years of radio since Marconi’s first transatlantic broadcast |
|
Godbolt, Peter |
‘Tide of Dreams’: An Outreach Music Performance Project |
5 |
1 |
Taking live performances into disadvantaged schools: a project of the Sydney Conservatorium and the MCA, with financial support from the Freedman Foundation |
|
Gould, Tony [QLD] |
Arts and the Corporate (Money) Box |
5 |
1 |
The Queensland Performing Arts Center's approach to corporate funding support for the arts |
|
Gould, Tony [VIC] |
Music, Education, Culture - and the Myth of the Real World |
5 |
6 |
Inveighs against music education directed to financial objectives instead of musical values |
|
Gregory, Sean |
Collaborative Approaches: Putting Colour in a Grey Area |
5 |
4 |
London’s famous Guildhall School of Music and Drama shows the way with its community program |
|
Greiner, Sonja |
What the European Parliament of Young Musicians Decided |
5 |
6 |
Parliament of young choristers organised by Europa Cantat proposes some music policy objectives |
|
Groessler, Samantha |
Industrial Rights and Realities: Working Conditions for Musicians in the Contemporary Music Industry -- |
5 |
6 |
“A broader, more lateral approach is required in improving musicians’ working conditions…” |
|
Grove, Margaret |
Choralation's path to success |
5 |
2 |
How the Choralation Choir achieved a cappella success in only four years |
|
Grunstein, Sarah |
CD REVIEWS |
5 |
2 |
Has been responsible for a number of Music Forum CD reviews |
|
Gruzelier, John |
Enhancing Music Performance Through Brain Rhythm Training: Lie Back and Think Theta -- |
5 |
1 |
Students at the Royal College of Music in London registered amazing improvements in performance |
|
Guivarra, Nancia |
Indigenous cultural and intellectual property: singing the unsung |
5 |
6 |
An argument for copyright law coverage for collectively owned indigenous arts |
|
Gullick, Mark |
Is Pearl Jam Still Relevant? |
5 |
3 |
Well, yes it is, says Gullick, because the band puts the music before the profit and hype |
|
Gullick, Mark |
The Bendigo Scene: An Undiscovered Goldmine |
5 |
5 |
The Victorian regional city is a fertile source for new, young bands |
|
Gyger, David |
Opera Australia, money, censorship and smug city |
5 |
2 |
Its publisher tells the history of the periodical, Opera Australasia |
|
Gyger, David |
Opera in the Age of Economic Rationalism: Skimmed and Homogenised |
5 |
4 |
With opera funding ever more inadequate, Australian opera companies are losing their individuality and originality |
|
Halton, Rosalind |
A New National Early Music Initiative |
5 |
6 |
The MCA will support the establishment of an early music network for Australia |
|
Halton, Rosalind |
Introducing the Online Early Music Directory of Australia |
5 |
6 |
Not only introduces the Directory, but describes the current situation of early music in Australia |
|
Halton, Rosalind, editor |
Early Music Now |
5 |
6 |
A new, regular report on early music from Early Music Network Australia |
|
Hampton, Nick |
Music Publishing on the Edge |
5 |
2 |
Global communications are changing the music publishing industry, with transnational publishers closing their Australian offices |
|
Hanley, Peter |
The noble art of losing face – five years of kazoo playing in North Queensland |
5 |
3 |
The Amnesty International Kazoo Band is already 12 months old |
|
Hannan, Michael |
A Digital Agenda for Music |
5 |
5 |
A list of the ways in which digitisation is up-ending the musician's world |
|
Hannan, Michael |
CD REVIEWS |
5 |
3 |
Has been responsible for a number of Music Forum CD reviews |
|
Hannan, Michael |
Mapping the Australian Music Industry Through Careers Research |
5 |
2 |
Michael Hannan has had an incredibly varied work experience in the music sector. But even this did not quite prepare him to write The Australian Guide to Careers in Music |
|
Hannan, Michael |
The Future of Tertiary Music Training in Australia |
5 |
3 |
Hannan says the field is oversupplied but undersourced, and there needs to be a much greater vocational focus |
|
Hannan, Michael |
The Training of Contemporary Popular Musicians |
5 |
4 |
The head of Australia’s formost institution for training in popular music considers objectives, problems |
|
Harders, Julie |
ARPA payout for music on hold |
5 |
1 |
APRA agreement with Telstra and other carriers mean royalties for music “on hold” |
|
Harders, Julie |
How APRA pulled royalties from the telephone cables |
5 |
5 |
APRA court cases gain composer royalties from music on telephone hold, and music transmission on internet |
|
Harrison, Gillian |
From Outstation to Out There: Nabarlek – A Music Industry Case Study |
5 |
5 |
The fascinating story of the difficult success of an indigenous Northern Territory band |
|
Harvey, Frances Ravel |
A Shadow without Substance |
5 |
6 |
Franz Holford’s hoax on the music world lived on after his death |
|
Harvey, Francis Ravel |
Miracle on Castlereagh St |
5 |
6 |
The miraculous rebirth of a Guernari viola in the hands of an obscure Australian luthier, Lloyd Adams |
|
Harvey, Lawrence |
An Aural Renaissance |
5 |
6 |
With new technologies, music could become “an inspirational revelation of an ephemeral world” |
|
Harvey, Lawrence |
RMIT Capitol Theatre: centre for acoustic environment and culture |
5 |
6 |
A new project in acoustic science is to be established in the old Walter Burley Griffin theatre in Melbourne |
|
Havey, Claire |
Banging Down the Door – Where is Your Audience? |
5 |
3 |
Accessibility is about social justice – AND box office |
|
Hawkes, Jon |
The Vocal Nosh: Creating Community through Song -- and Food |
5 |
6 |
Singing and eating together, together, is spreading like wildfire across Victoria |
|
Hawkes, Jon |
Victoria’s Concept of Community Music |
5 |
1 |
The foundation of strengthening community and the starting point for unleashing community creativity |
|
Hayward, Philip |
Macquarie University's new Music Center |
5 |
5 |
Program of new university music department - non-traditional, music production |
|
Heatlie, Shane |
Children’s Music: Not as Easy as ABC |
5 |
6 |
There are major opportunities in children’s music for those who consider the needs of the audience |
|
Henderson, Moya |
New Music (Tomorrow) |
5 |
2 |
What motivates composers, and what gets in the way |
|
Herd, Nick and Harris, Richard |
Chirac: Don’t bomb culture! |
5 |
4 |
A meeting of cultural professional organisations produced a declaration to protect cultural diversity from free trade |
|
Hinchliffe, Meredith |
Lobbying in Canberra |
5 |
2 |
A guide to effective arts lobbying |
|
Hinchliffe, Meredith |
No More Cuts! |
5 |
5 |
The budget policy position put to the government by the National Campaign for the Arts Australia |
|
Hinchliffe, Meredith |
The Federal Budget and the Arts |
5 |
5 |
The potential effects of the 1996 federal budget on the arts |
|
Hoegh-Guldberg, Hans |
Statistical Light Dawns on the Music Sector |
5 |
4 |
The results of a scoping study for a statistical framework for the music sector |
|
Holden, Marcus, and Okumura, Lucia |
Hey Diddle Diddle – a Festival of Fiddles |
5 |
2 |
Anthony Linden Jones interviews Marcus and Lucia about the all-encompassing Hawkesbury Fiddle Festival |
|
Holmes, Robyn |
Music at the NLA |
5 |
5 |
A fresh approach from the incumbent of the new position of Curator of Music at the National Library of Australia. |
|
Holmes, Robyn |
Supporting Australian music publishing |
5 |
2 |
The National Library of Australia will set up an International Standard Music Number (ISMN) Agency |
|
Holmes, Robyn |
The Australian ISMN Agency: Open, on-line and accessible! |
5 |
5 |
National Library of Australia has become the agency for ISMN, a unique number used to identify music publications |
|
Holmes, Robyn; Waller, Caroline, and Davis, John |
Preserving the ‘Symphony Australia Collection’ |
5 |
3 |
How the Symphony Australia collection of scores went to the National Library |
|
Holten, Kasper |
The Opera Director's Challenge: Developing Opera from the Inside |
5 |
4 |
Finding new expressions in classical and contemporary opera, while working in a traditional framework |
|
Hood, Sara |
Free program for childcare centres: Sesame Street Music Works |
5 |
3 |
Free program for childcare centres: Sesame Street Music Works |
|
Howell, Sarah |
Andrew Robson wins the 2003 MCA/Freedman Jazz Fellowship |
5 |
1 |
Andrew Robson wins the 2003 MCA/Freedman Jazz Fellowship |
|
Howell, Sarah |
Karin Schaupp's photo session |
5 |
4 |
Freedman Classical Fellowship winner Karin Schaupp spends some of her award money on a photo session |
|
Howell, Sarah |
Keller Captures Czechs |
5 |
3 |
MCA/Freedman Fellow Andrea Keller carries Prague jazz into the 21C, and brought news that women play jazz too |
|
Howell, Sarah |
MCA/Freedman Fellowships Program up and running for 2003 |
5 |
3 |
MCA Freedman Fellowships |
|
Howell, Sarah |
Melbounre Guitarist Wins Music Council/Freedman Fellowship |
5 |
5 |
The 2004 Classical Fellowship was won by guitarist Geoffrey Morris, who specialises in contemporary classical music |
|
Howell, Sarah |
News of MCA/Freedman Fellows |
5 |
5 |
The Fellows have been chalking up some substantial career successes |
|
Howell, Sarah |
Pianist, didgeridoo player joint winners of MCA/Freedman Classical Fellowship! |
5 |
6 |
William Barton, didgeridoo, and Tamara Anna Cislowska, piano, are the winners for 2003 |
|
Howell, Sarah |
The MCA/Freedman Fellows All Over the World |
5 |
1 |
News of activities and achievements of the Fellows |
|
Howland, Sally |
Options APRA offers |
5 |
3 |
APRA composers have new options for assigning rights to their works |
|
Huckle, Linda |
Beat Time at Whittlesea |
5 |
6 |
A song-writing workshop changes the lives of people who had suffered mental illness |
|
Huhtanen, Kaija |
Once I Had a Promising Future ... (Facing Reality as an Ex-Promising Pianist) |
5 |
1 |
Kaija interviewed 13 Finnish female pianists trained to be concert soloists to discover how they made the transition to a life of piano teaching and how they feel about it. |
|
Humphries, Lee |
Artistic Process and Elegant Action |
5 |
6 |
The nature of the creative process, applying to both artistic and scientific invention |
|
Hurworth, Greg |
CD REVIEWS |
5 |
4 |
Has been responsible for a number of Music Forum CD reviews |
|
International Federation of Musicians |
How orchestral musicians suffer |
5 |
4 |
International survey of the health of orchestral musicians shows stress is a major concern |
|
International Federation of Musicians |
The feasibility of e-music cooperatives |
5 |
3 |
The IFM has a new possibility for musician survival. It also has some interesting observations about the state of the musical world |
|
International Music Council |
Call for Action |
5 |
3 |
The role of community music schools in promoting intercultural music education |
|
International Network for Cultural Diversity |
International Network for Cultural Diversity |
5 |
1 |
Statement of purpose from new NGO set up to prevent global trade liberalisation from swamping local cultures |
|
International Network for Cultural Diversity |
Towards a Global Cultural Pact |
5 |
2 |
Declaration from the second conference of the INCD, which is advocating an international instrument as a device to protect local cultures from the economic forces of globalisation |
|
International Network for Cultural Diversity |
GATS: A Growing Threat to Culture |
5 |
4 |
The next round of GATS talks could be critical for the preservation of local cultures, as the USA seeks additional commitments from other countries in the audiovisual sector |
|
International Society for Music Education |
Community Music in the Modern Metropolis |
5 |
4 |
Key questions from the community music commission of the International Society for Music Education |
|
International Society for Music Educ'n |
Education of the Professional Musician |
6 |
6 |
Report of the 1996 seminar on the Education of the Professional Musician organised by ISME |
|
Irish Times/Kate Tregaskis |
Arts Funding in the Isles |
6 |
5 |
Summarises an article in the Irish Times by Kate Tregaskis, in which she argues inter alia that the Blair government’s arts policies are too heavy handed and too much seen as an instrument of social policy. |
|
Isaacs, Mark |
Jazz Co-ordination: R.I.P |
6 |
1 |
The state jazz co-ordination programs have outlived their usefulness. Time to move on. |
|
Isaacs, Mark |
One Man's Life in Jazz |
6 |
3 |
An autobiographical article from jazz pianist Mark Isaacs |
|
Istanbul Declaration |
Intangible Cultural Heritage, mirror of cultural diversity |
6 |
4 |
Istanbul declaration by Ministers of Culture |
|
Jackson, Martin |
Jazz Co-ordination and Strategic ‘Accidents’ |
6 |
6 |
The former Victorian Jazz Co-ordinator challenges arguments for the cuts to jazz co-ordination nationally |
|
James, Chris |
Community Halls: Centres for Renewal |
6 |
6 |
The Community Halls Trail promotes restoration of halls as a base for community cultural and economic revival. |
|
Janke, Terri |
Deep Forest, and the Commercial Exploitation of Indigenous Music |
6 |
5 |
An overview of the issues concerning copyright and indigenous music |
|
Jeanneret, Neryl |
ASME Wants Equity of Opportunity |
6 |
6 |
Speech delivered at the launch of the Music. Play for Life. Campaign, Powerhouse Museum, Sydney, March 26, 2004 |
|
Jekta, Mahmoud, and Diaz, Justo |
At last, Sydney gets a multicultural music center |
6 |
1 |
The authors make some provocative statements about the place of multicultural music in Australia |
|
Johannessen, Martin |
Hip-hop, trip-hop, house, acid, techno, [etc] A Guide for the Out-of-Touch |
6 |
4 |
Briefly describes characteristics of hip-hop & dance, and other styles which have developed from them |
|
Johnson, Bruce |
Making a Future for the Past |
6 |
2 |
The story of the establishment and evolution of the Australian Jazz Archive |
|
Johnson, Bruce |
The Inaudible Music: Jazz, Gender and Australian Modernity |
6 |
1 |
Book by Johnson, reviewed by Andy Sugg |
|
Johnson, Bruce |
Vernacular music. What is is? Where does it happen? How [to support it]? |
6 |
5 |
We need to known more about the situation of 'vernacular music': generated locally, expressing lived experience |
|
Jonas, Peter |
The Germans: Government and the Arts in Harmony |
6 |
6 |
Opera Director describes the joys of the funding regime in Bavaria compared with his trials over 9 years at ENO |
|
Jones, Anthony Linden |
Editorial: “Community” begins with individuals |
6 |
6 |
“An artistic culture can only be born from the creativity and initiative of individuals or small groups, with the support of their community.” |
|
Jones, Anthony Linden |
Lend Me a Tenor |
6 |
5 |
A conductor’s first six months with a community choir |
|
Jones, Anthony Linden |
Roland Peelman Interview |
6 |
6 |
The director of Australia’s great a cappella ensemble, The Song Company, talks about its challenges |
|
Jones, Julia |
What Is Happening to Music in NSW Government Primary School Classrooms? |
6 |
3 |
According to this comprehensive literature review, not a lot, unfortunately. |
|
Jones, Peter |
Don't entangle music education with notions of class |
6 |
4 |
We need both instant and delayed gratification. Comment on Peggie article in MF 9 2 |
|
Kaiser, Michael M |
How to Save the Performing Arts |
6 |
2 |
Says the President of the Kennedy Center (USA): the performing arts world is sick; we need to find some cures |
|
Kane, Pat |
Don’t Police Pop |
6 |
6 |
Kane says pop music will give over its freedom to the bureaucracy if it pursues government subsidies |
|
Kapetopoulos, Fotis |
The Brokerage of Cultural Music |
6 |
4 |
Multicultural Arts Victoria's view of its role as official promoter of cultural diversity in the arts |
|
Kats-Chernin, Elena |
The Elena Interview |
6 |
4 |
An interview by Robert Davidson with composer Elena Kats-Chernin |
|
Kelly, Patricia |
Cathedrals Week in Brisbane |
6 |
3 |
Details of a festival involving 5,000 performers |
|
Kemp, Senator Rod |
Do not underestimate Australia’s resolve |
6 |
6 |
Senator Rod Kemp, Minister for the Arts and Sport. Strong reassurances about the government’s protection of culture under the Australia/US Free Trade Agreement |
|
Kemp, Senator Rod |
The News is Good: the Free Trade Agreement with the USA |
6 |
4 |
The Federal Minister for Arts and Sport defends the agreement |
|
Kenny, Dianna T. |
Treatment Approaches for Music Performance Anxiety: What Works? |
6 |
3 |
Scientific assessment of a large number of treatments shows great differences in effectiveness |
|
Kenny, Dianna T. |
Music Performance Anxiety: Is It the Music, the Performance or the Anxiety? |
6 |
4 |
The first of two articles introducing the current knowledge about “stage-fright” – or music performance anxiety. |
|
Kilbey, John, interviewed by Baynes Graham |
Sounds of the Street |
6 |
2 |
A community music program that changes – and saves – lives. |
|
Kirchner, Bob |
Tamworth Country Music Festival |
6 |
1 |
The whole town helps to run Australia’s largest country music festival |
|
Klein, Eve |
Frigidity: Scenes, Spaces and Places of Australian Electronica and Hip Hop |
6 |
1 |
Eve Klein talks with Seb Chan of Sub Bass Snarl |
|
Klein, Eve |
Invisible Atmospheres: Happenings and Missings in Australian Experimental Electronica |
6 |
2 |
Electronica in Australia is mostly underground; local fame can depend on foreign success, but international distribution is very difficult to achieve |
|
Koch, Gareth |
CD REVIEWS |
6 |
6 |
Has been responsible for a number of Music Forum CD reviews |
|
Koehne, James |
Sydney Symphony as an International Orchestra? |
6 |
3 |
With additional funding, the orchestra considered divestment from the ABC, chose internal autonomy |
|
Lacey, Genevieve |
Genevieve Lacey. The new recorder virtuoso is interviewed by Richard Letts |
6 |
5 |
Interview with Australian recorder virtuoso. |
|
Laing, Bill |
Biggest Meeting of Black and White in North Queensland History |
6 |
1 |
The Reconciliation Concent at the Bicentenary in Townsville attracted an audience of 15,000 |
|
Lalor, Stephen |
Interview with Mats Nilsson |
6 |
4 |
Interview with the new Musical Director of the Sydney Philharmonia Choirs |
|
Lancaster, Helen |
A Regional Conservatorium That Bridges the Local and the National |
6 |
1 |
Central Qld. Con. both prepares for the profession and services community music development |
|
Lancaster, Helen |
Leading Musicians. 1. CONTEXT |
6 |
5 |
Continuing changes in conservatoriums and universities have placed radically new demands on their leaders |
|
Lancaster, Helen |
Leading Musicians. 2. CHALLENGES |
6 |
5 |
The second of this series of three articles gets down to cases: the leaders of our conservatoriums and university music departments face the most complex, fluid and demanding task. |
|
Lancaster, Helen |
Queensland: the arts in a state! |
6 |
5 |
The subversion of peer assessment processes in Arts Queensland |
|
Lancaster, Helen |
Leading Musicians. 3. SUCCESSION |
6 |
6 |
In the third of this acclaimed series investigating the leadership of our tertiary music education institutions, Helen. Lancaster questions current leaders about their situation and about succession planning. |
|
Leek, Stephen |
Composers of the future: out there in the world |
6 |
3 |
The training offered by tertiary institutions has little relationship to the real work of a composer out there in the world |
|
Lehman, Paul R. |
Art in life, and the future for the professional musician |
6 |
4 |
We need to ensure effective school music education and make major changes in the training of music professionals |
|
Letts, Richard |
(And, umm, why do we need a Music Council anyway?) |
6 |
3 |
The Director of the Music Council of Australia reports on activities in 1999-2000 |
|
Letts, Richard |
(More than) 100 ways that globalisation affects music |
6 |
5 |
A short compendium of the ways in which globalisation is affecting music |
|
Letts, Richard |
½ a cent a year for music – on Your ABC |
6 |
3 |
The ABC pays only ½ a cent per capita of Australian population per year for royalties on broadcast of recordings |
|
Letts, Richard |
3rd Column |
6 |
6 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
2 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
2 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
2 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
1 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
4 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
2 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
6 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
6 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
3 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
6 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
2 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
2 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
4 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
5 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
6 |
3 |
On the decline of arts programming at the ABC |
|
Letts, Richard |
3rd Column |
6 |
6 |
An experience of a school music program, and other short items |
|
Letts, Richard |
3rd Column |
6 |
6 |
Comments on the Australia Council reorganisation, among other things |
|
Letts, Richard |
A Ministerial Review of Music Education |
6 |
3 |
Federal Ministers Brendan Nelson and Rod Kemp announced a review at MCA launch |
|
Letts, Richard |
A new Australian arts coalition |
6 |
6 |
Australian Coalition for Cultural Diversity, formed to protect Australian culture in international trade treaties |
|
Letts, Richard |
A new national folk arts organisation |
6 |
4 |
Records the establishment of Folk Music Australia and its annual national convention |
|
Letts, Richard |
A new treaty to save culture from globalisation |
6 |
1 |
The introduction of an international treaty for cultural diversity might help to protect local cultures from the trade liberation push under the WTO |
|
Letts, Richard |
A World Trade Primer |
6 |
4 |
About the World Trade Organisation and the international movement to protect cultural diversity |
|
Letts, Richard |
ABC Improvisatory Music Festival |
6 |
6 |
Designed to discover whether Australia has improvisatory music genres it can call its own |
|
Letts, Richard |
ABC Orchestras: a New Freedom |
6 |
2 |
The potential for the ABC orchestras after corporatisation |
|
Letts, Richard |
Adelaide’s City Arts Strategy |
6 |
3 |
Adelaide City becomes an active supporter of the arts |
|
Letts, Richard |
An Australian concert piano. Will Stuart and Sons make it? |
6 |
5 |
They’ve produced a fine piano, but the financial hurdles remain |
|
Letts, Richard |
Andrea Keller |
7 |
4 |
Dick Letts interviews pianist Andrea Keller, winner of the inaugural Music Council of Australia / Freedman Foundation Jazz Fellowship |
|
Letts, Richard |
Ausmusic Announces the Australian Music Education Council |
7 |
2 |
Australian Contemporary Music Development Company announces education initiatives |
|
Letts, Richard |
Australia Council strategic plan |
7 |
1 |
The Australia Council has published a strategic plan for 1999-2001 |
|
Letts, Richard |
Australia Council Wastes Money in International Touring |
7 |
3 |
The Australia Council has effectively ignored MCA proposals for more effective funding to international activity |
|
Letts, Richard |
Australia Council: At last!… a separate Music Fund |
7 |
5 |
Celebrates the announcement that the funding body will create a specialist Music Fund |
|
Letts, Richard |
Australia Council’s Latest Announcement |
7 |
3 |
Fellowships; partnerships; commissions. Description and commentary |
|
Letts, Richard |
Australia Foundation for Culture and the Humanities Opens for Business |
7 |
5 |
Its objectives and its funding program are described |
|
Letts, Richard |
Australia. Getting it out. |
7 |
1 |
New Federal government initiative – the Australian International Cultural Council – for arts export |
|
Letts, Richard |
Australian wins International Rostrum of Composers 1999 |
7 |
3 |
Brett Dean is co-winner with his work for clarinet and orchestra, Ariel’s Music |
|
Letts, Richard |
Big end of town gets organised |
7 |
3 |
40 major performing arts organisations, venues and festivals set up a forum |
|
Letts, Richard |
But What Do You Do for a Living |
7 |
5 |
Review of the book by Prof David Throsby, a statistical survey of artists’ incomes, education etc |
|
Letts, Richard |
Bye Bye Ralph |
7 |
6 |
The Government backs off its refusal to allow tax deductions for arts losses |
|
Letts, Richard |
Campaign Directors Appointed |
7 |
1 |
The national campaign for music participation takes a big step forward with appointment of the directors |
|
Letts, Richard |
Carnivale takes on a year-round role |
7 |
2 |
All major Australian cities except Sydney have year-round multicultural music entrepreneurs |
|
Letts, Richard |
Coalition's arts policies: OK for 3 years? |
7 |
3 |
Minister Alston says that policies announced at the election will be implemented. How they would affect music. |
|
Letts, Richard |
Community music development: MCA as a National Resource |
7 |
4 |
Announces a grant from the Community Cultural Development Board to Community Music Australia |
|
Letts, Richard |
Cultural Ministers, the Nugent Report, and a new inquiry that could help small to medium sized music companies |
7 |
5 |
The Cultural Ministers Council agrees on funding increases to major performing arts companies and a new inquiry into the situation of smaller companies |
|
Letts, Richard |
Current Music Policy-Related Research |
7 |
6 |
Projects listed by the Australia Council and the Australian Bureau of Statistics |
|
Letts, Richard |
Dick Letts at the Launch |
7 |
1 |
Excerpt from his speech |
|
Letts, Richard |
Disrespect for the Elder |
7 |
4 |
The proposal to merge the two remaining tertiary music schools in Adelaide is widely distrusted |
|
Letts, Richard |
Don Banks Award for Bunna Lawrie |
7 |
2 |
The leader of Coloured Stone rock band becomes the first Aboriginal winner of the award |
|
Letts, Richard |
During the Olympics: Broadcast Australian music |
7 |
3 |
An approach by the Music Council, ARIA, and the Australia Council, to the broadcasters |
|
Letts, Richard |
Dynamo at the National Library |
7 |
4 |
The first appointee to the new position of Curator of Music brings a philosophy of collaboration |
|
Letts, Richard |
Extraordinary New Grand Piano Developed in Australia |
7 |
1 |
The technological innovations in the Stuart and Sons piano |
|
Letts, Richard |
First Chair of the Music Fund: Richard Mills |
7 |
3 |
Composer/conductor Richard Mills is the first chair of the Australia Council Music Fund |
|
Letts, Richard |
First professional choir a triumph |
7 |
6 |
A new Sydney choir bears out the hypothesis that professionalisation dramatically lifts quality |
|
Letts, Richard |
Fixing the Moral Rights Bill |
7 |
3 |
Artists are surprised to discover that the “unconditional waiver” is still permitted |
|
Letts, Richard |
For the first time, MCA Assembly opens to the public |
7 |
5 |
For the first time, MCA Assembly opens to the public |
|
Letts, Richard |
Funding Rules OK |
7 |
2 |
The Australia Council's new funding guidelines, their merits and demerits, and the Council's need for structural inertia |
|
Letts, Richard |
General Prospects for Federal Arts Funding |
7 |
6 |
The Coalition's arts funding promises at election time, and their betrayal in the budget |
|
Letts, Richard |
Genevieve Lacey first MCA/Freedman Fellow |
7 |
4 |
Inaugural fellowship in classical music awarded to recorder player Genevieve Lacey. See also interview in 7/5 |
|
Letts, Richard |
Getting Ahead of the Traffic: Copyright for the Highway |
7 |
6 |
Copyright Convergence Group recommendations for copyright innovations for the internet |
|
Letts, Richard |
Globalisation and Music |
7 |
3 |
The International Music Council has adopted globalisation as a priority issue |
|
Letts, Richard |
Government Response to Charities Definition Inquiry |
7 |
1 |
We can all breathe more easily |
|
Letts, Richard |
Growing New Cities for the Arts |
7 |
3 |
Population growth projections show that many regional centres will be large enough to support new arts institutions |
|
Letts, Richard |
How Irrational Economic Rationalism Could Imperil the QPO |
7 |
2 |
The supposed solution to the financial problems of the Queensland Philharmonic Orchestra makes no sense |
|
Letts, Richard |
How Julie Croft started 51 new choirs in one year |
7 |
1 |
51 new regional childrens' choirs have been established in the NSW state school system |
|
Letts, Richard |
How the Helfgott miracle/triumph/disaster indicates the state of classical music |
7 |
4 |
The classical music world is the victim of greed and celebrity and the attempt to win over a mass market |
|
Letts, Richard |
How the Minister has stepped into the life - or death - of QPO |
7 |
5 |
Proposals to amalgamate the management of the Queensland Philharmonic and Queensland Symphony orchestras |
|
Letts, Richard |
How the music progressin has rallied to fight for music education in the USA |
7 |
5 |
MENC, National Association of Music Merchants and Academy of Recording Arts ally to support music education |
|
Letts, Richard |
How the new arts minister sees his turf |
7 |
2 |
From a press release by Peter McGauran, Federal Arts Minister; his priorities. |
|
Letts, Richard |
How the states share in orchestral funding |
7 |
1 |
There are major inequities in Federal funding to orchestras. Queensland especially loses out. |
|
Letts, Richard |
How the US Plays the Game |
7 |
4 |
The US puts up a Trojan horse proposal to the UNESCO Conference |
|
Letts, Richard |
How ticket prices rise, and subsidies support the artists not the audience |
7 |
6 |
Ticket prices rise faster than inflation, but arts subsidies don't, so prices are set at the limit of what the market bears |
|
Letts, Richard |
How to foster a dynamic arts culture |
7 |
6 |
The new scientific theories of complexity suggest how we might effectively build a musical culture |
|
Letts, Richard |
How to get more music on radio |
7 |
5 |
Australian Broadcasting Authority code and procedures for Australian music on radio; current issues |
|
Letts, Richard |
Hunter Orchestra: exposition, development, thunderclap...Silence |
7 |
4 |
The absence of an orchestral or regional development policy at the Australia Council destroys the Hunter Orchestra |
|
Letts, Richard |
Improvisatory Music Winners |
7 |
2 |
Winners of the ABC Improvisatory Music Festival 1999 |
|
Letts, Richard |
In Adelaide: the MCA’s First Assembly |
7 |
4 |
Anounces the establishment of the Music Council of Australia, and its first annual ‘assembly’. |
|
Letts, Richard |
In the Mind of the Architect |
7 |
1 |
Dick Letts interviews architect Barry McGregor, head of the team that designed the new Sydney Conservatorium of Music building. A long interview covering many fascinating aspects of this most complex of projects. |
|
Letts, Richard |
Inadequacies in the Regulations for Broadcast of Australian Music |
7 |
6 |
The Australian Content Standards as practised do not deliver music diversity or a sufficient reflection of Australian identity and character |
|
Letts, Richard |
Initial Australia Council Decisions on Peer Assessment |
7 |
6 |
Australia Council’s alternative for structural reform: one positive, one negative for music |
|
Letts, Richard |
International Music Council |
7 |
4 |
Report on activities of some of the members |
|
Letts, Richard |
Issues Facing Our Conservatoria as They Prepare Their Students for [the 21C] |
7 |
2 |
The radical changes in the world of music require our conservatoria to broaden the curriculum, train for resourcefulness |
|
Letts, Richard |
Jig’s Up ¼ |
7 |
3 |
Reports appointments to some important music positions in Australia |
|
Letts, Richard |
Jig’s Up 1/ 2 |
7 |
1 |
News and gossip. The first of a regular column which in some later issues becomes an essay |
|
Letts, Richard |
Jig’s Up 1/3 |
7 |
4 |
News and gossip |
|
Letts, Richard |
Jig’s Up 1/5 |
7 |
5 |
News and gossip. Includes the name of Australia’s maybe best harpsichord maker. |
|
Letts, Richard |
Jig’s Up 1/6 |
7 |
6 |
News and gossip; includes conservatorium facilities; Center for Studies in Australian Music |
|
Letts, Richard |
Jig’s Up 2/1 |
7 |
1 |
The new Stuart piano in Newcastle; Hilary McPhee, the Australia Council, artist back-biting |
|
Letts, Richard |
Jig’s Up 2/2 |
7 |
4 |
News and gossip: includes comment on music in Korea, and NEA arts funding in the USA |
|
Letts, Richard |
Jig’s Up 2/3 |
7 |
1 |
News and gossip |
|
Letts, Richard |
Jig’s Up 5/2: “Elite arts”, Howard, Hanson, the limits of even-handedness |
7 |
1 |
Political insult can push an editor beyond the doctrine of even-handedness to frank partisanship |
|
Letts, Richard |
Jig’s Up 5/3 [on the remarkable Huntington Festival] |
7 |
3 |
The remarkable Huntington Festival |
|
Letts, Richard |
Jig’s Up 5/4 [On value in music] |
7 |
3 |
Argues for public championing of musical values, even proposes preparation of Australian musical canon |
|
Letts, Richard |
Jig’s Up 6/1: The Don and the guts of education |
7 |
2 |
In support of building music from the grassroots up |
|
Letts, Richard |
Jig’s Up 6/2 |
7 |
3 |
Telling quotes from Robert Dessaix and Nelson Mandela |
|
Letts, Richard |
Jig's Up 2/4 [on orchestras] |
7 |
5 |
Problems with the funding structure for Australian orchestras; the special funding to the Sydney Symphony |
|
Letts, Richard |
Jig's Up 2/5 [on the recording industry] |
7 |
2 |
The growing problem for record companies, large and especially small, of how to place and sell their recordings |
|
Letts, Richard |
Jig's Up 2/6 [on contemporary composition] |
7 |
2 |
The weakening of dogma in contemporary music composition |
|
Letts, Richard |
Jig's Up 3/1 [on music in schools] |
7 |
3 |
On the crisis in music education |
|
Letts, Richard |
Jig's Up 3/2 [on corruption] |
7 |
4 |
On corruption: in defence of the Australia Council, but with a sidelong glance at state systems |
|
Letts, Richard |
Jig's Up 3/3 [on devolution of federal funding] |
7 |
5 |
On the Gondwana national children's choir.How the states are hijacking federal arts funding, & why this is a bad idea |
|
Letts, Richard |
Jig's Up 3/4 [more on devolution] |
7 |
6 |
Various, including an argument FOR devolution of Federal regional funding to the states |
|
Letts, Richard |
Jig's Up 3/5 [on venturesomeness] |
7 |
2 |
Argues that venturesomeness in Australian art paradoxically could be assisted by funding infrastructure, not artists |
|
Letts, Richard |
Jig's Up 3/6 [on: Those That Can't, Play] |
7 |
5 |
Rails against Shaw's slut: 'Those that can, do. Those that can't, teach.' Supports return to musical values in teaching |
|
Letts, Richard |
Jig's Up 4/3 [on the failure of the arts lobby] |
7 |
2 |
On the inability of the Australian arts sector to organise and support a national advocacy organisation |
|
Letts, Richard |
Jig's Up 4/4 [on caring for young musicians] |
7 |
1 |
A complaint by a young musician that older musicians offer no help to young artists to establish careers |
|
Letts, Richard |
Jig's Up 4/5 [ proper roles for arts editors and funding bodies |
7 |
5 |
Arts editors choices are about significance; funding bodies should reflect, not invent. |
|
Letts, Richard |
Jig's Up 5/1 [on not waiting for the grant] |
7 |
5 |
Artists make art, whether or not the grant has come through |
|
Letts, Richard |
Junking the Pokies |
7 |
3 |
One Sydney hotel has ditched the poker machines in favour of live music |
|
Letts, Richard |
Keeping music alive in everyone |
7 |
2 |
A strong musical life in communities is essential to the health of the art form |
|
Letts, Richard |
Levy on private recording |
7 |
2 |
Australian and Canadian composers and record companies want to begin or extend levies on private recording |
|
Letts, Richard |
Magazines, memberships, can be GST-free |
7 |
2 |
A new wrinkle: if the cost of supply is no more than 75% of price received, you can claim GST-free status |
|
Letts, Richard |
MCA Music Policy for the 2004 Federal Elections |
7 |
4 |
Music and arts policy recommendations put to all political parties |
|
Letts, Richard |
MCA to Build Online Refereed Journals |
7 |
2 |
A decisions was taken by the membership at the 2003 Assembly |
|
Letts, Richard |
MCA to Establish Music Critics’ Circle |
7 |
2 |
The uses of a national music council; review of MCA; national campaign for music participation. |
|
Letts, Richard |
Minus to the ABC = Minus to Music |
7 |
1 |
The potential damage to music of the new government's intended reduction of $87 million in funds to the ABC |
|
Letts, Richard |
Moral Rights Bill (at last) |
7 |
4 |
Moral rights legislation has been introduced into Parliament after many years waiting |
|
Letts, Richard |
More Australian music on radio. PLUS Canada’s better |
7 |
2 |
The broadcasting industry has agreed to lift Australian music content – but Canada does more |
|
Letts, Richard |
More boring details of the GST |
7 |
1 |
Some details of the probable impact of the GST on the arts |
|
Letts, Richard |
More from the online music melodrama |
7 |
3 |
SDMI formats are hacked; Napster allies with Bertelsmann |
|
Letts, Richard |
More money for the big companies. Governments back Nugent |
7 |
4 |
Commonwealth government budget funds Nugent recommendations. States agree to contribute. |
|
Letts, Richard |
More than survival |
7 |
6 |
The Nugent Inquiry has published a discussion paper. The article reports and analyses its findings. |
|
Letts, Richard |
Multiculturalism at ISME |
7 |
4 |
Reports some of the issues taken up at the International Society for Music Education conference, 1996 |
|
Letts, Richard |
Music and Manipulation |
7 |
4 |
A Swedish conference that tackles some difficult issues about the uses of music |
|
Letts, Richard |
Music and Mansfield |
7 |
2 |
The recommendations of the Mansfield Report into the ABC, and the possible effects on music |
|
Letts, Richard |
Music Audiences in Victoria |
7 |
5 |
Roy Morgan Research developed profiles of lifestyle, motivations, attitudes of arts audiences for Arts Victoria |
|
Letts, Richard |
Music Concerts Attract Few Overseas Tourists |
7 |
1 |
An Australia Council study shows only 4% of overseas tourists attend even popular music concerts. Other details. |
|
Letts, Richard |
Music Council campaigns against ABC cuts |
7 |
1 |
The Music Council campaigned [successfully] to reverse the 1/3 cuts to the artists’ budgets on ABC radio |
|
Letts, Richard |
Music Council Of Australia Annual Report 2003-2004 |
7 |
3 |
|
|
Letts, Richard |
Music Council of Australia Membership, 2002-2003 |
7 |
6 |
List of Council members |
|
Letts, Richard |
Music Council of Australia: Response to the ‘Nugent Report’ |
7 |
6 |
The Council is strongly supportive, but there are a few things to fix up |
|
Letts, Richard |
Music Council Structure Modified: More from the Industry |
7 |
6 |
The Music Council of Australia has now a higher percentage of Councillors from the commercial music industry |
|
Letts, Richard |
Music Festivals Are the Most Popular of All |
7 |
3 |
Australia Council research: 40% of Australian festivals are music festivals, and half of those are jazz |
|
Letts, Richard |
Music in the Creative Nation…the government’s cultural strategy rattles bars |
7 |
3 |
Brief summary of the newly announced government policy.See ¼ for thorough coverage |
|
Letts, Richard |
Music industry counts on its digits |
7 |
5 |
Industry conference reveals a growing preoccupation with internet marketing of music |
|
Letts, Richard |
Music Industry Export Expert Quits Austrade Advisory Committee |
7 |
1 |
Phil Tripp quits Austrade Advisory Committee in protest against proposed parallel import legislation |
|
Letts, Richard |
Music Play for Life Campaign News |
7 |
4 |
Campaign report |
|
Letts, Richard |
Music, and the pros and cons of Creative Nation |
7 |
6 |
Description of and commentary on the governments cultural policy, Creative Nation. Includes views From the visual arts lobby, the jazz world, and music educators |
|
Letts, Richard |
Music. Play for Life. |
7 |
6 |
The campaign for music participation |
|
Letts, Richard |
Musical scores on CD-ROM |
7 |
6 |
Reports the release by Theodore Presser of sheet music on CD-ROM |
|
Letts, Richard |
National Folk Week |
7 |
6 |
The first Australia-wide celebration of Australian folk culture takes place in August 1999 |
|
Letts, Richard |
New Home for Coffs Regional Conservatorium |
7 |
5 |
A new director and brand new facilities at the Homebase shopping complex, in a rapidly expanding coastal city |
|
Letts, Richard |
New Ideas from the Music Board |
7 |
1 |
Describes some new policy initiatives at the Music Board of the Australia Council |
|
Letts, Richard |
New rules for overseas funding |
7 |
4 |
Australia Council Music Fund will focus support on the export-ready |
|
Letts, Richard |
New support, new name for YMA |
7 |
5 |
Youth Music Australia, has new sponsor, is changing its name to GlobalFreeway Australian Youth Orchestra |
|
Letts, Richard |
New Venues for Sydney |
8 |
3 |
The development of the Circular Quay area as a music precinct with new music venues |
|
Letts, Richard |
New Zealand Television Productions to Be Accepted as [Australian Content]? |
8 |
4 |
Court challenge under CER free trade agreement to have NZ TV productions accepted as Australian content |
|
Letts, Richard |
On why everyone is grateful if the government didn't remember them |
8 |
6 |
The effects on music and the arts of the government's 1997 budget |
|
Letts, Richard |
Overs: the top. An interview |
8 |
3 |
Ron Overs is developing a new Australian piano, beginning with what may be the best piano action in the world |
|
Letts, Richard |
Ozco’s most important mission |
8 |
5 |
The Australia Council has begun research to back a campaign to promote the value of the arts |
|
Letts, Richard |
PITH and PULSE |
8 |
4 |
Interesting music news items from around the globe |
|
Letts, Richard |
PITH and PULSE |
8 |
4 |
A round-up of some significant eventualities in the world of music |
|
Letts, Richard |
PITH and PULSE |
8 |
3 |
Brief reports of music events and circumstances. |
|
Letts, Richard |
PITH and PULSE |
8 |
1 |
Brief reports on events and circumstances in the musical world |
|
Letts, Richard |
Playing for Life at Paddington Public |
8 |
3 |
Every child in 4th grade at Paddington Public School in Sydney has to join the band. Great idea! |
|
Letts, Richard |
Post-Hanson regional arts |
8 |
4 |
The Commonwealth has an interest in funding regional arts to win back the Hanson voters |
|
Letts, Richard |
Radio Quotas: Music Council Asks for More |
8 |
5 |
The Music Council is seeking an increase in the quotas for Australian music on commercial radio |
|
Letts, Richard |
Ralph’s tax nightmare |
8 |
6 |
A proposed tax regulation would preclude some losses from arts activity being set against income |
|
Letts, Richard |
Reconciliation |
8 |
1 |
Some opportunities to put reconciliation into practice |
|
Letts, Richard |
Red House |
8 |
2 |
A small new music publisher plays an exemplary role |
|
Letts, Richard |
Report of the Inquiry into the Definition of Charities |
8 |
6 |
The Commonwealth Government’s Inquiry has reported. The issue seems to have genuine rather than political roots in ancient and confusing definitions. Of course, there will be practical outcomes. Charities get privileges. |
|
Letts, Richard |
Roger Frampton: “I did it for jazz”. |
8 |
3 |
Obituary for the great jazz performer |
|
Letts, Richard |
Saving our arts from the WTO (and the USA) |
8 |
3 |
Interesting progress towards protecting out culture through an international treaty supporting cultural diversity |
|
Letts, Richard |
Schaupp, Slater are the MCA / Freedman Music Fellowship 2002 Winners |
8 |
4 |
The winners are headed for great things |
|
Letts, Richard |
Selling the performing arts |
8 |
5 |
An Australia Council survey suggests more effective ways to build audiences |
|
Letts, Richard |
Some Questions for the PAB |
8 |
6 |
Commentary on the new Performing Arts Board guidelines for grant applicants and decisions |
|
Letts, Richard |
Special venue for new music at Sydney Opera House |
8 |
2 |
The Studio (former Broadwalk) will re-open, rebuilt, at SOH, with a policy and program of new music. |
|
Letts, Richard |
Star of the Melbourne Festival? – J.S.Bach |
8 |
4 |
The 2000 Melbourne Festival’s music program does something rare: focuses on the past instead of the future |
|
Letts, Richard |
Statistics: composers are rich(ish) |
8 |
4 |
Some details from Artswork: A Report on Australian Working in the Arts, from the Australian Bureau of Statistics |
|
Letts, Richard |
Stephen Costello – a tribute |
8 |
6 |
On the occasion of his stepping down as manager of Community Music Victoria |
|
Letts, Richard |
Sydney’s feast of music venues |
8 |
5 |
Lists a sudden emergence of music venues in downtown Sydney |
|
Letts, Richard |
The Australia Council Reorganises Again |
8 |
6 |
It is terminating the New Media and Community Cultural Development Boards, inter alia. Analysis of some of the issues |
|
Letts, Richard |
The budget [1997]: [what the government did to the ABC] |
8 |
1 |
The potential effects on music and the arts of government funding cuts to the ABC |
|
Letts, Richard |
The Communications Highway and Music |
8 |
3 |
Description, commentary on report for government, Commerce in Content, recommending that Australia should invest in production of content rather than hardware for telecommunications |
|
Letts, Richard |
The election: where the parties stand |
8 |
4 |
Arts policies of political parties, 1998 Australian elections |
|
Letts, Richard |
The Export of Music and the LEK Report |
8 |
2 |
MCA response to the Department for Communications and the Arts report, The Export of Performing Arts and Music |
|
Letts, Richard |
The Fat Lady is Singing |
8 |
3 |
The Melba affair: Ministerial provision of a large grant to Melba Records, with apparent due process |
|
Letts, Richard |
The Federal budget: what’s missing for the arts |
8 |
3 |
Funding holds fairly steady, but shifts further towards projects and away from core needs |
|
Letts, Richard |
The free trade vs cultural protection dilemma |
8 |
1 |
The Constitution of the European Union shows how to manage the risk to Australian culture from free trade treaties |
|
Letts, Richard |
The Future for Our Orchestras |
8 |
2 |
Orchestras are fundamental and indispensable to a viable classical music culture in Australia. Defend them. |
|
Letts, Richard |
The Helpmann Awards |
8 |
5 |
Major new entertainment industry awards include opera, musicals, music scores, sound design |
|
Letts, Richard |
The Impact on Music [of the 1996 federal budget] |
8 |
6 |
The potential impact on musical activity of the 1996 federal arts budget |
|
Letts, Richard |
The latest nonsense at the ABC |
8 |
2 |
When all is said and done, restructuring is the major activity of the ABC. And it’s happening again. |
|
Letts, Richard |
The Music Council in 2004 |
8 |
5 |
Music Council of Australia plans for 2004 |
|
Letts, Richard |
The Music Industry: Globalised and Spinning |
8 |
3 |
The advent of the internet could see the end of the music industry as we know it. But music will survive |
|
Letts, Richard |
The new Australian Yearbook and other music directories |
8 |
1 |
Lists Australian directories for various sectors of the music world |
|
Letts, Richard |
The Nugent Rescue |
8 |
3 |
The Final Report of the Major Performing Arts Inquiry described and analysed |
|
Letts, Richard |
The PAB Changes the Rules |
8 |
4 |
Description of and commentary on new Performing Arts Board funding guidelines. |
|
Letts, Richard |
The Report on the Small to Medium Performing Arts Sector |
8 |
6 |
The Music Council’s response. |
|
Letts, Richard |
The survival of musicology |
8 |
2 |
(In Column 3) Argues that musicology should research broadly Australia’s living musical cultures |
|
Letts, Richard |
The Text of the Australia/US Free Trade Agreement: More Bad News |
8 |
6 |
Some may be pleased with parts of the intellectual property section; otherwise the best that can be said is that it could have been even worse |
|
Letts, Richard |
The US Trade Negotiations: What Really Happened |
8 |
4 |
Some previously confidential information about the deterioration of the Australian position. |
|
Letts, Richard |
The uses of a music council |
8 |
2 |
Round-up of MCA activities; |
|
Letts, Richard |
The uses of a music council |
8 |
1 |
Careers book published; Music and Media Circle; music education research; make music campaign; globalisation |
|
Letts, Richard |
The uses of a music council |
8 |
1 |
A roundup of the developments in globalisation, culture and free trade negotiations. |
|
Letts, Richard |
The uses of a music council |
8 |
3 |
The Campaign; trade negotiations; the Freedmans; Music Commentators’ Circle; research into music quotas |
|
Letts, Richard |
The uses of a music council |
8 |
4 |
US/Australia trade negotiations approach the crunch; our various research projects; more. |
|
Letts, Richard |
The Uses of a Music Council |
8 |
5 |
16 recent activities of the Music Council of Australia |
|
Letts, Richard |
The Uses of a Music Council |
8 |
6 |
Recent activities of the Music Council of Australia |
|
Letts, Richard |
The Uses of a Music Council |
8 |
4 |
Includes the possible formation of an Asian Music Council |
|
Letts, Richard |
The uses of a national music council: Beginning thoughts on the campaign for music participation |
8 |
1 |
The campaign will be a major MCA initiative for 2003. You may be able to add some ideas |
|
Letts, Richard |
They love us. They love us not. |
8 |
5 |
Saatchi and Saatchi reports to the Australia Council on improving Australians’ attitudes to the arts |
|
Letts, Richard |
Traffic Doubles on MCA Website |
8 |
6 |
And network membership increases by a third from January to August |
|
Letts, Richard |
WASO in trouble |
8 |
5 |
The West Australian Symphony Orchestra has a $2million debt and is being evicted from its ABC studio home |
|
Letts, Richard |
What ails the big performing arts companies? |
8 |
1 |
Concerning the establishment of the Nugent Inquiry into the major performing arts companies |
|
Letts, Richard |
What an independent person might think about parallel imports |
8 |
2 |
An attempt at an objective assessment of the parallel import legislation for CDs and its possible effects |
|
Letts, Richard |
What MCA was doing |
8 |
1 |
A report of the activities of the Music Council of Australia in 1998-99 |
|
Letts, Richard |
What the government says about parallel importation of CDs |
8 |
6 |
The Coalition government's case for parallel import legislation for CDs; the government's subsidy package |
|
Letts, Richard |
What the Music Council was doing |
8 |
6 |
Chairman’s report on the activities of the Music Council of Australia, 1997-98 |
|
Letts, Richard |
What the Music Council was doing over the past year |
8 |
2 |
Annual report of the Executive Director of the Music Council of Australia, Dick Letts |
|
Letts, Richard |
When Sydney Con goes underground |
8 |
5 |
The design for the new facilities for the Sydney Conservatorium of Music |
|
Letts, Richard |
Why Doesn't Your Town Have Its Own Music School? |
8 |
4 |
Australia needs more community music schools; statistics show Europe has one school for every 29,000 people |
|
Letts, Richard |
Why students do (or don't) drop out of music lessons |
8 |
1 |
Report of a study by Dutch researchers into why students persist with or drop out of music lessons |
|
Letts, Richard |
Why the Australia Council Will Develop a Youth Arts Policy |
8 |
4 |
Article drawn from the Australia Council's statement of rationale for its proposed youth arts policy |
|
Letts, Richard |
Why there are some doubts about the near future of music services on-line |
8 |
2 |
Reports views of John Burke of CIRCIT that technological problems will slow business use of on-line services |
|
Letts, Richard |
Why, for Goodness Sake, Does Music Need a Campaign? |
8 |
5 |
Speech delivered at the launch of the Music. Play for Life. Campaign, Powerhouse Museum, Sydney, March 26, 2004 |
|
Letts, Richard |
Will a Music Education Truly Make Your Johnny a Genius? |
8 |
1 |
Summarises reviews of research attempting to establish link between music education and broader academic performance |
|
Letts, Richard |
Winner of the Campaign slogan competition |
8 |
2 |
Anne Gilbey wins the competition with the slogan Music. Play for Your Life |
|
Letts, Richard |
yadayadayada |
8 |
5 |
Brief news items mostly about the music industry |
|
Letts, Richard |
Yet another review of parallel imports |
8 |
2 |
The new government will set up another review into the proposal to permit 'parallel importation' of CDs |
|
Letts, Richard |
Your Highway Funds at Work |
8 |
3 |
Summary of the report of the Broadband Services Expert Group, proposing government policy on Australia’s use of the internet: content production, access, education, innovation |
|
Letts, Richard, and the Australian National Choral Association |
So you want to be a choral conductor |
8 |
2 |
Results of an ANCA survey show that choral conducting is a marginal occupation financially |
|
Letts, Richard, from research report |
Cutbacks in Swedish Music Education Cramp Its Music Industry |
8 |
5 |
The industry has had extraordinary international success – partly attributed to the glories of the music education system. |
|
Lierse, Anne |
Can we really call this music education? |
8 |
1 |
The author’s research shows a substantial decline in the amount of music offered in Victorian public schools |
|
Linden Jones, Anthony |
CD REVIEWS |
8 |
1 |
Has been responsible for a number of Music Forum CD reviews |
|
Lisgaras, Freda |
Another story of cultural imperialism: Recorded Greek Music in Australia |
8 |
2 |
A short history of recorded Greek music in Australia. |
|
Livermore, Joan |
Arts education in the political arena |
8 |
3 |
The government's preoccupation with literacy standards does not favour arts; arts need to argue their own values |
|
Livermore, Joan |
Senate Inquiry into Arts Education. Now for Some Action? |
8 |
1 |
Senate Report encompasses political, economic, social and cultural issues. Description, commentary |
|
Livermore, Joan |
The Key Competencies controversy |
8 |
5 |
The purpose of the Mayer Key Competencies when applied to the arts |
|
Lord, J. G. |
Fund-Raising: Ownership and Other Motivators |
8 |
5 |
Proposes that loyalty of major donors to an organisation can be won in various ways, including by giving them a voice in decision-making |
|
Lowe, Geoff |
WA Youth Orchestra – 30TH Anniversary Celebration |
8 |
4 |
WA Youth Orchestra – 30TH Anniversary Celebration |
|
Lynn-Bayne, Caroline |
CD REVIEWS |
8 |
6 |
Has been responsible for a number of Music Forum CD reviews |
|
Lynn-Bayne, Caroline |
The Trouble with Jazz Singers… |
8 |
5 |
Experiencing the thorough preparation of Indian singers, Ms. Bayne reflects on ignorance and neglect in jazz instruction |
|
Macarthur, Sally |
Happy Birthday to You! |
8 |
4 |
The lack of recognition of women composers continues; we don’t even with them happy birthday |
|
MacArthur, Sally |
Reflections on the 3rd Australian Women's Festival and Conference |
8 |
5 |
Attitudes to and opportunities for women musicians are still under threat from gender bias |
|
Macdonnell, Justin |
Get Real: This is Not a One-Term Government |
8 |
6 |
The new Coalition government is likely to serve more than one term; the arts should take a positive approach |
|
Macdonnell, Justin |
The arts after the election: we need a better, fresher idea |
8 |
6 |
The arts need to reformulate the arguments for public support to fit government beliefs |
|
Maddox, Alan |
CD REVIEWS |
8 |
2 |
Has been responsible for a number of Music Forum CD reviews |
|
Maddox, Allan |
Music education in the time of Bach |
8 |
2 |
The objective in Bach’s time: competence in several instruments, sacred and operatic singing, and composition |
|
Mahoney, Peter |
Powerhouse Museum Soundhouse |
8 |
4 |
A description of the Soundhouse program in Sydney’s Powerhouse: making access to music technology available to everyone |
|
Maloney, Timothy |
A Country’s Soul: Commitments between Governments and the Arts. II Canada |
8 |
3 |
The arts policies of Canada |
|
Marsh, Jeannie |
Travels with the Baron |
8 |
4 |
Singer Jeannie Marsh’s project: to cause a new music theatre work based on the life of botanist Baron Ferdinand von Mueller |
|
Martin, Dee |
The people will say, We have done this ourselves |
8 |
2 |
Community music development requires highly developed skills across many disciplines |
|
Mason, Paul |
Australian Music Quotas on Radio: More Evidence |
8 |
5 |
Local content quotas in France have been spectacularly successful; their absence in NZ has been a disaster. |
|
Mason, Paul |
Do Australian music quotas on radio actually help? |
8 |
2 |
Mason’s research for MCA shows that they most certainly do. |
|
Matters, Chris |
In the Chair: Adelaide Symphony Goes Digital |
8 |
3 |
A computer program that allows you to play with an orchestra with real time guidance |
|
McAlister, Beverley and Shortis, John |
The Ballad of Birdsland |
8 |
5 |
The story of a very successful composer residency in the Dandenong Ranges, VIC |
|
MCANet |
The Everything File |
8 |
5 |
Current opportunities in the music sector |
|
MCANet |
The Everything File |
8 |
4 |
Current opportunities in the music sector |
|
MCANet |
The Everything File |
8 |
6 |
Current opportunities in the music sector |
|
MCANet |
The Everything File |
8 |
1 |
Current opportunities in music |
|
MCANet |
The Everything File |
8 |
3 |
Current opportunities in music. Note that these files are archived on the members’ pages of the MCA website |
|
McCallum, Peter |
Criticism and Foolishness |
8 |
5 |
The foolishness of music critics, rather than their wisdom, ensures their place in history. |
|
McCallum, Peter |
The Black Hole and the Internet |
8 |
3 |
State patronage & the future of art music and art music education in the information age |
|
McCue, Ed |
Inside the Mind of the Acoustician |
8 |
3 |
Dick Letts interviews Ed McCue, member of the team designing the acoustics at the new Sydney Conservatorium |
|
McDonald, Anna |
Early Music in London and Sydney |
8 |
4 |
Madeleine Rowles interviews the recently returned early music virtuoso |
|
McDonald, Graham |
Folk music: Back in Limbo |
8 |
1 |
The Australian Folk Trust may die after the Australia Council totally withdrew continuing funding |
|
McDonald, Ian |
Copyright Council: business should pay for its music |
8 |
4 |
Copyright Council advocates that businesses should pay to play music in the workplace or for customers |
|
McGuire, Marshall |
New Music Network: new directions in the promotion of new music |
8 |
4 |
Sydney's new New Music Network is a marketing alliance of new music performing groups |
|
McLachlan, Neil |
Sculpting Sound: New Bell Designs and Attitudes -- |
8 |
3 |
The Federation Bell Projects enabled two artists to rethink the acoustics and structure of the bell |
|
McMillan, Ros |
Instruments of Desire: the Leather Works of Garry Greenwood |
8 |
4 |
Greenwood is the maker of those whimsical “musical instrument” sculptures. But now he, with collaborators such as jazz eminence Brian Brown and composer Karlin Love, has devised some very playable musical instruments. |
|
McPherson, Gary |
Crisis: the Serious Situation of Music Education in Australia Schools |
8 |
5 |
To fight the reduction in school music programs requires organised, informed support from the entire music sector |
|
McPherson, Gary |
UNESCO/International Music Council Music Prize to Sir Frank Callaway |
8 |
6 |
The achievements and contributions to world musical life of West Australian Sir Frank Callaway |
|
Melville-Clarke, Paula |
The New USQ Junior Academy of Music - a Dalcroze-Based Music School -- Paula Melville-Clarke |
9 |
5 |
University of Southern Queensland’s new school will have Dalcroze Eurythmics at the centre of its curriculum |
|
Migliorino, Pino |
Stimulating Creativity in Marketing to a Cultural Diverse Society |
9 |
2 |
Success depends upon creativity in addressing cultural modes and sensitivities |
|
Milligan, Catherine |
What We Need, to Introduce Young Players to Music of Their Time |
9 |
3 |
If Australian composers want a future audience, they must write works for performance by the young |
|
Milne, Elissa |
Profile: Chris Dench |
9 |
4 |
Elissa Milne finds a composer who will not give in to the times |
|
Mitchell, Tony |
Maya Jupiter Interview |
9 |
1 |
Australian woman DJ crosses musical borders -- from R&B to hip hop to salsa |
|
Mitchell, Tony |
Morganics: Australian Hip-Hop, Theatre and Pedagogy |
9 |
2 |
An interview with hip hop artist Morganics – who takes the craft to an amazing array of at-risk kids |
|
Mitchell, Tony |
Australian Hip Hop: Coming Out from Under |
9 |
5 |
A brief history of the emergence of a very multicultural Australian style of hip hop |
|
Monteil, Alain |
A Country’s Soul: Commitments between Governments and the Arts. III. France |
9 |
6 |
The arts policies of France |
|
Moore, Margaret |
Cracking the Shell for tomorrow's orchestra audience |
9 |
3 |
Sydney Symphony Orchestra's educational programs for young people |
|
Moore, Margaret |
Sydney Sinfonia and Its Fellowship Program |
9 |
5 |
Interesting developments in this highly successful orchestral training program |
|
Moore, Margaret |
The Sydney Sinfonia |
9 |
3 |
An acclaimed program of the Sydney Symphony assists young musicians to make the transition to a professional career |
|
Morrison, Lindy |
Editoria: In for the long term |
9 |
4 |
Lindy’s experience with a program for the disabled shows that results are cumulative and extended programs can be more effective than short term programs |
|
Morrison, Lindy |
Garma Festival of Traditional Culture |
9 |
5 |
The festival celebrated the opening of the Yirrnga Music Development Center in the NT |
|
Morrison, Lindy |
It's a Man's Man's World |
9 |
6 |
It’s been a long battle for women musicians to get access to the world of rock and pop – and there’s still a way to go |
|
Morrison, Lindy |
Performers Need Copyright Too |
9 |
2 |
Musician Lindy Morrison gives the arguments in favour of the introduction of Performers’ Copyright |
|
Morrison, Lindy |
Putting a Price on the Priceless |
9 |
1 |
The editor of Music Alive is perplexed by the requirements to put an economic value on the non-economic benefits of community music activity |
|
Morrison, Lindy |
The Artist and the Administrator |
9 |
3 |
Both artist and administrator are necessary to success, and they have to find ways to cooperate |
|
Morton, Graham |
Lessons from Overseas: Developing a Singing Community |
9 |
4 |
The development of choral music in Australia is way behind most Western countries. What can be done? |
|
Moss, Chris |
The Recording Industry: in a State of Revolution |
9 |
5 |
Enormous changes in the recording industry challenge Australian companies to find new ways to viability |
|
Mulcahy, Michael |
How the jet plane revolutionised the orchestra |
9 |
6 |
The jet plane has made it possible for conductors to travel more easily, but therefore to spend less time with each orchestra. More responsibility and autonomy is thrown on the musicians of the orchestra. Mulcahy implies that the exercise of their musical skills therefore acquires an ethical aspect. |
|
Mundy, Simon |
Music and the Global Future |
9 |
5 |
Globalisation brings an unprecedented wealth of disembodied music. But the power of music also must continue to bring us together |
|
Munro, Gemma and LeCouteur, Amanda |
Music performance vs. ‘normal work’: Performing identities and fulfilling selves |
9 |
1 |
Musicians talk about themselves as able to reject expectations of financial success, to achieve artistic fulfilment |
|
Music Council of Australia |
!Bulletin |
9 |
2 |
The last issue of the MCA !Bulletin, renamed Music Forum from issue Vol.2 No. 6. Numbering was maintained. |
|
Music Council of Australia |
A national plan for Australian orchestras |
9 |
4 |
Music Council of Australia policy proposal for Australian orchestral development |
|
Music Council of Australia |
A National Strategic Plan for Choral Development |
9 |
2 |
Discussion paper, proposing comprehensive strategies for careers, performance, education, audience |
|
Music Council of Australia |
Acapuncture to the Body Musical |
9 |
1 |
Resolutions from the Fourth Annual Assembly of the Music Council of Australia, September 1997 |
|
Music Council of Australia |
Australian Music to the World |
9 |
1 |
Music Council policy proposals to government authorities for building international musical careers |
|
Music Council of Australia |
Community Music and Educational Options: MCA Talks to the Senate |
9 |
2 |
MCA submission to the Senate Inquiry into Arts Education described |
|
Music Council of Australia |
Dear Bob Mansfield |
9 |
4 |
The Music Council of Australia's policy submission to the Mansfield Review of the ABC |
|
Music Council of Australia |
Directory of National Music Organisations |
9 |
3 |
Alphbetical listing of national music and music-related organisations, giving purpose and contact details |
|
Music Council of Australia |
Directory of National Music Periodicals and Directories |
9 |
6 |
National directory of music periodicals and music directories; alphabetical order with purpose and contact information |
|
Music Council of Australia |
Fellowships to catapult our best musicians |
9 |
4 |
New Music Council of Australia / Freedman Foundation Fellowships in classical music and jazz will support some of Australia’s best musicians age 35 and under in making some big career moves |
|
Music Council of Australia |
How We'll Save the World of Music |
9 |
2 |
Records the establishment of an alliance to campaign for public participation in music making |
|
Music Council of Australia |
MCA Tackles Some of the Big Questions |
9 |
2 |
The agenda of the Music Council of Australia as decided at its 1996 Annual Assembly |
|
Music Council of Australia |
MCA to Dr. Nugent: how about the little guys? |
9 |
1 |
Most of the Music Council’s submission to the “Nugent Inquiry” into the major performing arts companies |
|
Music Council of Australia |
MCAction. Important activities of the national music council |
9 |
2 |
Report of activities of the Music CouncilL music education research, careers in music, Freedman Fellowships, Website |
|
Music Council of Australia |
MCANet: The Everything File |
9 |
1 |
Opportunities in music. Includes a fairly comprehensive summary of impending government funding deadlines |
|
Music Council of Australia |
Members of the Music Council of Australia 2004-2005 |
9 |
6 |
Membership list |
|
Music Council of Australia |
Membership 1996 |
9 |
3 |
Membership of the Music Council of Australia, 1996-97 |
|
Music Council of Australia |
Membership 199902000 |
9 |
4 |
Membership list and affiliations |
|
Music Council of Australia |
Membership 2001-2002 |
9 |
5 |
Membership as elected at the AGM in October 2001 |
|
Music Council of Australia |
Membership of the Music Council of Australia 1999 |
9 |
6 |
Shows the membership structure and incumbents to the AGM in October 1999. |
|
Music Council of Australia |
Music as a charitable activity? |
9 |
3 |
Summary of Music Council submission to the Federal Inquiry on the Definition of Charities and Related Organisations |
|
Music Council of Australia |
Music Council initiatives |
9 |
1 |
Update, March 1999, of Music Council of Australia activities |
|
Music Council of Australia |
Music Council of Australia |
9 |
3 |
Music Council activities include establishment of a community music development program |
|
Music Council of Australia |
Music Council of Australia current activities |
9 |
3 |
Music Council's current activities, August 1996 |
|
Music Council of Australia |
Music Council of Australia current activities |
9 |
5 |
Strategies for choral music and jazz development, publications, community music development |
|
Music Council of Australia |
Music Council of Australia Members 2000-2001 |
9 |
2 |
Member list |
|
Music Council of Australia |
Peer Assessment: Another Modest Proposal |
9 |
4 |
Discussion paper suggesting Australia Council outsources grant decision-making, and supervises the process at arm’s length, so avoiding some politically damaging abuse |
|
Music Council of Australia |
Re: The All-Australian Musical |
9 |
3 |
Music Council of Australia policy proposal to Minister Alston for a fund to support development of popular musicals |
|
Music Council of Australia |
Rebuilt MCA website has a lot on offer |
9 |
2 |
|
|
Music Council of Australia |
Reforming the Australia Council peer assessment process |
9 |
4 |
The Music Council’s submission proposes procedures, calls for establishment of a Music Board |
|
Music Council of Australia |
Report |
9 |
6 |
Report of activities, December 1994 |
|
Music Council of Australia |
Report |
9 |
3 |
Report on activities, February 1995 |
|
Music Council of Australia |
Report |
9 |
2 |
Report on current activities, April 1995 |
|
Music Council of Australia |
Report |
9 |
5 |
Activities, June 1995. Community music development |
|
Music Council of Australia |
Report |
9 |
3 |
Report on activities, list of members as of August 1995 |
|
Music Council of Australia |
Resolutions of the Assembly |
9 |
3 |
Resolutions adopted by the MCA concerning communications, directory of music organisations, government funding of music, teriary music education, community music development, Australian music and musicians on radio, ARC and music research, music education, copyright, careers, Australian music and musicians internationally, honours to musicians |
|
Music Council of Australia |
Second Annual Assembly: Making It Better |
9 |
1 |
Proposals adopted: international careers; music criticism; music education; radio; Australian musicals; community music development; multicultural music; internet; jazz; musical careers; funding policies |
|
Music Council of Australia |
Statements of Principle |
9 |
2 |
Four principles which will guide the policies of the Music Council. |
|
Music Council of Australia |
Why Small Businesses Should Pay Copyright Royalties for Music |
9 |
2 |
MCA policy statement advocating that businesses should pay copyright fees for music broadcast on their premises |
|
Music Council of Australia |
Why the Music Industry is Complaining about the Parallel Import Legislation |
9 |
3 |
MCA policy statement opposing the introduction of legislation to permit parallel importation of sound recordings |
|
Music NSW |
Indent: Rock for Youth |
9 |
4 |
A successful youth program in rock music |
|
Music. Play for Life |
How to Find a Music Teacher or Performing Group |
9 |
5 |
Announces a new service to be provided |
|
Music. Play for Life |
New Schools Advocacy Tool Kit |
9 |
6 |
Available on the website for free downloading |
|
Myers, Eric |
Jazz Coordination Association Ceases Trading |
9 |
3 |
Faced with a termination of funding, the national and NSW jazz development organisation folds |
|
Napier, John |
CD REVIEWS |
9 |
5 |
Has been responsible for a number of Music Forum CD reviews |
|
Nash, Sandra |
Innovations in the Dalcroze Diaspora |
9 |
5 |
A changing of the guard in Geneva could strengthen Dalcroze Eurhythmics world-wide. |
|
Nash, Sandra, and Davidson, Andrew |
Not Just Kids' Stuff! |
9 |
1 |
Describes current practice in Dalcroze Eurhythmics |
|
National Guild of Community Schools of the Arts |
A Public Schools/Community Schools Project in the USA |
9 |
3 |
A research project to determine the elements of success in partnerships between public school music programs and community music schools in the USA |
|
National Jazz Development Office |
A National Strategy for Jazz Development |
9 |
3 |
Detailed strategy for jazz development in Australia - discussion paper |
|
National Jazz Development Office |
National Strategic Plan for Jazz Development: final version |
9 |
4 |
After consultation with the jazz community, the plan first published in issue 5/1 has been amended and is ready for implementation |
|
Neilson SoundScan (source) |
Testing the Link between Airplay and Record Sales |
9 |
2 |
Yes, it survives in the USA, but not without some confusion. |
|
Nettelbeck, Ted |
CD REVIEWS |
9 |
3 |
Has been responsible for a number of Music Forum CD reviews |
|
Neuenfeldt, Karl |
Making a CD with the Torres Strait Islanders |
9 |
4 |
Making a CD with the Torres Strait Islanders |
|
Neuenfeldt, Karl |
Torres Strait Islander Maritime Songs |
9 |
5 |
Music and work come together in a unique song repertoire in the Torres Strait Islands north of Australia |
|
New York Times |
Editorial |
9 |
6 |
With Congress threatening to terminate Federal arts funding, the NYT recalls why arts funding is important |
|
Nielsen, Ken |
Music: Not Business as Usual |
9 |
1 |
The former food industry executive says that to try to manage an arts organisation “just like a business” is potentially very destructive. |
|
Nielsen, Ken |
Pinchgut's Plans |
9 |
5 |
Plans for the new small Sydney opera company, Pinchgut Opera |
|
Nielsen, Ken |
Your Mission, Assuming You Choose to Ignore It |
9 |
6 |
Why waste your time with mission statements and strategic planning? -- asks the former businessman |
|
Nielson, Ken |
We can’t market ‘the arts’ |
9 |
1 |
The Australia Council should not waste money trying to market ‘the arts’: better to help individual artists build their own audiences |
|
North, Adrian |
Music and Manipulation. I. “The Tills Are Alive…” |
9 |
4 |
The use of music for commercially-motivated manipulation |
|
O’Donnell, John |
Bach in His World |
9 |
6 |
Commemorating the 250th birthday of his death, a view of Bach’s life journey |
|
O'Brien, Emma |
Sounding the Soul: Music Therapy and Cancer Patients |
9 |
5 |
Music therapist Emma O’Brien’s work includes working with cancer patients to make songs – for some, their most personal testament |
|
O'Donnell, Michelle |
Performing Rights for Screen |
9 |
1 |
APRA’s Film and TV Writer Services Manager outlines the complexities |
|
Okumura, Lucia |
Eisteddfod Mums |
9 |
6 |
The dangers of the eisteddfod industry, where infants and children are trained to compete rather than develop musically |
|
Olliffe, Neville |
Early Music Lately |
9 |
3 |
The history and current situation of early music in Australia |
|
Opera Conference |
New operas, music theatre, on the way |
9 |
6 |
The national and state opera companies report plans for commissions and productions of new works |
|
Opportunities File |
Opportunities File |
9 |
1 |
Conferences, Festivals, Auditions, Fellowships and Funding |
|
Osborne, William |
How the VPO is pure in race and gender |
9 |
4 |
Gives information about gender and racial exclusion policies of the Vienna Philharmonic Orchestra |
|
Overs, Ron |
Overs: the top. Interview by Richard Letts |
9 |
4 |
Ron Overs is developing a new Australian piano, beginning with what may be the best piano action in the world |
|
Oxenbould, Moffatt |
40 Years On: The Opera Singer in Australia in 1996 |
9 |
4 |
Higher standards and an increasing number of aspiring singers: a more competitive, specialised world in opera |
|
OZ O/S |
How foreigners love us. (Or not) |
9 |
2 |
Foreign reviews of Australian musicians quoted. |
|
OZ O/S |
Loved by foreigners. (Or not.) |
9 |
2 |
Quotes from foreign reviews of Australian musicians. |
|
Panucci, Frank |
Some Reflections on School-Based Projects |
9 |
2 |
The Band Thing attracts Indigenous and other students to stay in school; SCRAP teaches them recording skills |
|
Panucci, Frank and Bacchiella, Lou |
Update: the Campaign for Music Participation |
9 |
3 |
Update: the Campaign for Music Participation |
|
Pareles, John |
The Many Futures of Music, Maybe One of Them Real – |
9 |
4 |
Speculations arising at theFuture of Music Policy Summit held at Georgetown University in early 2002 (NYT) |
|
Parikh, Arvind |
Bombay's Deal with Its Music Critics |
9 |
5 |
The Bombay traditional music community has negotiated with its music critics to adopt a code of ethical practice |
|
Patrick, John |
The Wattle’n’Gum Bush Band |
9 |
6 |
In Townsville next year, the world’s largest bush band celebrates its 20th Anniversary |
|
Pearce, Chris MP |
A Private Member’s Motion in Parliament on Behalf of Music Education in Schools -- Chris Pearce |
9 |
1 |
On February 10, 2003, Chris Pearce MP read this motion to the House of Representatives. There were supporting speeches from four other MPs, two from Government, two from Opposition |
|
Pearce, Chris, MP |
The Importance of Music as a Social and Economic Force in Our Society |
9 |
5 |
Music education’s Federal parliamentary crusader gives a plenitude of reasons why music matters |
|
Pearce, Rose, interviewed by Mason, Paul |
Fresh Salt |
9 |
3 |
Rose Pearse manages Fresh Salt, a special international promotion project for Australian Indigenous music |
|
Pearse, Rose |
News from the Contemporary Music Industry Battlefront |
9 |
6 |
The situation of contemporary popular music in Australia: copyright, local content on radio, education, recording etc. |
|
Pech, Leonie |
Music grabs truant students |
9 |
2 |
Secondary school music teacher Leonie Pech describes a school music program that attracts kids many of whom don’t like school, don’t do well there, and often don’t attend. |
|
Peelman, Roland |
Catching Up with the Past – Remembering the Future |
9 |
5 |
Perceptions of the situation of new music theatre in Europe and Australia |
|
Peelman, Roland |
First Loudmouth Festival of the Voice |
9 |
4 |
Newcastle (always another surprise) holds a trial run of a new festival for every kind of vocal music |
|
Peggie, Andrew |
Why music education is part of the class struggle |
9 |
2 |
There are two approaches to music participation: instant gratification, and no pain no gain. They are class-linked. |
|
Peppard, Herb |
Interactivity: the new dimension of mass media |
9 |
6 |
Interactivity' is the truly new characteristic available in multimedia; active participation, not just passive reception |
|
Piper, Colin |
Synergy in Stockholm |
9 |
4 |
Synergy Percussion Ensemble’s 1998 tour to the Stockholm International Percussion Event |
|
Plews, Barry |
OK well let’s do it. Together. |
9 |
1 |
Dick Letts interviews artist manager and entrepreneur Barry Plews |
|
Plush, Vincent |
Some Thoughts on the Future of New Music in Australia |
9 |
4 |
The expat composer assesses the situation in Australia by comparison with aspects of that in the USA |
|
Plush, Vincent |
The Loss of Memory: a Plea for the Retention of Australia's Musical History |
9 |
5 |
The facilities available for archiving Australia's recorded music history are inadequate and declining |
|
Pontzious, Richard |
The grass-roots "miracle" that is the Asian Youth Orchestra |
9 |
4 |
Overcoming every possible difficulty, AsianYO tours young players from and to the region |
|
Potter, Michelle |
Australia Dancing Partners: Music and Dance at the National Library of Australia |
9 |
2 |
The new Australia Dancing initiative shows among other things the strong connections between Australian dance and music |
|
Pratt, Richard |
The Arts’ Benefit to Business – a businessman talks to his colleagues |
9 |
1 |
The businessman/philanthropist describes two way benefits from arts sponsorship |
|
Pratten, Netta |
Testifying Festival: evidence from Brisbane, 1998 |
9 |
3 |
Review, Brisbane Festival 1998 |
|
Pretty, Prof. Sharman |
New directions at the Sydney Con: Cleaning up the Stables |
9 |
5 |
The new Principal describes her intentions: facilities, curriculum, collaboration with the profession |
|
Pretty, Sharman |
The Case for National Accreditation of Private/Studio Music Teachers |
9 |
4 |
Rationale and processes for accreditation of studio music teachers |
|
Price, David |
The Crisis Facing Professional Music Training |
9 |
6 |
Tertiary music institutions must prepare their students for a world which most people listen to non-classical music |
|
Price, Lynne |
A people power cantata |
9 |
5 |
A special cantata written for and performed by the citizens of Burnie, Tasmania |
|
Price, Lynne |
Orchestral Enticement in Burnie |
9 |
3 |
Community orchestra project in Tasmania |
|
Pusz, Ryszard |
Puszing’s Luck in Mildura |
9 |
1 |
Anecdote about surprising events from percussiont Pusz’s visit to Mildura |
|
Q Music |
First occupancy rights for live music venues |
9 |
6 |
Queensland will legislate to prevent new residential development from closing existing live music venues |
|
Q Music |
Noise Noise Noize |
9 |
6 |
An alliance has formed to fight developers’ controls on music venues in Brisbane’s Fortitude Valley |
|
Radvan, Hania |
Tennant Creek, Felicity, and the Bunyip |
9 |
4 |
Three community music development programs in the Northern Territory, including one with Aboriginal youth bands |
|
Ralph, Barnaby |
Early Music Now: The Early Music Revival in South Australia |
9 |
2 |
The key figures in early music in South Australia, going back to the 1960s |
|
Rann, Premier Mike |
SA Arts Policy |
9 |
3 |
Premier Mike Rann appointed himself Arts Minister and announced a new arts policy |
|
Rechniewski, Peter |
How Poker Machines Killed Jazz at the Strawberry Hills Hotel |
9 |
1 |
The usurpation by poker machines of Sydney's major venue for contemporary jazz, the Strawberry Hills Hotel |
|
Rechniewski, Peter |
Plans for a Jazz Festival in Bathurst |
9 |
2 |
Wangaratta is the model for this jazz festival, but there’ll be special differences |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
9 |
3 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
9 |
4 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
9 |
5 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
9 |
6 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
10 |
5 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
10 |
2 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
10 |