Music Forum Title Index *Click Author or Vol/No. to sort into respective order |
|
TITLE |
DESCRIPTION |
|||
|
Music Council of Australia |
!Bulletin |
2 |
5 |
The last issue of the MCA !Bulletin, renamed Music Forum from issue Vol.2 No. 6. Numbering was maintained. |
|
Letts, Richard |
(And, umm, why do we need a Music Council anyway?) |
7 |
2 |
The Director of the Music Council of Australia reports on activities in 1999-2000 |
|
Letts, Richard |
(More than) 100 ways that globalisation affects music |
6 |
5 |
A short compendium of the ways in which globalisation is affecting music |
|
Godbolt, Peter |
‘Tide of Dreams’: An Outreach Music Performance Project |
11 |
1 |
Taking live performances into disadvantaged schools: a project of the Sydney Conservatorium and the MCA, with financial support from the Freedman Foundation |
|
Letts, Richard |
½ a cent a year for music – on Your ABC |
7 |
4 |
The ABC pays only ½ a cent per capita of Australian population per year for royalties on broadcast of recordings |
|
Wainwright, Chris |
2002 National Music Camp: A Personal Experience |
8 |
4 |
Describes the camp |
|
Howell, Sarah |
2005 Freedman Fellowships Underway |
11 |
3 |
Nominations have been called for, nominees chosen |
|
Letts, Richard |
3rd Column |
8 |
3 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
8 |
4 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
8 |
5 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
8 |
6 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
9 |
1 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
9 |
2 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
9 |
2 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
9 |
3 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
9 |
4 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
9 |
5 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
9 |
6 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
10 |
1 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
10 |
2 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
10 |
3 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
10 |
4 |
Gossip and commentary |
|
Letts, Richard |
3rd Column |
10 |
5 |
On the decline of arts programming at the ABC |
|
Letts, Richard |
3rd Column |
11 |
1 |
An experience of a school music program, and other short items |
|
Letts, Richard |
3rd Column |
11 |
2 |
Comments on the Australia Council reorganisation, among other things |
|
Letts, Richard |
3rd Column |
11 |
3 |
On recognising creative artistic work as research for the purposes of tertiary funding; other |
|
Oxenbould, Moffatt |
40 Years On: The Opera Singer in Australia in 1996 |
3 |
1 |
Higher standards and an increasing number of aspiring singers: a more competitive, specialised world in opera |
|
Young, Simone |
A Conductor’s Place |
6 |
5 |
The Music Director of Opera Australia discusses the tasks of the opera conductor |
|
UNESCO Sources magazine |
A convert to the cause |
5 |
3 |
The World Banks’s new attitude to supporting culture as an aspect of development |
|
Dirkswager, Joost |
A Country’s Soul: Commitments between Governments and the Arts. I. The Netherlands |
6 |
2 |
The arts policies of the Netherlands |
|
Maloney, Timothy |
A Country’s Soul: Commitments between Governments and the Arts. II Canada |
6 |
2 |
The arts policies of Canada |
|
Monteil, Alain |
A Country’s Soul: Commitments between Governments and the Arts. III. France |
6 |
2 |
The arts policies of France |
|
Hannan, Michael |
A Digital Agenda for Music |
9 |
3 |
A list of the ways in which digitisation is up-ending the musician's world |
|
Letts, Richard |
A Ministerial Review of Music Education |
10 |
4 |
Federal Ministers Brendan Nelson and Rod Kemp announced a review at MCA launch |
|
Turner, Mary |
A Musicican from Way out West |
7 |
6 |
Donald Hazelwood grew up on a farm in the isolated south west of NSW, went on to become Concertmaster of the Sydney Symphony Orchestra |
|
Music Council of Australia |
A national plan for Australian orchestras |
3 |
2 |
Music Council of Australia policy proposal for Australian orchestral development |
|
Music Council of Australia |
A National Strategic Plan for Choral Development |
5 |
2 |
Discussion paper, proposing comprehensive strategies for careers, performance, education, audience |
|
National Jazz Development Office |
A National Strategy for Jazz Development |
5 |
1 |
Detailed strategy for jazz development in Australia - discussion paper |
|
Letts, Richard |
A new Australian arts coalition |
9 |
3 |
Australian Coalition for Cultural Diversity, formed to protect Australian culture in international trade treaties |
|
World Intellectual Property Organisation |
A New Broadcasters’ Treaty |
10 |
3 |
WIPO has held talks for an international treaty to update the intellectual property rights of broadcasting organisations. |
|
Halton, Rosalind |
A New National Early Music Initiative |
10 |
2 |
The MCA will support the establishment of an early music network for Australia |
|
Letts, Richard |
A new national folk arts organisation |
4 |
2 |
Records the establishment of Folk Music Australia and its annual national convention |
|
Arnold, Bruce |
A New Player Joins the Cultural Funding Orchestra |
3 |
6 |
Describes the operational precepts of the Australia Foundation as of August 1997 |
|
Letts, Richard |
A new treaty to save culture from globalisation |
8 |
4 |
The introduction of an international treaty for cultural diversity might help to protect local cultures from the trade liberation push under the WTO |
|
Allen Consulting Group |
A Page of Statistics: Copyright Industries and the Economy. Australian Performing Arts |
8 |
3 |
Report for Australian Copyright Council shows copyright industries contribute 3.3% of Australian GDP |
|
Price, Lynne |
A people power cantata |
8 |
4 |
A special cantata written for and performed by the citizens of Burnie, Tasmania |
|
Pearce, Chris MP |
A Private Member’s Motion in Parliament on Behalf of Music Education in Schools -- Chris Pearce |
9 |
4 |
On February 10, 2003, Chris Pearce MP read this motion to the House of Representatives. There were supporting speeches from four other MPs, two from Government, two from Opposition |
|
National Guild of Community Schools of the Arts |
A Public Schools/Community Schools Project in the USA |
7 |
2 |
A research project to determine the elements of success in partnerships between public school music programs and community music schools in the USA |
|
Lancaster, Helen |
A Regional Conservatorium That Bridges the Local and the National |
5 |
4 |
Central Qld. Con. both prepares for the profession and services community music development |
|
The Times (London) |
A review to die for |
5 |
6 |
Quotes the review that says of the Australian Chamber Orchestra that it must be “the best on earth” |
|
Faine, Susan |
A Rose by Any Other Name |
4 |
3 |
Folk and traditional music, and cultural diversity in Australia |
|
Harvey, Frances Ravel |
A Shadow without Substance |
10 |
4 |
Franz Holford’s hoax on the music world lived on after his death |
|
Villaneuva, Carlos |
A Taste of Chile |
9 |
2 |
The leader of the Latin band Tigramuna stokes his musical fires in the land of his birth |
|
Thompson, Stephanie |
A way to go… |
7 |
3 |
The good news and the bad news is that music therapy is in its beginnings in Tasmania |
|
Letts, Richard |
A World Trade Primer |
6 |
6 |
About the World Trade Organisation and the international movement to protect cultural diversity |
|
Letts, Richard |
ABC Improvisatory Music Festival |
5 |
6 |
Designed to discover whether Australia has improvisatory music genres it can call its own |
|
Letts, Richard |
ABC Orchestras: a New Freedom |
3 |
3 |
The potential for the ABC orchestras after corporatisation |
|
Ryszard Pusz |
ABCD |
8 |
6 |
Humour |
|
Music Council of Australia |
Acapuncture to the Body Musical |
4 |
1 |
Resolutions from the Fourth Annual Assembly of the Music Council of Australia, September 1997 |
|
Letts, Richard |
Adelaide’s City Arts Strategy |
6 |
3 |
Adelaide City becomes an active supporter of the arts |
|
Wright, Susan |
Advocacy and Research in Music Education. Implications from the REAP Report |
8 |
1 |
There is no need to justify art to educational authorities. Rather, find out why arts justifies itself in the minds and hearts of people. |
|
Trimarchi, Nat |
All Tourism Is Cultural Tourism |
10 |
2 |
But neither the cultural nor the tourism sectors have come to grips with it. |
|
Callinan, Brendan |
AMA’S Music Makers: Fuelling the Fire |
10 |
4 |
Speech delivered at the launch of the Music. Play for Life. Campaign, Powerhouse Museum, Sydney, March 26, 2004 |
|
Broad, Tina |
Amanda Armstrong Raises MPFL Funds for Melbourne Schoolkids |
11 |
2 |
An exemplary fund-raiser by a private person has bought four guitars for disadvantages school students |
|
Bodlovich, Paul |
AMIN and the Situation of the Musician |
11 |
2 |
The structure and task of the Australian Music Industry Network |
|
Smith, Robert G. |
An alien context? Teaching music in indigenous Australian settings |
7 |
6 |
Dr. Smith, who is music advisor to Northern Territory schools, gives some key insights into the Aboriginal learning process |
|
Harvey, Lawrence |
An Aural Renaissance |
7 |
3 |
With new technologies, music could become “an inspirational revelation of an ephemeral world” |
|
Letts, Richard |
An Australian concert piano. Will Stuart and Sons make it? |
6 |
4 |
They’ve produced a fine piano, but the financial hurdles remain |
|
Brown, Andrew R. |
An Introduction to Digital Sound Synthesis |
5 |
4 |
Sampling and playback, altering samples, oscillator synthesis, digital synthesis directions |
|
Brown, Andrew R. |
An Introduction to Music Analysis with Computers |
5 |
3 |
Score coding and analysis, symbolic systems, audio analysis, grammars, metaphoric representation |
|
Ancell, Noel |
ANCA soars to new heights at “Summit” |
9 |
2 |
Report from the Australian National Choral Association |
|
Letts, Richard |
Andrea Keller |
8 |
1 |
Dick Letts interviews pianist Andrea Keller, winner of the inaugural Music Council of Australia / Freedman Foundation Jazz Fellowship |
|
BOOK REVIEW |
Andrew Ford: Undue Noise: Words about Music |
8 |
5 |
Reviewed by Claudio Pompili |
|
Howell, Sarah |
Andrew Robson wins the 2003 MCA/Freedman Jazz Fellowship |
10 |
1 |
Andrew Robson wins the 2003 MCA/Freedman Jazz Fellowship |
|
Eccles, Jeremy |
Angel Exchange |
8 |
4 |
The chamber music program at Sydney Festival was an exchange with the Cheltenham festival in England |
|
Lisgaras, Freda |
Another story of cultural imperialism: Recorded Greek Music in Australia |
9 |
6 |
A short history of recorded Greek music in Australia. |
|
Rix, Pat |
Anything is Possible: The Arts and Social Inclusion |
10 |
5 |
The extraordinary and most moving story of Adelaide choir for the disabled, The Tutti Ensemble |
|
Harders, Julie |
ARPA payout for music on hold |
5 |
2 |
APRA agreement with Telstra and other carriers mean royalties for music “on hold” |
|
Roces, Marian Pastor |
Art artists still the vanguard? Or, does it matter |
7 |
6 |
A keynote address from the 2001 ISPA conference. Many little stories to swerve, interestingly, around the question and extricate us from modernist assumptions |
|
Lehman, Paul R. |
Art in life, and the future for the professional musician |
3 |
3 |
We need to ensure effective school music education and make major changes in the training of music professionals |
|
Humphries, Lee |
Artistic Process and Elegant Action |
4 |
6 |
The nature of the creative process, applying to both artistic and scientific invention |
|
Gould, Tony [QLD] |
Arts and the Corporate (Money) Box |
2 |
5 |
The Queensland Performing Arts Center's approach to corporate funding support for the arts |
|
Livermore, Joan |
Arts education in the political arena |
3 |
2 |
The government's preoccupation with literacy standards does not favour arts; arts need to argue their own values |
|
Irish Times/Kate Tregaskis |
Arts Funding in the Isles |
8 |
2 |
Summarises an article in the Irish Times by Kate Tregaskis, in which she argues inter alia that the Blair government’s arts policies are too heavy handed and too much seen as an instrument of social policy. |
|
Jeanneret, Neryl |
ASME Wants Equity of Opportunity |
10 |
4 |
Speech delivered at the launch of the Music. Play for Life. Campaign, Powerhouse Museum, Sydney, March 26, 2004 |
|
Whiticker, Michael and Wilkinson, Justine |
Aspirations / Inspirations: a collaboration between locals |
8 |
3 |
Describes a three part community music project in Townsville, North Queensland, to celebrate the Centenary of Federation |
|
Jekta, Mahmoud, and Diaz, Justo |
At last, Sydney gets a multicultural music center |
7 |
1 |
The authors make some provocative statements about the place of multicultural music in Australia |
|
Brown, Andrew. R |
Aural and Musicianship Training with Computers |
3 |
6 |
Explores the issues in choosing and using computer software for developing aural and musicianship skills |
|
Letts, Richard |
Ausmusic Announces the Australian Music Education Council |
2 |
1 |
Australian Contemporary Music Development Company announces education initiatives |
|
Letts, Richard |
Australia Council strategic plan |
5 |
6 |
The Australia Council has published a strategic plan for 1999-2001 |
|
Letts, Richard |
Australia Council Wastes Money in International Touring |
3 |
3 |
The Australia Council has effectively ignored MCA proposals for more effective funding to international activity |
|
Letts, Richard |
Australia Council: At last!… a separate Music Fund |
2 |
3 |
Celebrates the announcement that the funding body will create a specialist Music Fund |
|
Letts, Richard |
Australia Council’s Latest Announcement |
2 |
1 |
Fellowships; partnerships; commissions. Description and commentary |
|
Potter, Michelle |
Australia Dancing Partners: Music and Dance at the National Library of Australia |
8 |
5 |
The new Australia Dancing initiative shows among other things the strong connections between Australian dance and music |
|
Letts, Richard |
Australia Foundation for Culture and the Humanities Opens for Business |
2 |
1 |
Its objectives and its funding program are described |
|
Conway, Suzannah |
Australia fumbles the baton |
4 |
5 |
New opera and music theatre in Australia languishes because of inadequate funding and artistic risk-taking |
|
Gardner, Sarah |
Australia hom to new international arts federation |
7 |
4 |
Australia took a leading role in setting up a new association of national cultural agencies, and is host to its office |
|
Letts, Richard |
Australia. Getting it out. |
6 |
2 |
New Federal government initiative – the Australian International Cultural Council – for arts export |
|
Mitchell, Tony |
Australian Hip Hop: Coming Out from Under |
10 |
4 |
A brief history of the emergence of a very multicultural Australian style of hip hop |
|
Thwaites, Penelope |
Australian music competition -- in London |
9 |
4 |
First international performance competition based on Australian repertoire adds 3 concerts in St John’s, Smith Sq. |
|
Mason, Paul |
Australian Music Quotas on Radio: More Evidence |
10 |
2 |
Local content quotas in France have been spectacularly successful; their absence in NZ has been a disaster. |
|
Music Council of Australia |
Australian Music to the World |
2 |
2 |
Music Council policy proposals to government authorities for building international musical careers |
|
Letts, Richard |
Australian wins International Rostrum of Composers 1999 |
5 |
6 |
Brett Dean is co-winner with his work for clarinet and orchestra, Ariel’s Music |
|
O’Donnell, John |
Bach in His World |
7 |
2 |
Commemorating the 250th birthday of his death, a view of Bach’s life journey |
|
Sucharitkul, Somtow |
Back to the Trenches |
8 |
5 |
The distinguished Thai expatriate writer and composer returns home to discover – and urge on -- an artistic renaissance |
|
Havey, Claire |
Banging Down the Door – Where is Your Audience? |
9 |
2 |
Accessibility is about social justice – AND box office |
|
Huckle, Linda |
Beat Time at Whittlesea |
6 |
6 |
A song-writing workshop changes the lives of people who had suffered mental illness |
|
Toronto Arts Council |
Because culture is the business of cities |
5 |
4 |
The text of a promotional booklet for arts funding published by the Toronto Arts Council |
|
Dreyfus, George |
Being George and Liking It! Reflections on the life and work of George Dreyfus on his 70th Birthday |
5 |
6 |
Book review by Fred Blanks |
|
Conolly, Joy |
Better than My Wildest Dream |
9 |
3 |
Conolly's life was enriched when she took up clarinet after her husband died |
|
Letts, Richard |
Big end of town gets organised |
5 |
2 |
40 major performing arts organisations, venues and festivals set up a forum |
|
Laing, Bill |
Biggest Meeting of Black and White in North Queensland History |
7 |
4 |
The Reconciliation Concent at the Bicentenary in Townsville attracted an audience of 15,000 |
|
Broad, Tina |
Bill Leak: Drawing on Music |
11 |
3 |
Cartoonist, painter -- and pianist, Bill Leak talks to Tina about love, family, happiness and the transcendental nature of music |
|
Davis, Beryl; Johnson, Elverina and McLennon Lesley |
Blow ‘im. The Yarrabah Brass Band Story |
9 |
1 |
The Yarrabah Brass Band was one of a number of indigenous bands touring North Queensland in the early 1900s |
|
Parikh, Arvind |
Bombay's Deal with Its Music Critics |
3 |
4 |
The Bombay traditional music community has negotiated with its music critics to adopt a code of ethical practice |
|
Sugg, Andy |
Book review |
7 |
6 |
The Inaudible Music: Jazz, Gender and Australian Modernity, by Bruce Johson, reviewed by Andy Sugg |
|
BOOK REVIEWS |
Book reviews |
9 |
5 |
Belonging,, by Renée Goossens. Peggy Glanville-Hicks: A Transposed Life, by James Murdoch. |
|
BOOK REVIEWS |
Book reviews |
9 |
6 |
Stuart Coupe:The Promoters. Graham Leak: A Manual for Music Workshops |
|
BOOK REVIEWS |
Book reviews |
10 |
1 |
Peter J. Davies. The Character of a Genius: Beethoven in Perspective. Rob Hirst: Willie’s Bar and Grill. Guy Noble: The Music Explorer |
|
BOOK REVIEWS |
Book reviews |
10 |
4 |
John Whiteoak and Aline Scott-Maxwell, editors: Currency Companion to Music and Dance in Australia |
|
BOOK REVIEWS |
BOOK REVIEWS |
10 |
5 |
Paul Kelly: Don’t Start Me Talking, Lyrics 1984 – 2004. Sandra Krempl: The Five Dimensions of Community |
|
BOOK REVIEWS |
BOOK REVIEWS |
11 |
1 |
Nettelbeck, Colin: Dancing with DeBeauvoir: Jazz and the French. Leong, Sam, editor: Musicianship in the 21st Century: Issues, Trends and Possibilities. |
|
BOOK REVIEWS |
BOOK REVIEWS |
11 |
2 |
Dunbar-Hall, Peter and Gibson, Chris: Deadly sounds, deadly places: Contemporary Aboriginal music in Australia |
|
BOOK REVIEWS |
BOOK REVIEWS |
11 |
3 |
Ann Capling: All the way with the USA. Australia, the US and Free Trade. Claus-Steffen Mahnkopf, ed., The Foundations of Contemporary Composing. Richard Powers: The Time of Our Singing |
|
BOOKS RECEIVED |
BOOKS RECEIVEED |
9 |
3 |
List of books received since the previous issue |
|
BOOKS RECEIVED |
BOOKS RECEIVEED |
9 |
5 |
List of books received since the previous issue |
|
BOOKS RECEIVED |
BOOKS RECEIVEED |
10 |
4 |
List of books received since the previous issue |
|
Community CD Review |
Braddon - A Place of Our Own |
9 |
2 |
Braddon – a Place of Our Own; Federation Chorus/Orchestra, Burnie TAS |
|
Dunn, Christie |
Branching Out |
9 |
4 |
How Melbourne Autumn Music Festival and the Castlemaine State Festival are responding to survival pressures |
|
Dean, Brett |
Building our own repertoire |
8 |
6 |
We can build the Australian repertoire without derogating the tradition, says one of our foremost composers. |
|
Letts, Richard |
But What Do You Do for a Living |
1 |
4 |
Review of the book by Prof David Throsby, a statistical survey of artists’ incomes, education etc |
|
Letts, Richard |
Bye Bye Ralph |
6 |
6 |
The Government backs off its refusal to allow tax deductions for arts losses |
|
International Music Council |
Call for Action |
7 |
5 |
The role of community music schools in promoting intercultural music education |
|
Broad, Tina |
Campaign Collaborators |
11 |
2 |
A list of Music Play for Life campaign collaborators |
|
Letts, Richard |
Campaign Directors Appointed |
9 |
5 |
The national campaign for music participation takes a big step forward with appointment of the directors |
|
Bacchiella, Lou |
Campaign News |
10 |
2 |
News from the Music, Play for Life campaign |
|
Di Mazio |
Can cause-marketing help music? 9 3 |
9 |
3 |
Description of cause marketing and application to music marketing |
|
Spychiger, Maria |
Can Music in school Give Stimulus to Other School Subjects? |
5 |
6 |
Music education can facilitate non-musical learning, but should be part of education for its intrinsic merits |
|
Lierse, Anne |
Can we really call this music education? |
7 |
2 |
The author’s research shows a substantial decline in the amount of music offered in Victorian public schools |
|
Canadian sources |
Canada Imposes a Levy ON MP3 Players |
10 |
3 |
APRA is seeking a levy on blank CD-Rs. Canada already has one – and now will have another on digital recording devices. |
|
Letts, Richard |
Carnivale takes on a year-round role |
6 |
4 |
All major Australian cities except Sydney have year-round multicultural music entrepreneurs |
|
Peelman, Roland |
Catching Up with the Past – Remembering the Future |
5 |
3 |
Perceptions of the situation of new music theatre in Europe and Australia |
|
Kelly, Patricia |
Cathedrals Week in Brisbane |
5 |
5 |
Details of a festival involving 5,000 performers |
|
Barwick, Linda |
Catherine Ellis |
3 |
1 |
Eulogy for Catherine Ellis, ethnomusicologist and music educator |
|
Ancell, Noel |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Blanks, Fred |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Clare, John |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Dench, Chris |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Franklin, Gavin |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Grunstein, Sarah |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Hannan, Michael |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Hurworth, Greg |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Koch, Gareth |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Linden Jones, Anthony |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Lynn-Bayne, Caroline |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Maddox, Alan |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Napier, John |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Nettelbeck, Ted |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Strahle, Graham |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Stubington, Jill |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Sudmalis, David |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Sugg, Andy |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Webster, Belinda |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Weretka, John |
CD REVIEWS |
Has been responsible for a number of Music Forum CD reviews |
||
|
Capps, Mary Jo |
Chamber music in dance clubs: Musica Viva loosens up |
6 |
5 |
The chamber music entrepreneur is successfully pursuing young audiences in their natural habitat |
|
Capps,. Mary Jo |
Chamber Music Today |
11 |
3 |
The GM of Musica Viva Australia describes the situation of chamber music in Australia |
|
Arts Education Partnership |
Champions of Change |
7 |
4 |
US research on 25,000 students over a period of 10 years shows a major impact of continuing arts education on academic performance and socialisation |
|
Australian Music Exam Bd |
Changing the Face of Music Education in Australia |
10 |
5 |
The AMEB asks for readers' help |
|
Heatlie, Shane |
Children’s Music: Not as Easy as ABC |
7 |
1 |
There are major opportunities in children’s music for those who consider the needs of the audience |
|
Herd, Nick and Harris, Richard |
Chirac: Don’t bomb culture! |
9 |
4 |
A meeting of cultural professional organisations produced a declaration to protect cultural diversity from free trade |
|
Grove, Margaret |
Choralation's path to success |
9 |
3 |
How the Choralation Choir achieved a cappella success in only four years |
|
Letts, Richard |
Coalition's arts policies: OK for 3 years? |
2 |
4 |
Minister Alston says that policies announced at the election will be implemented. How they would affect music. |
|
Gregory, Sean |
Collaborative Approaches: Putting Colour in a Grey Area |
10 |
3 |
London’s famous Guildhall School of Music and Drama shows the way with its community program |
|
Roberts, Chris |
Commissioning Club Helps Create New Music |
10 |
3 |
Four couples in Minnesota have formed a club to commission new works and arrange performances. |
|
Coote, Martin |
Common Expression |
9 |
2 |
Musings on the meaning of community |
|
Community CD Review |
Common Ground |
8 |
6 |
Students of Eora College, Sydney |
|
Community Briefing |
Community briefing |
9 |
4 |
Community music news from around Australia and the world |
|
Community Music Australia |
Community Briefing |
8 |
3 |
News items from the community music sector |
|
Community Music Australia |
Community Briefing |
8 |
4 |
News items from the community music sector |
|
Community Music Australia |
Community Briefing |
8 |
5 |
Haydn Keyboard Sonatas, Vol. 1 -- Geoffrey Lancaster, Fortepiano; Persuasion & Seduction : Opera Duets -- Cheryl Barker, Coleman-Wright, TSO cond André; Villains: sinister songs and arias -- Wegner, SOV, cond Divall; Atari Baby-- Atari Baby; Gizmo -- various artists; Goodbye Mr Henderson – Sense; I Thought Of Numbers -- Cut Copy; Reaction Hero -- Little Nobody; Rectangle -- Nicholas McBride; Willow Neilson Quartet -- Willow Neilson |
|
Community Music Australia |
Community Briefing |
8 |
6 |
News items from the community music sector |
|
Community Music Australia |
Community Briefing |
9 |
1 |
News items from the community music sector |
|
Community Music Australia |
Community Briefing |
9 |
2 |
News items from the community music sector |
|
Community briefing |
9 |
3 |
Community music news from around Australia |
|
|
James, Chris |
Community Halls: Centres for Renewal |
10 |
1 |
The Community Halls Trail promotes restoration of halls as a base for community cultural and economic revival. |
|
Music Council of Australia |
Community Music and Educational Options: MCA Talks to the Senate |
1 |
2 |
MCA submission to the Senate Inquiry into Arts Education described |
|
Letts, Richard |
Community music development: MCA as a National Resource |
2 |
3 |
Announces a grant from the Community Cultural Development Board to Community Music Australia |
|
International Society for Music Education |
Community Music in the Modern Metropolis |
8 |
4 |
Key questions from the community music commission of the International Society for Music Education |
|
CMANet |
Community Music Opportunities File |
7 |
2 |
Current opportunities in the community music sector |
|
CMANet |
Community Music Opportunities File |
7 |
3 |
Current opportunities in the community music sector |
|
CMANet |
Community Music Opportunities File |
7 |
4 |
Current opportunities in the community music sector |
|
Bounds, Jenny |
Community Orchestra by Leaps and Bounds |
8 |
1 |
Nuts and bolts and the Penrith (NSW) Symphony Orchestra |
|
Community Broadcasting Assn of Aust |
Community Radio: It's Big |
11 |
1 |
Community radio stations have a much larger audience than even they had believed |
|
Rowe, Val |
Community Suicide Prevention Seeks Assistance From Musos |
8 |
6 |
Supported by donations from musicians |
|
Leek, Stephen |
Composers of the future: out there in the world |
2 |
4 |
The training offered by tertiary institutions has little relationship to the real work of a composer out there in the world |
|
Barbeler, Damian |
Compost: Young Composers Hoe Their Own Garden |
5 |
1 |
Artistic and entrepreneurial activities of a group of young Brisbane composers |
|
Clarke, Lance |
Contemporary Passions |
7 |
4 |
Thoughtful reflections on Christianity, expressed through original community opera |
|
McDonald, Ian |
Copyright Council: business should pay for its music |
4 |
3 |
Copyright Council advocates that businesses should pay to play music in the workplace or for customers |
|
Moore, Margaret |
Cracking the Shell for tomorrow's orchestra audience |
3 |
3 |
Sydney Symphony Orchestra's educational programs for young people |
|
Creative Communities |
Creative Communities Project in the USA |
10 |
3 |
Key ingredients for success with partnerships between arts organisations and public housing communities. |
|
Terracini, Lyndon |
Creative Country |
8 |
2 |
We need a creative culture that includes the whole country, and not just the cities. This requires more subsidy. |
|
McPherson, Gary |
Crisis: the Serious Situation of Music Education in Australia Schools |
3 |
1 |
To fight the reduction in school music programs requires organised, informed support from the entire music sector |
|
Strahle, Graham |
Critically Speaking |
10 |
2 |
What happened at Brisbane’s International Music Critics Symposium |
|
McCallum, Peter |
Criticism and Foolishness |
10 |
2 |
The foolishness of music critics, rather than their wisdom, ensures their place in history. |
|
Letts, Richard |
Cultural Ministers, the Nugent Report, and a new inquiry that could help small to medium sized music companies |
7 |
1 |
The Cultural Ministers Council agrees on funding increases to major performing arts companies and a new inquiry into the situation of smaller companies |
|
Yeoman, William |
Curating the CD |
9 |
2 |
How Perihelion ensemble and the Artworks label put together the program for the CD Crimson Songs. |
|
Letts, Richard |
Current Music Policy-Related Research |
1 |
4 |
Projects listed by the Australia Council and the Australian Bureau of Statistics |
|
Letts, Richard, from research report |
Cutbacks in Swedish Music Education Cramp Its Music Industry |
10 |
3 |
The industry has had extraordinary international success – partly attributed to the glories of the music education system. |
|
Reid, Alison Wright |
Damaging Noise within the Orchestra |
3 |
5 |
Hearing damage to orchestral musicians, and protective measures both proven and experimental |
|
Music Council of Australia |
Dear Bob Mansfield |
3 |
1 |
The Music Council of Australia's policy submission to the Mansfield Review of the ABC |
|
Janke, Terri |
Deep Forest, and the Commercial Exploitation of Indigenous Music |
3 |
6 |
An overview of the issues concerning copyright and indigenous music |
|
Fin, Rita |
Developing an Orff-Schulwerk Program from Pre-School through to Year 12 |
2 |
1 |
Describes the author’s experience building a music program at the International Grammar School |
|
Whately, Greg and Bofinger, ian |
Developing Strategic Alliances with a Range of Partners – the Key to the Future Well Being of Conservatoria in Australia |
9 |
4 |
CQU Conservatorium’s growth strategy lies in collaborations with high schools and other tertiary institutions |
|
Letts, Richard |
Dick Letts at the Launch |
11 |
1 |
Excerpt from his speech |
|
Gillespie, Kirsty |
Digitisation of Printed Music at the National Library of Australia |
7 |
6 |
The second in a set of articles showing how new technologies are implemented at the NLA and elsewhere |
|
Music Council of Australia |
Directory of National Music Organisations |
3 |
5 |
Alphbetical listing of national music and music-related organisations, giving purpose and contact details |
|
Music Council of Australia |
Directory of National Music Periodicals and Directories |
3 |
4 |
National directory of music periodicals and music directories; alphabetical order with purpose and contact information |
|
Tuckey, Helen |
Disaster in WA |
7 |
4 |
There are major deficiencies in school music education in Western Australia |
|
Broad, Tina |
Dispatches from HQ |
11 |
3 |
News from the Music. Play for Life campaign |
|
Letts, Richard |
Disrespect for the Elder |
6 |
4 |
The proposal to merge the two remaining tertiary music schools in Adelaide is widely distrusted |
|
York, Frank |
Distance Arts |
7 |
5 |
An innovative way of teaching music to geographically isolated adolescents |
|
Bofinger, Ian |
D-I-Y Audio: Transferring Old 78 Records to Compact Discs at Home or in the Office |
9 |
4 |
D-I-Y Audio: Transferring Old 78 Records to Compact Discs at Home or in the Office |
|
Whately, Greg and Bofinger, ian |
D-I-Y Multimedia: Setting Up an Internal Communications System -- Ian Bofinger and Greg Whateley |
9 |
6 |
D-I-Y Multimedia: Setting Up an Internal Communications System |
|
Mason, Paul |
Do Australian music quotas on radio actually help? |
10 |
1 |
Mason’s research for MCA shows that they most certainly do. |
|
Bullerjahn, Claudia |
Do Music Videos Stir up Sex and Violence in our Teenagers |
6 |
4 |
Research looks into how adolescents use MTV and the effects on them |
|
Kemp, Senator Rod |
Do not underestimate Australia’s resolve |
10 |
1 |
Senator Rod Kemp, Minister for the Arts and Sport. Strong reassurances about the government’s protection of culture under the Australia/US Free Trade Agreement |
|
Ghandar, Anne |
Do You Speak Music? |
11 |
3 |
Composition is at the centre of learning for these University of New England students |
|
Warin, Marilyn |
Does the Global Economy Mean a Global Culture? |
8 |
3 |
This wide ranging examination affirms the development of a somewhat global culture along with a tenacious survival and development of the local. |
|
Letts, Richard |
Don Banks Award for Bunna Lawrie |
6 |
3 |
The leader of Coloured Stone rock band becomes the first Aboriginal winner of the award |
|
Kane, Pat |
Don’t Police Pop |
7 |
6 |
Kane says pop music will give over its freedom to the bureaucracy if it pursues government subsidies |
|
Jones, Peter |
Don't entangle music education with notions of class |
9 |
3 |
We need both instant and delayed gratification. Comment on Peggie article in MF 9 2 |
|
Letts, Richard |
During the Olympics: Broadcast Australian music |
6 |
6 |
An approach by the Music Council, ARIA, and the Australia Council, to the broadcasters |
|
Letts, Richard |
Dynamo at the National Library |
6 |
4 |
The first appointee to the new position of Curator of Music brings a philosophy of collaboration |
|
McDonald, Anna |
Early Music in London and Sydney |
5 |
5 |
Madeleine Rowles interviews the recently returned early music virtuoso |
|
Olliffe, Neville |
Early Music Lately |
2 |
4 |
The history and current situation of early music in Australia |
|
Halton, Rosalind, editor |
Early Music Now |
10 |
4 |
A new, regular report on early music from Early Music Network Australia |
|
Caley,Tattersall, Carette |
Early Music Now: Early Music in North Queensland |
11 |
1 |
A round-up of current early music activities around Cairns and Townsville |
|
Ralph, Barnaby |
Early Music Now: The Early Music Revival in South Australia |
10 |
5 |
The key figures in early music in South Australia, going back to the 1960s |
|
Coulter, Senator John |
Economic rationalism: enemy of the arts |
2 |
3 |
Economic rationalism values only that which can be bought and sold, is oblivious to true value of arts |
|
Morrison, Lindy |
Editoria: In for the long term |
7 |
5 |
Lindy’s experience with a program for the disabled shows that results are cumulative and extended programs can be more effective than short term programs |
|
New York Times |
Editorial |
4 |
4 |
With Congress threatening to terminate Federal arts funding, the NYT recalls why arts funding is important |
|
Jones, Anthony Linden |
Editorial: “Community” begins with individuals |
8 |
1 |
“An artistic culture can only be born from the creativity and initiative of individuals or small groups, with the support of their community.” |
|
Threlfall, Catherine |
Editorial: Cross boundaries, don’t hesitate |
7 |
3 |
“This self-starting attitude and great diversity are the greatest strengths of community music in Australia.” |
|
Schönfeldt, Mary Lou |
Editorial: Free festivals undercut local artists |
8 |
2 |
Schönfeldt observes that the often lavish free presentations by festivals are undercutting the public’s willingness to pay to hear local musicians |
|
Schönfeldt, Mary Lou |
Editorial: Let’s Do It in the Road! |
7 |
4 |
An invocation to make music, not just receive it passively |
|
International Society for Music Educ'n |
Education of the Professional Musician |
3 |
2 |
Report of the 1996 seminar on the Education of the Professional Musician organised by ISME |
|
Okumura, Lucia |
Eisteddfod Mums |
8 |
1 |
The dangers of the eisteddfod industry, where infants and children are trained to compete rather than develop musically |
|
BOOK REVIEW |
Ellen Dissanayake: Art and Intimacy: How the Arts Began |
8 |
4 |
Reviewed by Mark Isaacs |
|
Stevens, Robin S. |
Endangered Species or Hardy Perennial? |
9 |
5 |
A report on MCA’s research project on “Trends in school music education provision in Australia |
|
Gruzelier, John |
Enhancing Music Performance Through Brain Rhythm Training: Lie Back and Think Theta -- |
9 |
1 |
Students at the Royal College of Music in London registered amazing improvements in performance |
|
Turner, Mary |
Entrepreneurs in the Wide Brown Land |
7 |
6 |
The difficulties faced by a community organisation in presenting a concert series in the outback |
|
Wills, Gillian |
Escaping the Humdrum |
11 |
1 |
Review of QUT’s Escape festival, Brisbane, 18-20 August |
|
Whately, Greg and Bofinger, Ian and Kerr, Derrin |
Escaping to a Tropical Island in the Whitsundays |
10 |
4 |
A project providing edutourism scope and reward for strategic partners |
|
European Music Office |
Europe Looks after Its Own |
5 |
6 |
The European Commission’s plan for the promotion of European repertoires, productions and artists |
|
Blanks, Fred |
Everything but the money |
7 |
1 |
Townsville Chamber Music Festival mounts a fine program and deserves more financial support |
|
Letts, Richard |
Extraordinary New Grand Piano Developed in Australia |
1 |
6 |
The technological innovations in the Stuart and Sons piano |
|
Music Council of Australia |
Fellowships to catapult our best musicians |
7 |
5 |
New Music Council of Australia / Freedman Foundation Fellowships in classical music and jazz will support some of Australia’s best musicians age 35 and under in making some big career moves |
|
Bajzek, Dieter |
Fifth National Convention of Folk Alliance Australia |
9 |
3 |
Plans for the convention |
|
Broad, Tina |
Firees Use Song to Get Across 'Be Prepared' Message |
11 |
3 |
In the Dandenong Ranges, community music at a local primary school heals the bushfire's wounds |
|
Letts, Richard |
First Chair of the Music Fund: Richard Mills |
2 |
6 |
Composer/conductor Richard Mills is the first chair of the Australia Council Music Fund |
|
Peelman, Roland |
First Loudmouth Festival of the Voice |
9 |
4 |
Newcastle (always another surprise) holds a trial run of a new festival for every kind of vocal music |
|
Q Music |
First occupancy rights for live music venues |
7 |
2 |
Queensland will legislate to prevent new residential development from closing existing live music venues |
|
Letts, Richard |
First professional choir a triumph |
6 |
3 |
A new Sydney choir bears out the hypothesis that professionalisation dramatically lifts quality |
|
Letts, Richard |
Fixing the Moral Rights Bill |
6 |
4 |
Artists are surprised to discover that the “unconditional waiver” is still permitted |
|
Cunningham, Stuart and Sinclair, John eds |
Floating Lives: The Media and Asian Diasporas |
6 |
4 |
Book review by Susan Faine |
|
McDonald, Graham |
Folk music: Back in Limbo |
2 |
5 |
The Australian Folk Trust may die after the Australia Council totally withdrew continuing funding |
|
Gill, Richard |
For Goodness' Sake |
10 |
5 |
Conductor and educator Gill hypothesises seven recommendations that might come from the imminent Ministerial Review of Music Education in Schools |
|
Letts, Richard |
For the first time, MCA Assembly opens to the public |
9 |
5 |
For the first time, MCA Assembly opens to the public |
|
Wilhelms, Fred |
Fred Wilhelms’ searchlight on the record industry |
9 |
5 |
Warner Music’s gesture -- less than meets the eye; iTunes -- risks for musicians; record companies hit the (s)kids |
|
Hood, Sara |
Free program for childcare centres: Sesame Street Music Works |
10 |
1 |
Free program for childcare centres: Sesame Street Music Works |
|
Clare, John |
Freedman Jazz 2004 |
11 |
1 |
A review of the concert with finalists guitarist James Muller, sax players Adam Simmons and David Theak and singer Gian Slater. Muller is the MCA/Freedman Fellow for 2004. |
|
Pearce, Rose, interviewed by Mason, Paul |
Fresh Salt |
9 |
4 |
Rose Pearse manages Fresh Salt, a special international promotion project for Australian Indigenous music |
|
Klein, Eve |
Frigidity: Scenes, Spaces and Places of Australian Electronica and Hip Hop |
11 |
1 |
Eve Klein talks with Seb Chan of Sub Bass Snarl |
|
Conolly, Joy |
From 10 to 75+ -- The Hinterland Concert Band |
9 |
6 |
In this community concert band, the oldest members of the community are role models for the youngest. |
|
Brew, Marc |
From Infinity, New York, to Bendigo |
7 |
3 |
Catherine Threlfall interviews ‘disabled’ dancer Marc Brew about his post-accident career |
|
Westlake, Donald |
From Me to You: The Life and Times of Clive Amadia |
6 |
4 |
Book review by Fred Blanks |
|
Harrison, Gillian |
From Outstation to Out There: Nabarlek – A Music Industry Case Study |
11 |
1 |
The fascinating story of the difficult success of an indigenous Northern Territory band |
|
De Ruiter, Frans |
From the President of the International Music Council on the occasion of its fiftieth anniversary |
5 |
6 |
Letter from the IMC President |
|
Letts, Richard |
Funding Rules OK |
3 |
4 |
The Australia Council's new funding guidelines, their merits and demerits, and the Council's need for structural inertia |
|
Lord, J. G. |
Fund-Raising: Ownership and Other Motivators |
5 |
4 |
Proposes that loyalty of major donors to an organisation can be won in various ways, including by giving them a voice in decision-making |
|
Eccles, Jeremy |
Future Priorities for Music Journalism |
10 |
4 |
The task, says Eccles, is to bring creative issues to the attention of a public that doesn’t think they really matter |
|
Morrison, Lindy |
Garma Festival of Traditional Culture |
6 |
1 |
The festival celebrated the opening of the Yirrnga Music Development Center in the NT |
|
International Network for Cultural Diversity |
GATS: A Growing Threat to Culture |
8 |
6 |
The next round of GATS talks could be critical for the preservation of local cultures, as the USA seeks additional commitments from other countries in the audiovisual sector |
|
Letts, Richard |
General Prospects for Federal Arts Funding |
2 |
6 |
The Coalition's arts funding promises at election time, and their betrayal in the budget |
|
Letts, Richard |
Genevieve Lacey first MCA/Freedman Fellow |
7 |
6 |
Inaugural fellowship in classical music awarded to recorder player Genevieve Lacey. See also interview in 7/5 |
|
Lacey, Genevieve |
Genevieve Lacey. The new recorder virtuoso is interviewed by Richard Letts |
7 |
5 |
Interview with Australian recorder virtuoso. |
|
Macdonnell, Justin |
Get Real: This is Not a One-Term Government |
3 |
2 |
The new Coalition government is likely to serve more than one term; the arts should take a positive approach |
|
Letts, Richard |
Getting Ahead of the Traffic: Copyright for the Highway |
1 |
2 |
Copyright Convergence Group recommendations for copyright innovations for the internet |
|
Letts, Richard |
Globalisation and Music |
6 |
2 |
The International Music Council has adopted globalisation as a priority issue |
|
Year of the Outback |
Go Country for the Year of the Outback 2002 |
8 |
4 |
Country music is strong in the outback |
|
Letts, Richard |
Government Response to Charities Definition Inquiry |
9 |
1 |
We can all breathe more easily |
|
Letts, Richard |
Growing New Cities for the Arts |
3 |
4 |
Population growth projections show that many regional centres will be large enough to support new arts institutions |
|
Macarthur, Sally |
Happy Birthday to You! |
2 |
1 |
The lack of recognition of women composers continues; we don’t even with them happy birthday |
|
West, Susan |
Heart in Song |
9 |
5 |
Hand in Hand is the most moving and inspiring program, bringing children and the elderly together through music |
|
Somerville, Melissa |
Help road-Test Music Kit and Get Hands-On Classroom Help |
11 |
3 |
Here's a chance for primary school teachers in the Illawarra region to test a new, easy to use, music kit |
|
Holden, Marcus, and Okumura, Lucia |
Hey Diddle Diddle – a Festival of Fiddles |
8 |
1 |
Anthony Linden Jones interviews Marcus and Lucia about the all-encompassing Hawkesbury Fiddle Festival |
|
Johannessen, Martin |
Hip-hop, trip-hop, house, acid, techno, [etc] A Guide for the Out-of-Touch |
5 |
3 |
Briefly describes characteristics of hip-hop & dance, and other styles which have developed from them |
|
Brown, Andrew. R |
Histories and Directions of Music Technology |
4 |
5 |
History of pre-electronic music technologies, automated music, electronic music technologies; layers of persistence. |
|
Broad, Tina |
Honour Roll |
11 |
3 |
Who is doing what around the country for the Music. Play for Life campaign |
|
Cahill, Anne |
How a new orchestral national orchestralassociation will make a difference |
4 |
3 |
The objectives of the new The Orchestras of Australia Network |
|
Harders, Julie |
How APRA pulled royalties from the telephone cables |
4 |
6 |
APRA court cases gain composer royalties from music on telephone hold, and music transmission on internet |
|
Thorpe, Gary |
How foreign classical music radio is gaining audiences by selling out the music |
3 |
6 |
Australian classical music broadcasters compare favourably with foreign stations, which sell out the music for $$$ |
|
OZ O/S |
How foreigners love us. (Or not) |
8 |
1 |
Foreign reviews of Australian musicians quoted. |
|
Letts, Richard |
How Irrational Economic Rationalism Could Imperil the QPO |
4 |
4 |
The supposed solution to the financial problems of the Queensland Philharmonic Orchestra makes no sense |
|
Letts, Richard |
How Julie Croft started 51 new choirs in one year |
4 |
6 |
51 new regional childrens' choirs have been established in the NSW state school system |
|
International Federation of Musicians |
How orchestral musicians suffer |
4 |
5 |
International survey of the health of orchestral musicians shows stress is a major concern |
|
Rechniewski, Peter |
How Poker Machines Killed Jazz at the Strawberry Hills Hotel |
4 |
3 |
The usurpation by poker machines of Sydney's major venue for contemporary jazz, the Strawberry Hills Hotel |
|
Foster, Martin |
How SOMA plays a role in the evolving expectations of orchestral musicians |
5 |
2 |
New model: the orchestra union opts for defence AND cooperative relationships with management |
|
Webster, Belinda |
How Tall Poppies bends to the wind |
5 |
1 |
Effect on small record company of new parallel imports regime |
|
Waks, Nathan |
How the ABC orchestras are taking advantage of their independence |
4 |
3 |
Musicians feel more ownership, sponsors are more accessible, state governments give more to ABC orchestras |
|
Australia Foundation for Culture and Humanities |
How the AFCH is reassessing its role |
5 |
4 |
Summarises the newly stated objectives of the AFCH |
|
de Ruiter, Frans |
How the Dutch have increased their arts funding by 35%. (Why can't we?) |
4 |
3 |
Details of the increase in Dutch arts subsidies, and how they were achieved |
|
Coughlan, Mark |
How the hatchet was buried in Perth |
5 |
1 |
W.A. Institute of Music new umbrella organisation for UWA Dept of Music and WA Conservatorium of Music |
|
Letts, Richard |
How the Helfgott miracle/triumph/disaster indicates the state of classical music |
3 |
5 |
The classical music world is the victim of greed and celebrity and the attempt to win over a mass market |
|
Mulcahy, Michael |
How the jet plane revolutionised the orchestra |
8 |
2 |
The jet plane has made it possible for conductors to travel more easily, but therefore to spend less time with each orchestra. More responsibility and autonomy is thrown on the musicians of the orchestra. Mulcahy implies that the exercise of their musical skills therefore acquires an ethical aspect. |
|
Letts, Richard |
How the Minister has stepped into the life - or death - of QPO |
4 |
5 |
Proposals to amalgamate the management of the Queensland Philharmonic and Queensland Symphony orchestras |
|
Letts, Richard |
How the music progressin has rallied to fight for music education in the USA |
3 |
5 |
MENC, National Association of Music Merchants and Academy of Recording Arts ally to support music education |
|
Letts, Richard |
How the new arts minister sees his turf |
5 |
3 |
From a press release by Peter McGauran, Federal Arts Minister; his priorities. |
|
Farrell, Chris |
How the Queensland Philharmonic has resisted a takeover |
3 |
6 |
QPO claims that the Queensland Symphony is trying to take over its funding in order to buy more players |
|
Letts, Richard |
How the states share in orchestral funding |
5 |
5 |
There are major inequities in Federal funding to orchestras. Queensland especially loses out. |
|
Letts, Richard |
How the US Plays the Game |
10 |
2 |
The US puts up a Trojan horse proposal to the UNESCO Conference |
|
Osborne, William |
How the VPO is pure in race and gender |
5 |
4 |
Gives information about gender and racial exclusion policies of the Vienna Philharmonic Orchestra |
|
Broad, Tina |
How the World Works |
11 |
2 |
The Music Therapists Association is getting mileage from the campaign, and the campaign isn’t doing so badly either |
|
Letts, Richard |
How ticket prices rise, and subsidies support the artists not the audience |
3 |
5 |
Ticket prices rise faster than inflation, but arts subsidies don't, so prices are set at the limit of what the market bears |
|
Music. Play for Life |
How to Find a Music Teacher or Performing Group |
10 |
4 |
Announces a new service to be provided |
|
Letts, Richard |
How to foster a dynamic arts culture |
2 |
3 |
The new scientific theories of complexity suggest how we might effectively build a musical culture |
|
Letts, Richard |
How to get more music on radio |
5 |
3 |
Australian Broadcasting Authority code and procedures for Australian music on radio; current issues |
|
Australia Council |
How to keep Australian arts on the air if new technologies elude old regulations |
6 |
6 |
The Australia Council’s submission to the Inquiry into Convergence in the Broadcasting Industries |
|
Kaiser, Michael M |
How to Save the Performing Arts |
9 |
3 |
Says the President of the Kennedy Center (USA): the performing arts world is sick; we need to find some cures |
|
Australian National Choral Assn, & Music Council of Australia |
How we could have professional choirs |
5 |
4 |
A late addition to the National Strategic Plan for Choral Development |
|
Music Council of Australia |
How We'll Save the World of Music |
4 |
2 |
Records the establishment of an alliance to campaign for public participation in music making |
|
Schippers, Huib interview by Lancaster, Helen |
Huib Schippers – Interview by Helen Lancaster |
10 |
1 |
Some very interesting propositions from the founding Director of the Queensland Conservatorium Research Centre |
|
Letts, Richard |
Hunter Orchestra: exposition, development, thunderclap...Silence |
4 |
6 |
The absence of an orchestral or regional development policy at the Australia Council destroys the Hunter Orchestra |
|
Wingard, Alan B. |
I’m so glad I study with Professor Jones |
6 |
2 |
We need to recognise a developmental sequence of learning styles in order to teach music effectively at the tertiary level |
|
Letts, Richard |
Improvisatory Music Winners |
6 |
1 |
Winners of the ABC Improvisatory Music Festival 1999 |
|
Letts, Richard |
In Adelaide: the MCA’s First Assembly |
1 |
1 |
Anounces the establishment of the Music Council of Australia, and its first annual ‘assembly’. |
|
Thibodeaux, Sandra |
In Darwin, Homeless and Nowhere to Play |
9 |
2 |
Darwin musicians play in outdoor venues in The Dry, but come the Wet, they could be sodden and broke. MIDI acts. |
|
Matters, Chris |
In the Chair: Adelaide Symphony Goes Digital |
11 |
1 |
A computer program that allows you to play with an orchestra with real time guidance |
|
Letts, Richard |
In the Mind of the Architect |
7 |
6 |
Dick Letts interviews architect Barry McGregor, head of the team that designed the new Sydney Conservatorium of Music building. A long interview covering many fascinating aspects of this most complex of projects. |
|
Letts, Richard |
Inadequacies in the Regulations for Broadcast of Australian Music |
10 |
3 |
The Australian Content Standards as practised do not deliver music diversity or a sufficient reflection of Australian identity and character |
|
Music NSW |
Indent: Rock for Youth |
7 |
2 |
A successful youth program in rock music |
|
Guivarra, Nancia |
Indigenous cultural and intellectual property: singing the unsung |
6 |
5 |
An argument for copyright law coverage for collectively owned indigenous arts |
|
Groessler, Samantha |
Industrial Rights and Realities: Working Conditions for Musicians in the Contemporary Music Industry -- |
9 |
6 |
“A broader, more lateral approach is required in improving musicians’ working conditions…” |
|
Canak, Danny |
Industry Scoop |
9 |
3 |
News column from the Australian music industry |
|
Canak, Danny |
Industry Scoop |
9 |
4 |
News column from the Australian music industry |
|
Canak, Danny |
Industry Scoop |
9 |
5 |
News column from the Australian music industry |
|
Canak, Danny |
Industry Scoop |
9 |
6 |
News column from the Australian music industry |
|
Canak, Danny |
Industry Scoop |
10 |
1 |
News column from the Australian music industry |
|
Canak, Danny |
Industry Scoop |
10 |
2 |
News column from the Australian music industry |
|
Canak, Danny |
Industry Scoop |
10 |
3 |
News column from the Australian music industry |
|
Canak, Danny |
Industry Scoop |
10 |
4 |
News column from the Australian music industry |
|
Canak, Danny |
Industry Scoop |
10 |
5 |
Music industry news |
|
Canak, Danny |
Industry Scoop |
11 |
1 |
Music industry news |
|
Canak, Danny |
Industry Scoop |
11 |
2 |
Music industry news |
|
Canak, Danny |
Industry Scoop |
11 |
3 |
Music industry news: backstage at the MTC Awards |
|
Canak, Danny |
Industry Scoop |
9 |
2 |
New column on the music industry and chart successes |
|
Letts, Richard |
Initial Australia Council Decisions on Peer Assessment |
1 |
6 |
Australia Council’s alternative for structural reform: one positive, one negative for music |
|
Nash, Sandra |
Innovations in the Dalcroze Diaspora |
10 |
4 |
A changing of the guard in Geneva could strengthen Dalcroze Eurhythmics world-wide. |
|
McCue, Ed |
Inside the Mind of the Acoustician |
8 |
1 |
Dick Letts interviews Ed McCue, member of the team designing the acoustics at the new Sydney Conservatorium |
|
McMillan, Ros |
Instruments of Desire: the Leather Works of Garry Greenwood |
9 |
1 |
Greenwood is the maker of those whimsical “musical instrument” sculptures. But now he, with collaborators such as jazz eminence Brian Brown and composer Karlin Love, has devised some very playable musical instruments. |
|
Stafford, Eve and 2 others |
Insurance for your Volunteers |
8 |
3 |
Letters of advice |
|
Istanbul Declaration |
Intangible Cultural Heritage, mirror of cultural diversity |
9 |
2 |
Istanbul declaration by Ministers of Culture |
|
Brown, Andrew R. |
Interactive Performance with Electronic Technology |
5 |
5 |
Describes a number of ways in which live performers can interact with electronic technology |
|
Peppard, Herb |
Interactivity: the new dimension of mass media |
2 |
4 |
Interactivity' is the truly new characteristic available in multimedia; active participation, not just passive reception |
|
Curtis, Leah |
International Education and Training of Screen Composers |
9 |
2 |
Leah Curtis compares the training of screen composers in Australia, USA, UK, Germany and Japan |
|
Letts, Richard |
International Music Council |
1 |
4 |
Report on activities of some of the members |
|
International Network for Cultural Diversity |
International Network for Cultural Diversity |
7 |
2 |
Statement of purpose from new NGO set up to prevent global trade liberalisation from swamping local cultures |
|
Lalor, Stephen |
Interview with Mats Nilsson |
5 |
2 |
Interview with the new Musical Director of the Sydney Philharmonia Choirs |
|
Wills, Gillian |
Interview: Kim Walker, Dean of Sydney Conservatorium |
11 |
2 |
Gillian Wills interviews the new Dean about her life and times and her ambitious plans for her new institution. |
|
Strahle, Graham |
Intimacy and other chamber virtues |
8 |
4 |
Adelaide composer John Polglase is interviewed by Graham Strahle |
|
Halton, Rosalind |
Introducing the Online Early Music Directory of Australia |
11 |
2 |
Not only introduces the Directory, but describes the current situation of early music in Australia |
|
Klein, Eve |
Invisible Atmospheres: Happenings and Missings in Australian Experimental Electronica |
10 |
5 |
Electronica in Australia is mostly underground; local fame can depend on foreign success, but international distribution is very difficult to achieve |
|
Gullick, Mark |
Is Pearl Jam Still Relevant? |
8 |
5 |
Well, yes it is, says Gullick, because the band puts the music before the profit and hype |
|
Letts, Richard |
Issues Facing Our Conservatoria as They Prepare Their Students for [the 21C] |
2 |
4 |
The radical changes in the world of music require our conservatoria to broaden the curriculum, train for resourcefulness |
|
Morrison, Lindy |
It's a Man's Man's World |
11 |
1 |
It’s been a long battle for women musicians to get access to the world of rock and pop – and there’s still a way to go |
|
Undy, Cameron, and Dewhurst, Carl |
Jazz as Art. Jazz as Groove |
5 |
4 |
Interview of the two jazz musicians, by Dick Letts. The financial benefits of groove, angst of art. |
|
Jackson, Martin |
Jazz Co-ordination and Strategic ‘Accidents’ |
9 |
5 |
The former Victorian Jazz Co-ordinator challenges arguments for the cuts to jazz co-ordination nationally |
|
Myers, Eric |
Jazz Coordination Association Ceases Trading |
8 |
3 |
Faced with a termination of funding, the national and NSW jazz development organisation folds |
|
Isaacs, Mark |
Jazz Co-ordination: R.I.P |
9 |
3 |
The state jazz co-ordination programs have outlived their usefulness. Time to move on. |
|
Barlow, Dale |
Jazz Is… Oz |
7 |
5 |
One of Australia’s top jazz musicians returns from residence abroad, and likes what he sees |
|
Broad, Tina |
Jeff Buckley Legacy Inspires Guitars for Melbourne Schools |
11 |
3 |
Amanda Buckley's MPFL fund-raisder provides guitars to four lucky kids |
|
Letts, Richard |
Jig’s Up ¼ |
1 |
4 |
Reports appointments to some important music positions in Australia |
|
Letts, Richard |
Jig’s Up 1/ 2 |
1 |
2 |
News and gossip. The first of a regular column which in some later issues becomes an essay |
|
Letts, Richard |
Jig’s Up 1/3 |
1 |
3 |
News and gossip |
|
Letts, Richard |
Jig’s Up 1/5 |
1 |
5 |
News and gossip. Includes the name of Australia’s maybe best harpsichord maker. |
|
Letts, Richard |
Jig’s Up 1/6 |
1 |
6 |
News and gossip; includes conservatorium facilities; Center for Studies in Australian Music |
|
Letts, Richard |
Jig’s Up 2/1 |
2 |
1 |
The new Stuart piano in Newcastle; Hilary McPhee, the Australia Council, artist back-biting |
|
Letts, Richard |
Jig’s Up 2/2 |
2 |
2 |
News and gossip: includes comment on music in Korea, and NEA arts funding in the USA |
|
Letts, Richard |
Jig’s Up 2/3 |
2 |
3 |
News and gossip |
|
Letts, Richard |
Jig’s Up 5/2: “Elite arts”, Howard, Hanson, the limits of even-handedness |
5 |
2 |
Political insult can push an editor beyond the doctrine of even-handedness to frank partisanship |
|
Letts, Richard |
Jig’s Up 5/3 [on the remarkable Huntington Festival] |
5 |
3 |
The remarkable Huntington Festival |
|
Letts, Richard |
Jig’s Up 5/4 [On value in music] |
5 |
4 |
Argues for public championing of musical values, even proposes preparation of Australian musical canon |
|
Letts, Richard |
Jig’s Up 6/1: The Don and the guts of education |
6 |
1 |
In support of building music from the grassroots up |
|
Letts, Richard |
Jig’s Up 6/2 |
6 |
2 |
Telling quotes from Robert Dessaix and Nelson Mandela |
|
Letts, Richard |
Jig's Up 2/4 [on orchestras] |
2 |
4 |
Problems with the funding structure for Australian orchestras; the special funding to the Sydney Symphony |
|
Letts, Richard |
Jig's Up 2/5 [on the recording industry] |
2 |
5 |
The growing problem for record companies, large and especially small, of how to place and sell their recordings |
|
Letts, Richard |
Jig's Up 2/6 [on contemporary composition] |
2 |
6 |
The weakening of dogma in contemporary music composition |
|
Letts, Richard |
Jig's Up 3/1 [on music in schools] |
3 |
1 |
On the crisis in music education |
|
Letts, Richard |
Jig's Up 3/2 [on corruption] |
3 |
2 |
On corruption: in defence of the Australia Council, but with a sidelong glance at state systems |
|
Letts, Richard |
Jig's Up 3/3 [on devolution of federal funding] |
3 |
3 |
On the Gondwana national children's choir.How the states are hijacking federal arts funding, & why this is a bad idea |
|
Letts, Richard |
Jig's Up 3/4 [more on devolution] |
3 |
4 |
Various, including an argument FOR devolution of Federal regional funding to the states |
|
Letts, Richard |
Jig's Up 3/5 [on venturesomeness] |
3 |
5 |
Argues that venturesomeness in Australian art paradoxically could be assisted by funding infrastructure, not artists |
|
Letts, Richard |
Jig's Up 3/6 [on: Those That Can't, Play] |
3 |
6 |
Rails against Shaw's slut: 'Those that can, do. Those that can't, teach.' Supports return to musical values in teaching |
|
Letts, Richard |
Jig's Up 4/3 [on the failure of the arts lobby] |
4 |
3 |
On the inability of the Australian arts sector to organise and support a national advocacy organisation |
|
Letts, Richard |
Jig's Up 4/4 [on caring for young musicians] |
4 |
4 |
A complaint by a young musician that older musicians offer no help to young artists to establish careers |
|
Letts, Richard |
Jig's Up 4/5 [ proper roles for arts editors and funding bodies |
4 |
5 |
Arts editors choices are about significance; funding bodies should reflect, not invent. |
|
Letts, Richard |
Jig's Up 5/1 [on not waiting for the grant] |
5 |
1 |
Artists make art, whether or not the grant has come through |
|
Australia Post |
Joan Sutherland Is Australian Legend for 2004 |
10 |
3 |
Why her face is on a new postage stamp |
|
BOOK REVIEW |
John Sharpe: Don’t worry baby. They’ll swing their arses off. The Stories of Australian Jazz Musicians. |
8 |
4 |
Reviewed by David Sudmalis |
|
Letts, Richard |
Junking the Pokies |
8 |
5 |
One Sydney hotel has ditched the poker machines in favour of live music |
|
Broad, Tina |
Just an Old, Sweet Song |
11 |
3 |
Annette Baron uses music as a powerful tool in the care of people with late-stage dementia |
|
Travers, Mary |
Justo Diaz, Carnivale, and the Half-Hidden Riches of Multicultural Music |
9 |
4 |
Justo Diaz has been a key person in multicultural music in Australia since the 70s.Café Carnivale is his new focus. |
|
Howell, Sarah |
Karin Schaupp's photo session |
9 |
3 |
Freedman Classical Fellowship winner Karin Schaupp spends some of her award money on a photo session |
|
Chestnut, Judith |
Keeping It Simple |
9 |
5 |
Simplicity of structure, even in complex art, is what allows it to communicate successfully with audiences |
|
Letts, Richard |
Keeping music alive in everyone |
6 |
6 |
A strong musical life in communities is essential to the health of the art form |
|
Howell, Sarah |
Keller Captures Czechs |
9 |
2 |
MCA/Freedman Fellow Andrea Keller carries Prague jazz into the 21C, and brought news that women play jazz too |
|
Mitchell, Tony, with Keys, Nick |
Koolism -- Australian Hip Hop out of Canberra, Tonga, and Kool Herc |
11 |
3 |
Interview with hip hop artists Koolism |
|
de Klerk, Dirk |
Language and Vocabulary in Music |
3 |
6 |
Music is not a universal language; we benefit from access to the world's music, but have only partial comprehension |
|
Lancaster, Helen |
Leading Musicians. 1. CONTEXT |
10 |
1 |
Continuing changes in conservatoriums and universities have placed radically new demands on their leaders |
|
Lancaster, Helen |
Leading Musicians. 2. CHALLENGES |
10 |
2 |
The second of this series of three articles gets down to cases: the leaders of our conservatoriums and university music departments face the most complex, fluid and demanding task. |
|
Lancaster, Helen |
Leading Musicians. 3. SUCCESSION |
10 |
3 |
In the third of this acclaimed series investigating the leadership of our tertiary music education institutions, Helen. Lancaster questions current leaders about their situation and about succession planning. |
|
Throsby, David |
Leading the government via its own ideology |
3 |
2 |
The arts should find a way to work within the new government's economically dry agenda |
|
Brown, Andrew. R |
Learning and Recording: Audio Technology in Education |
4 |
3 |
A guide to the various recording technologies and their uses in music education |
|
Cowley, Rowena |
Learning to Sing: What's Happening Now |
4 |
6 |
Overview of the current state of voice teaching and voice science |
|
Jones, Anthony Linden |
Lend Me a Tenor |
8 |
1 |
A conductor’s first six months with a community choir |
|
Morton, Graham |
Lessons from Overseas: Developing a Singing Community |
11 |
1 |
The development of choral music in Australia is way behind most Western countries. What can be done? |
|
Woodward, Peter |
Let's Get a Band Happening |
10 |
3 |
A commentary on structural arrangements – or lack of them -- adopted by Australian musicians in bands. |
|
De Ruiter, Frans |
Letter to Lady Menuhin |
5 |
4 |
Letter to his wife on the death of Yehudi Menuhin, from the President, International Music Council |
|
Threlfall, Catherine |
Letters from Catherine |
7 |
5 |
Some inspiring experiences as Catherine travels on her Churchill Fellowship |
|
Letts, Richard |
Levy on private recording |
9 |
3 |
Australian and Canadian composers and record companies want to begin or extend levies on private recording |
|
Conolly, Joy |
Life -- Death -- Life |
10 |
2 |
Combining a requiem for a life well spent with a pledge to the local environment. |
|
Barg, David |
Listening |
7 |
3 |
Young orchestra members emulate their conductor. What is the model you present? Are you preoccupied with teacher – or with their learning? |
|
Hinchliffe, Meredith |
Lobbying in Canberra |
4 |
2 |
A guide to effective arts lobbying |
|
Rosevear, Jennifer |
Love Ensemble, Hate Theory |
10 |
3 |
Attitudes of high school students towards learning music |
|
OZ O/S |
Loved by foreigners. (Or not.) |
8 |
2 |
Quotes from foreign reviews of Australian musicians. |
|
Ross, Jacqueline |
Macbeth with a Musical Twist |
8 |
5 |
Community production in Bunbury WA includes original music, puppetry, acting… |
|
Hayward, Philip |
Macquarie University's new Music Center |
5 |
1 |
Program of new university music department - non-traditional, music production |
|
Letts, Richard |
Magazines, memberships, can be GST-free |
7 |
4 |
A new wrinkle: if the cost of supply is no more than 75% of price received, you can claim GST-free status |
|
Rocco, Sharn |
Magnetically Attractive |
7 |
4 |
The community music program on Magnetic Island in North Queensland has a lot going for it. |
|
Tribe, Ken |
Major organisations need stable funding |
3 |
4 |
Major arts companies can survive only on the basis of assured continuity of arts subsidy. |
|
Malik, Alex |
Major Record Companies |
11 |
3 |
ARIA statistics show a large reduction in new titles from the major record companies |
|
Renshaw, Peter |
Making Connections: a Challenge to Leadership |
8 |
5 |
The famous Renshaw sets forth a comprehensive and assertive agenda for tertiary music institutions facing a world of change |
|
Neuenfeldt, Karl |
Making a CD with the Torres Strait Islanders |
6 |
6 |
Making a CD with the Torres Strait Islanders |
|
Johnson, Bruce |
Making a Future for the Past |
7 |
4 |
The story of the establishment and evolution of the Australian Jazz Archive |
|
Walton, Mark |
Making Music in Muswellbrook |
10 |
1 |
The Upper Hunter Conservatorium of Music: families can now get some music education |
|
Hannan, Michael |
Mapping the Australian Music Industry Through Careers Research |
9 |
5 |
Michael Hannan has had an incredibly varied work experience in the music sector. But even this did not quite prepare him to write The Australian Guide to Careers in Music |
|
De Haan, Simone |
Marranu Manikay Bundurr - Manangrida Magic |
11 |
2 |
The first time four young NT Aboriginal brass players hear a symphony orchestra was when they performed the featured work with the Darwin Symphony |
|
Mitchell, Tony |
Maya Jupiter Interview |
11 |
1 |
Australian woman DJ crosses musical borders -- from R&B to hip hop to salsa |
|
Letts, Richard |
MCA Music Policy for the 2004 Federal Elections |
10 |
5 |
Music and arts policy recommendations put to all political parties |
|
Music Council of Australia |
MCA Tackles Some of the Big Questions |
3 |
1 |
The agenda of the Music Council of Australia as decided at its 1996 Annual Assembly |
|
Letts, Richard |
MCA to Build Online Refereed Journals |
10 |
2 |
A decisions was taken by the membership at the 2003 Assembly |
|
Music Council of Australia |
MCA to Dr. Nugent: how about the little guys? |
5 |
5 |
Most of the Music Council’s submission to the “Nugent Inquiry” into the major performing arts companies |
|
Letts, Richard |
MCA to Establish Music Critics’ Circle |
8 |
6 |
The uses of a national music council; review of MCA; national campaign for music participation. |
|
Howell, Sarah |
MCA/Freedman Fellowships Program up and running for 2003 |
9 |
4 |
MCA Freedman Fellowships |
|
Music Council of Australia |
MCAction. Important activities of the national music council |
8 |
5 |
Report of activities of the Music CouncilL music education research, careers in music, Freedman Fellowships, Website |
|
Music Council of Australia |
MCANet: The Everything File |
7 |
5 |
Opportunities in music. Includes a fairly comprehensive summary of impending government funding deadlines |
|
Howell, Sarah |
Melbounre Guitarist Wins Music Council/Freedman Fellowship |
10 |
5 |
The 2004 Classical Fellowship was won by guitarist Geoffrey Morris, who specialises in contemporary classical music |
|
Music Council of Australia |
Members of the Music Council of Australia 2004-2005 |
11 |
2 |
Membership list |
|
Music Council of Australia |
Membership 1996 |
3 |
1 |
Membership of the Music Council of Australia, 1996-97 |
|
Music Council of Australia |
Membership 199902000 |
6 |
2 |
Membership list and affiliations |
|
Music Council of Australia |
Membership 2001-2002 |
8 |
2 |
Membership as elected at the AGM in October 2001 |
|
Music Council of Australia |
Membership of the Music Council of Australia 1999 |
5 |
3 |
Shows the membership structure and incumbents to the AGM in October 1999. |
|
Strahle, Graham |
Merging and rebuilding, Elder style |
7 |
6 |
As the merger between Elder Conservatorium and the Flinders St School of Music gets underway, Strahle profiles the inaugural director of the new institution, Charles Bodman Ray |
|
Letts, Richard |
Minus to the ABC = Minus to Music |
2 |
6 |
The potential damage to music of the new government's intended reduction of $87 million in funds to the ABC |
|
Harvey, Francis Ravel |
Miracle on Castlereagh St |
10 |
5 |
The miraculous rebirth of a Guernari viola in the hands of an obscure Australian luthier, Lloyd Adams |
|
Sculthorpe, Peter, and Hyde, Miriam |
Miriam Hyde in Conversation with Peter Sculthorpe Part 1 |
11 |
1 |
The conversation honoured Miriam Hyde's approaching 90th birthday. A year later, she has died. |
|
Walker, David |
Missing at WOMAD |
7 |
5 |
WOMAD 2001 was entertaining and profitable, but it did little to support musical creativity and risk-taking |
|
Klein, Eve |
Mobilising Ambient Soundscapes (or: How the iPod changed my life |
11 |
3 |
Ambient electronica grows together with the ambient sounds of life |
|
Simpson, Adam |
Moral Rights |
7 |
5 |
Composers must exercise great care with their contracts if they are to ge the benefit of the new moral rights regime |
|
Letts, Richard |
Moral Rights Bill (at last) |
6 |
3 |
Moral rights legislation has been introduced into Parliament after many years waiting |
|
Wilhelms, Fred |
More about What a Recording Contract Really Says |
9 |
3 |
The rest of the Wilhelms testimony (see MF 9/1) plus his comments about Australia |
|
Letts, Richard |
More Australian music on radio. PLUS Canada’s better |
5 |
5 |
The broadcasting industry has agreed to lift Australian music content – but Canada does more |
|
Letts, Richard |
More boring details of the GST |
5 |
5 |
Some details of the probable impact of the GST on the arts |
|
Letts, Richard |
More from the online music melodrama |
7 |
2 |
SDMI formats are hacked; Napster allies with Bertelsmann |
|
Letts, Richard |
More money for the big companies. Governments back Nugent |
6 |
5 |
Commonwealth government budget funds Nugent recommendations. States agree to contribute. |
|
Letts, Richard |
More than survival |
6 |
1 |
The Nugent Inquiry has published a discussion paper. The article reports and analyses its findings. |
|
Mitchell, Tony |
Morganics: Australian Hip-Hop, Theatre and Pedagogy |
10 |
5 |
An interview with hip hop artist Morganics – who takes the craft to an amazing array of at-risk kids |
|
Strahle, Graham |
Moves on the Airways |
8 |
2 |
New directions at ABC Classic FM |
|
Simpson, Shane |
Moving Towards Copyright Control on the Internet |
3 |
3 |
How copyright will change to meet the challenge of music transmission on the internet |
|
MPFL Campaign News |
10 |
5 |
Activities in the Music. Play for Life campaign |
|
|
Given, Jock |
Mr Marconi’s Music |
8 |
2 |
Looking back over 100 years of radio since Marconi’s first transatlantic broadcast |
|
Slater, David |
Mr Music in Coffs Harbour |
10 |
3 |
Up from virtually nothing in 1995, to 20% of students taking lessons, plus choirs, bands, orchestras, chamber groups. |
|
Flores, Hernan |
Multicultural music: more than local colour |
2 |
3 |
Australia should do more to make professional careers possible for multicultural musicians |
|
Letts, Richard |
Multiculturalism at ISME |
2 |
6 |
Reports some of the issues taken up at the International Society for Music Education conference, 1996 |
|
Brown, Andrew R. |
Multimedia Documents in Music Education |
5 |
2 |
Overview of sound design in multimedia, with special reference to the educational context |
|
Broad, Tina |
Mungindi Calls |
11 |
3 |
There will be a very interesting community-building music festival on the NSW/Queensland border |
|
World Intellectural Property Organisation |
Muscat Declaration on Intellectual Property and Traditional Knowledge |
8 |
4 |
A forum of representatives from 30 countries declared its support for measures to protect the IP of indigenous peoples |
|
Turner, Mary |
Music – and 1.4 persons per square kilometre |
7 |
6 |
How is it possible to provide regular face to face music education and live music performances in such a sparsely populated area as the south west of NSW? |
|
7.30 Report |
Music - overtaking laughter as best medicine? – transcript of interviews from the 7.30 Report |
9 |
5 |
Music therapy changes lives |
|
Letts, Richard |
Music and Manipulation |
5 |
6 |
A Swedish conference that tackles some difficult issues about the uses of music |
|
North, Adrian |
Music and Manipulation. I. “The Tills Are Alive…” |
6 |
3 |
The use of music for commercially-motivated manipulation |
|
Brown, Steven, and Volgsten, Ulrik |
Music and Manipulation. II. Controlling the Music; Controlling the Listener |
6 |
3 |
Two aspects of manipulation involving music, and their objectives |
|
Letts, Richard |
Music and Mansfield |
3 |
3 |
The recommendations of the Mansfield Report into the ABC, and the possible effects on music |
|
Winter, Chris |
Music and Radio. 100 years down the track – and what now? |
8 |
3 |
A century of interweaving of new technologies for recording and broadcasting music continues into an unpredictable future |
|
Mundy, Simon |
Music and the Global Future |
6 |
4 |
Globalisation brings an unprecedented wealth of disembodied music. But the power of music also must continue to bring us together |
|
Tribe, Kenneth W. |
Music and the law: arts companies’ board, structures and funding (1) |
2 |
1 |
Non-profit companies; companies limited by guarantee; proprietary company |
|
Tribe, Kenneth W. |
Music and the law: arts companies’ board, structures and funding (2) |
2 |
3 |
Establishing arts companies with a Trust Deed, or as an incorporated association. |
|
Tribe, Kenneth W |
Music and the law: How many board members is too many? |
1 |
6 |
The number of board members, and their contributions to an effective board |
|
Tribe, Kenneth W. |
Music and the law: Tenure on Board of Arts Companies |
1 |
5 |
Argues for limited tenure, or for requirement that Board members retire and may stand for re-election |
|
Smith, Robert G |
Music as “Boys’ Business” in indigenous and other settings |
8 |
2 |
Music holds indigenous kids at school and has special ways of being valuable for indigenous boys |
|
Music Council of Australia |
Music as a charitable activity? |
7 |
3 |
Summary of Music Council submission to the Federal Inquiry on the Definition of Charities and Related Organisations |
|
Holmes, Robyn |
Music at the NLA |
7 |
4 |
A fresh approach from the incumbent of the new position of Curator of Music at the National Library of Australia. |
|
Letts, Richard |
Music Audiences in Victoria |
4 |
6 |
Roy Morgan Research developed profiles of lifestyle, motivations, attitudes of arts audiences for Arts Victoria |
|
Holmes, Robyn |
Music Australia. Australia's Music: Online, in Time. |
11 |
3 |
The spectacular new National Library of Australia online project connects the world to music in Australia |
|
Letts, Richard |
Music Concerts Attract Few Overseas Tourists |
2 |
4 |
An Australia Council study shows only 4% of overseas tourists attend even popular music concerts. Other details. |
|
Blanks, Fred |
Music Consumers’ Bill of Rights |
7 |
3 |
Information given to audiences is sadly inadequate and programs are way overpriced |
|
Letts, Richard |
Music Council campaigns against ABC cuts |
7 |
3 |
The Music Council campaigned [successfully] to reverse the 1/3 cuts to the artists’ budgets on ABC radio |
|
Music Council of Australia |
Music Council initiatives |
5 |
4 |
Update, March 1999, of Music Council of Australia activities |
|
Music Council of Australia |
Music Council of Australia |
2 |
5 |
Music Council activities include establishment of a community music development program |
|
Letts, Richard |
Music Council Of Australia Annual Report 2003-2004 |
11 |
2 |
|
|
Music Council of Australia |
Music Council of Australia current activities |
2 |
6 |
Music Council's current activities, August 1996 |
|
Music Council of Australia |
Music Council of Australia current activities |
4 |
6 |
Strategies for choral music and jazz development, publications, community music development |
|
Music Council of Australia |
Music Council of Australia Members 2000-2001 |
7 |
2 |
Member list |
|
Letts, Richard |
Music Council of Australia Membership, 2002-2003 |
9 |
3 |
List of Council members |
|
Letts, Richard |
Music Council of Australia: Response to the ‘Nugent Report’ |
6 |
4 |
The Council is strongly supportive, but there are a few things to fix up |
|
Letts, Richard |
Music Council Structure Modified: More from the Industry |
10 |
2 |
The Music Council of Australia has now a higher percentage of Councillors from the commercial music industry |
|
Valiance, Audrey |
Music Directing – Thai Style! |
8 |
5 |
A national opera company is growing from community roots |
|
Maddox, Allan |
Music education in the time of Bach |
7 |
3 |
The objective in Bach’s time: competence in several instruments, sacred and operatic singing, and composition |
|
Turner, Mary |
Music education: not a lost cause |
2 |
1 |
A new scheme to support school music education through cooperation with the arts community |
|
Turner, Mary |
Music Education: Same Old tRap |
2 |
5 |
Arts education is regarded by the arts as a problem for education, by the education sector as a problem for the arts |
|
Vella, Richard |
Music Environments: a manual for listening, improvisation and composition |
6 |
1 |
Vella devised a new sort of music curriculum when building the program at Macquarie University |
|
Letts, Richard |
Music Festivals Are the Most Popular of All |
1 |
5 |
Australia Council research: 40% of Australian festivals are music festivals, and half of those are jazz |
|
Music Forum Think Tank 1 |
10 |
5 |
How to increase the number of school leavers who will continue to make music? |
|
|
Music Forum Think Tank 2 |
11 |
1 |
How to provide music instruments to children who cannot afford them? |
|
|
Music Forum Think Tank 3 |
11 |
2 |
What can we do to get more Australians singing? |
|
|
Pech, Leonie |
Music grabs truant students |
8 |
1 |
Secondary school music teacher Leonie Pech describes a school music program that attracts kids many of whom don’t like school, don’t do well there, and often don’t attend. |
|
Younghusband, Peter |
Music in Karratha |
10 |
3 |
Seven years ago, there were 6 students doing music. Now there are 140. |
|
Letts, Richard |
Music in the Creative Nation…the government’s cultural strategy rattles bars |
1 |
2 |
Brief summary of the newly announced government policy.See ¼ for thorough coverage |
|
Letts, Richard |
Music industry counts on its digits |
6 |
1 |
Industry conference reveals a growing preoccupation with internet marketing of music |
|
Letts, Richard |
Music Industry Export Expert Quits Austrade Advisory Committee |
4 |
2 |
Phil Tripp quits Austrade Advisory Committee in protest against proposed parallel import legislation |
|
Strahle, Graham |
Music journalism and criticism: towards a code of ethics |
10 |
1 |
A discussion paper to help formulate a code of ethics for the new Australian Music Commentators’ Circle |
|
Thorndyke, Phoebe |
Music on Wholemeal Bread - or a Sesame Seed Bun? |
9 |
6 |
Community-organised festivals build social capital and resilience; professional festivals are vulnerable to the whims of consumers |
|
Kenny, Dianna T. |
Music Performance Anxiety: Is It the Music, the Performance or the Anxiety? |
10 |
4 |
The first of two articles introducing the current knowledge about “stage-fright” – or music performance anxiety. |
|
Munro, Gemma and LeCouteur, Amanda |
Music performance vs. ‘normal work’: Performing identities and fulfilling selves |
9 |
5 |
Musicians talk about themselves as able to reject expectations of financial success, to achieve artistic fulfilment |
|
Letts, Richard |
Music Play for Life Campaign News |
11 |
1 |
Campaign report |
|
Hampton, Nick |
Music Publishing on the Edge |
11 |
2 |
Global communications are changing the music publishing industry, with transnational publishers closing their Australian offices |
|
Easton, Michael |
Music Sampling |
7 |
3 |
The tricky copyright issues around music sampling, and how to handle them |
|
Trouton, Lycia D |
Music to Make Kids Mingle. Multicultural education for our times |
10 |
1 |
Multicultural programs in schools enrich awareness, encourage broad-mindedness – and may save lives |
|
Servant, Jean-Christophe |
Music Under Threat: A Question of Money, Morality, Self-Censorship and the Sharia |
9 |
5 |
Femi Kuti: “A band like mine can't play in the North. The dancers would be stoned to death. I would be prosecuted” |
|
Tonkin, Richard |
Music venues vs. residential developers: music wins |
9 |
1 |
Defending a well established music venue in Adelaide from being closed down by residential developers |
|
Letts, Richard |
Music, and the pros and cons of Creative Nation |
1 |
3 |
Description of and commentary on the governments cultural policy, Creative Nation. Includes views From the visual arts lobby, the jazz world, and music educators |
|
Gould, Tony [VIC] |
Music, Education, Culture - and the Myth of the Real World |
4 |
2 |
Inveighs against music education directed to financial objectives instead of musical values |
|
Wesley-Smith, Martin |
Music, technology and education: The Future for Musicians |
2 |
3 |
The musical world becomes diverse, old hierarchies are propped up; music education must change |
|
Smith, Bob |
Music,. How Precious? |
9 |
6 |
The retiring President of ASME sums up the problems facing school music education. |
|
Letts, Richard |
Music. Play for Life. |
10 |
1 |
The campaign for music participation |
|
Broad, Tina |
Music. Play for Life: What’s Happened, What’s Next |
11 |
2 |
News from the new campaign director |
|
Nielsen, Ken |
Music: Not Business as Usual |
9 |
6 |
The former food industry executive says that to try to manage an arts organisation “just like a business” is potentially very destructive. |
|
Sloboda, John |
Music: Where Cognition and Emotion Meet |
6 |
5 |
We have made acquisition of music skills very difficult, allowing social music making to wither away |
|
Barmby, David |
Musica Viva and Australian Ensemble Development |
2 |
6 |
Musica Viva Australia is preparing a new ensemble development strategy |
|
Sharpen, Caroline |
Musica Viva's ménage à trois |
9 |
3 |
Musica Viva program to use informal venues to attract new, young audiences |
|
BOOK REVIEW |
Musical Identities. Edited by Raymond MacDonald, David Hargreaves & Dorothy Miell. |
9 |
2 |
Reviewed by Peter Dunbar-Hall |
|
Letts, Richard |
Musical scores on CD-ROM |
7 |
1 |
Reports the release by Theodore Presser of sheet music on CD-ROM |
|
Szuster, Jula |
Musicology breaks out |
6 |
6 |
The latest conference of musicologists recognises the opportunity to widen musicology’s brief |
|
Szuster, Jula |
Musicology: a Quiet Crisis |
2 |
4 |
The serious consequences of the current decline in support to musicology in Australia |
|
Letts, Richard |
National Folk Week |
5 |
6 |
The first Australia-wide celebration of Australian folk culture takes place in August 1999 |
|
National Music Organisations: Pushing the Edge 3/4 |
3 |
4 |
Reports from a number of Australian national music organisations |
|
|
National music organisations: Pushing the Edge 3/5 |
3 |
5 |
Reports from a number of Australian national music organisations |
|
|
National music organisations: Pushing the Edge 3/6 |
3 |
6 |
Reports from a number of Australian national music organisations |
|
|
National music organisations: Pushing the Edge 4/1 |
4 |
1 |
Reports from a number of Australian national music organisations |
|
|
National Jazz Development Office |
National Strategic Plan for Jazz Development: final version |
7 |
4 |
After consultation with the jazz community, the plan first published in issue 5/1 has been amended and is ready for implementation |
|
Conolly, Joy |
Never Say Die |
9 |
4 |
Choirs are doing magical things for ageing residents in two nursing homes in Queensland. |
|
Broad, Tina |
New Collaborators |
11 |
3 |
Music. Play for Life list of collaborators |
|
Warn, Julie |
New concert hall for Hobart |
7 |
1 |
The Tasmanian symphony has a brand new home as the result of enlightened investment by hotel |
|
Pretty, Prof. Sharman |
New directions at the Sydney Con: Cleaning up the Stables |
2 |
2 |
The new Principal describes her intentions: facilities, curriculum, collaboration with the profession |
|
Letts, Richard |
New Home for Coffs Regional Conservatorium |
9 |
4 |
A new director and brand new facilities at the Homebase shopping complex, in a rapidly expanding coastal city |
|
Letts, Richard |
New Ideas from the Music Board |
8 |
5 |
Describes some new policy initiatives at the Music Board of the Australia Council |
|
Henderson, Moya |
New Music (Tomorrow) |
5 |
6 |
What motivates composers, and what gets in the way |
|
McGuire, Marshall |
New Music Network: new directions in the promotion of new music |
4 |
1 |
Sydney's new New Music Network is a marketing alliance of new music performing groups |
|
Stanhope, Paul |
New Music: Now! - Young Composers, Their Work and Ideas |
5 |
1 |
Identifies and describes the work of new generation of Australian classical composers |
|
Opera Conference |
New operas, music theatre, on the way |
7 |
2 |
The national and state opera companies report plans for commissions and productions of new works |
|
Chestnut, Judith |
New opportunities on the NSW Central Coast |
9 |
1 |
There is a major push to develop community on the Central Coast, bringing great opportunities for the arts, |
|
Letts, Richard |
New rules for overseas funding |
6 |
5 |
Australia Council Music Fund will focus support on the export-ready |
|
Music. Play for Life |
New Schools Advocacy Tool Kit |
10 |
4 |
Available on the website for free downloading |
|
Letts, Richard |
New support, new name for YMA |
6 |
5 |
Youth Music Australia, has new sponsor, is changing its name to GlobalFreeway Australian Youth Orchestra |
|
Letts, Richard |
New Venues for Sydney |
3 |
4 |
The development of the Circular Quay area as a music precinct with new music venues |
|
New Woodwind Instruments for Children |
11 |
2 |
Cheap double reed instruments could help to solve the shortage of older players |
|
|
Letts, Richard |
New Zealand Television Productions to Be Accepted as [Australian Content]? |
3 |
2 |
Court challenge under CER free trade agreement to have NZ TV productions accepted as Australian content |
|
Pearse, Rose |
News from the Contemporary Music Industry Battlefront |
4 |
5 |
The situation of contemporary popular music in Australia: copyright, local content on radio, education, recording etc. |
|
Howell, Sarah |
News of MCA/Freedman Fellows |
11 |
2 |
The Fellows have been chalking up some substantial career successes |
|
Peelman, Roland |
Nigel Butterley, Australian Icon |
11 |
3 |
The Australian composer turns 70 this year |
|
Ball, Robyn |
No kidding. It’s the Willowbrae Warblers |
7 |
1 |
A choir in an aged care facility restores liveliness |
|
Hinchliffe, Meredith |
No More Cuts! |
3 |
4 |
The budget policy position put to the government by the National Campaign for the Arts Australia |
|
Armfield, Neil |
No votes in the arts >>> votes in no arts |
5 |
2 |
The famous opera and theatre director criticises the Coalition’s 1998 election campaign |
|
Q Music |
Noise Noise Noize |
7 |
1 |
An alliance has formed to fight developers’ controls on music venues in Brisbane’s Fortitude Valley |
|
Sarah Howell |
Nominations in for the Music Council/Freedman Fellowships |
10 |
4 |
Nominations in for the Music Council/Freedman Fellowships in classical music and jazz |
|
Wills, Gillian |
Not Just Another Piano Competition |
10 |
2 |
Brisbane’s Keys Inaugural Piano Competition celebrates the diversity of Australian talent and contemporary rather than 'museum' repertoire |
|
Nash, Sandra, and Davidson, Andrew |
Not Just Kids' Stuff! |
4 |
1 |
Describes current practice in Dalcroze Eurhythmics |
|
Bannister, Roland |
Notes on the Establishment of Regional Conservatoriums of Music, with Special Reference to Riverina Conservatorium of Music |
8 |
3 |
This is one of about 15 regional conservatoria set up in NSW with some very modest State government funding |
|
Brissenden, A & Strahle, G |
Obituary: Jiri Tancibudek AM, Oboist |
11 |
2 |
Looking back over the career of the distinguished Czech/Australian oboist |
|
Youth Music Australia |
Obituary: Ruth Alexander |
5 |
4 |
Obituary for one of the founders of Youth Music Australia and the Australian Youth Orchestra |
|
Tunley, David |
Obituary: Sir Frank Callaway |
9 |
4 |
On the death of the great West Australian music educator |
|
Woodrow, Alicia |
Off the Couch |
9 |
4 |
The Carclew Centre’s youth arts festival gives inexperienced kids responsibility for organising almost everything |
|
Plews, Barry |
OK well let’s do it. Together. |
5 |
5 |
Dick Letts interviews artist manager and entrepreneur Barry Plews |
|
Cowley, Rowena |
On conducting opera |
6 |
1 |
Rowena Cowley interviews Richard Gill on the task of the opera conductor |
|
Gill, Richard |
On conducting opera |
6 |
1 |
Rowena Cowley’s interview of Richard Gill gives insight into the task of the opera conductor |
|
de Vilder< Yantra |
On the Couch with Michael Nyman |
8 |
5 |
The American composer is alarmingly frank to a gathering of the Screen Writers’ Guild |
|
Letts, Richard |
On why everyone is grateful if the government didn't remember them |
3 |
5 |
The effects on music and the arts of the government's 1997 budget |
|
Huhtanen, Kaija |
Once I Had a Promising Future ... (Facing Reality as an Ex-Promising Pianist) |
10 |
3 |
Kaija interviewed 13 Finnish female pianists trained to be concert soloists to discover how they made the transition to a life of piano teaching and how they feel about it. |
|
Isaacs, Mark |
One Man's Life in Jazz |
2 |
5 |
An autobiographical article from jazz pianist Mark Isaacs |
|
Ford, Andrew |
Oom-pa-pah |
9 |
5 |
A personal insight. The composer recalls his experiences in writing The Waltz Book – 60 concert waltzes. |
|
Gyger, David |
Opera Australia, money, censorship and smug city |
2 |
6 |
Its publisher tells the history of the periodical, Opera Australasia |
|
Gyger, David |
Opera in the Age of Economic Rationalism: Skimmed and Homogenised |
4 |
4 |
With opera funding ever more inadequate, Australian opera companies are losing their individuality and originality |
|
Opportunities File |
Opportunities File |
7 |
1 |
Conferences, Festivals, Auditions, Fellowships and Funding |
|
Howland, Sally |
Options APRA offers |
4 |
5 |
APRA composers have new options for assigning rights to their works |
|
Price, Lynne |
Orchestral Enticement in Burnie |
8 |
6 |
Community orchestra project in Tasmania |
|
Letts, Richard |
Orchestral Review: An Inquiry into the Wrong Question |
11 |
3 |
James Strong inquiry: A New Era for Australia's Orcehstras, asks not how we can get the best, but the cheapest orchestras |
|
!Bulletin |
Original name of this the publication, now known as Music Forum |
1 |
1 |
The change to the name Music Forum occurred at vol 2/no.6 |
|
Letts, Richard |
Overs: the top. An interview |
7 |
4 |
Ron Overs is developing a new Australian piano, beginning with what may be the best piano action in the world |
|
Overs, Ron |
Overs: the top. Interview by Richard Letts |
7 |
4 |
Ron Overs is developing a new Australian piano, beginning with what may be the best piano action in the world |
|
Letts, Richard |
Ozco’s most important mission |
5 |
6 |
The Australia Council has begun research to back a campaign to promote the value of the arts |
|
Diaz, Justo |
Papalote Project |
8 |
1 |
Argentinian/Australian musician Justo Diaz visited Cuba and organised a recording project for Cuban musicians |
|
Broad, Tina |
Parents Key to Kids' Music Head Start |
11 |
3 |
Peter de Vries is finding ways to get parents to make music with their children |
|
Threlfall, Catherine |
Participant-Driven Professional Mentorships: A possible model for arts industry training |
10 |
1 |
The Arts and Disability Mentorship program at the ever-enterprising Dandenong Ranges Music Council |
|
Future of Music Coalition and others |
Payola is back |
8 |
6 |
Narrowing ownership of radio in the USA has been bad for music there. The same could happen in Australia. |
|
Music Council of Australia |
Peer Assessment: Another Modest Proposal |
1 |
6 |
Discussion paper suggesting Australia Council outsources grant decision-making, and supervises the process at arm’s length, so avoiding some politically damaging abuse |
|
Morrison, Lindy |
Performers Need Copyright Too |
8 |
1 |
Musician Lindy Morrison gives the arguments in favour of the introduction of Performers’ Copyright |
|
O'Donnell, Michelle |
Performing Rights for Screen |
8 |
5 |
APRA’s Film and TV Writer Services Manager outlines the complexities |
|
Bradley, Margaret |
Perspectiv, Kultur dan Music |
5 |
1 |
Understanding the musical and spoken language of Indonesia affects general cultural perspectives |
|
Wadley, Rosalind |
Perth New Music Renaissance |
10 |
4 |
The amount of new music activity in Perth is surprising even the Perthians |
|
BOOK REVIEW |
Peter J. Davies: Beethoven in Person: his deafness, illnesses and death |
8 |
3 |
Reviewed by Dr John Carmody |
|
Elliot, Bridget |
Photographs of Australian musicians and composers |
4 |
3 |
Some photographs of Australian musicians and composers from the studio of Bridget Elliot |
|
Howell, Sarah |
Pianist, didgeridoo player joint winners of MCA/Freedman Classical Fellowship! |
9 |
6 |
William Barton, didgeridoo, and Tamara Anna Cislowska, piano, are the winners for 2003 |
|
Nielsen, Ken |
Pinchgut's Plans |
9 |
3 |
Plans for the new small Sydney opera company, Pinchgut Opera |
|
Letts, Richard |
PITH and PULSE |
7 |
5 |
Interesting music news items from around the globe |
|
Letts, Richard |
PITH and PULSE |
7 |
6 |
A round-up of some significant eventualities in the world of music |
|
Letts, Richard |
PITH and PULSE |
8 |
1 |
Brief reports of music events and circumstances. |
|
Letts, Richard |
PITH and PULSE |
8 |
2 |
Brief reports on events and circumstances in the musical world |
|
Pith and Pulse |
8 |
3 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
8 |
4 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
8 |
5 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
8 |
6 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
9 |
1 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
9 |
2 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
9 |
3 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
9 |
4 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
9 |
5 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
9 |
6 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
10 |
1 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
10 |
2 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
10 |
3 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
10 |
4 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
10 |
5 |
News items from the world of music, Australian and international |
|
|
Pith and Pulse |
11 |
1 |
Music news from Australian and the world |
|
|
Pith and Pulse |
11 |
2 |
Music news from Australian and the world |
|
|
Pith and Pulse |
11 |
3 |
Music news from Australian and the world |
|
|
Ashton, Bill |
Planning for Success |
10 |
2 |
Even music people should plan for their financial future. A few words of advice from one who knows. |
|
Rechniewski, Peter |
Plans for a Jazz Festival in Bathurst |
6 |
6 |
Wangaratta is the model for this jazz festival, but there’ll be special differences |
|
Letts, Richard |
Playing for Life at Paddington Public |
11 |
1 |
Every child in 4th grade at Paddington Public School in Sydney has to join the band. Great idea! |
|
Letts, Richard |
Post-Hanson regional arts |
5 |
6 |
The Commonwealth has an interest in funding regional arts to win back the Hanson voters |
|
Mahoney, Peter |
Powerhouse Museum Soundhouse |
7 |
5 |
A description of the Soundhouse program in Sydney’s Powerhouse: making access to music technology available to everyone |
|
Watson, Dr Amanda and Forrest, Assoc. Prof. David and Jeanneret, Dr Neryl |
Preparing the Way…Standards for Australian Music Educators |
10 |
3 |
There’s a literature survey and a brief examination of both generic and subject-specific standards in Australia, leading to a proposal to develop standards for both classroom and studio music teaching. |
|
Holmes, Robyn; Waller, Caroline, and Davis, John |
Preserving the ‘Symphony Australia Collection’ |
8 |
4 |
How the Symphony Australia collection of scores went to the National Library |
|
Blanks, Fred |
Printers' Devils Make Music |
3 |
6 |
Musical typo-bloopers |
|
Watson, Amanda |
Professional Standards for Music Teachers |
11 |
1 |
Readers are invited to comment on the draft document |
|
Milne, Elissa |
Profile: Chris Dench |
9 |
6 |
Elissa Milne finds a composer who will not give in to the times |
|
Gareth Grainger |
Protection of Cultural Sovereignty in a Free Trade Environment |
4 |
3 |
How can Australia's culture be preserved from foreign powers if free trade agreements give them unlimited access |
|
Brown, Andrew R |
Purchasing computer music equipment for education |
6 |
1 |
The last in a series of articles about the use of computers in music education |
|
Pusz, Ryszard |
Puszing’s Luck in Mildura |
5 |
3 |
Anecdote about surprising events from percussiont Pusz’s visit to Mildura |
|
Morrison, Lindy |
Putting a Price on the Priceless |
7 |
2 |
The editor of Music Alive is perplexed by the requirements to put an economic value on the non-economic benefits of community music activity |
|
Robinson, Suzanne |
Q: Where Are the Books? A: Where Are the Publishers? |
3 |
6 |
Reviews the situation of musicology in Australia |
|
Lancaster, Helen |
Queensland: the arts in a state! |
3 |
4 |
The subversion of peer assessment processes in Arts Queensland |
|
Future of Music Coalition |
Radio Deregulation in the USA: Has It Served Citizens and Musicians? |
11 |
1 |
Published in Music Forum as a cautionary tale |
|
Letts, Richard |
Radio Quotas: Music Council Asks for More |
10 |
4 |
The Music Council is seeking an increase in the quotas for Australian music on commercial radio |
|
Strahle, Graham |
Rallying for Standards in Music Criticism and Journalism |
10 |
3 |
Graham Strahle reports on the inaugural meeting of the Australian Music Commentators’ Circle last September. |
|
Letts, Richard |
Ralph’s tax nightmare |
6 |
5 |
A proposed tax regulation would preclude some losses from arts activity being set against income |
|
Music Council of Australia |
Re: The All-Australian Musical |
2 |
4 |
Music Council of Australia policy proposal to Minister Alston for a fund to support development of popular musicals |
|
Seares, Margaret |
Rebuilding Our Communities: the Role of the Arts in Public Policy |
7 |
2 |
Chair of the Australia Council argues that state support for the arts is justified not only by economic benefits, but also from the benefits arising from the intrinsic values of the arts |
|
Music Council of Australia |
Rebuilt MCA website has a lot on offer |
9 |
1 |
|
|
UNESCO |
Recommendation Concerning the Status of the Artist |
4 |
4 |
The statement from the 1997 UNESCO World Congress on the Status of the Artist, with commentary |
|
Letts, Richard |
Reconciliation |
6 |
6 |
Some opportunities to put reconciliation into practice |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
9 |
2 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
9 |
3 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
9 |
4 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
9 |
5 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
9 |
6 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
10 |
1 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
10 |
2 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
10 |
3 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
10 |
4 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
10 |
5 |
List of recordings received since the previous issue |
|
RECORDINGS RECEIVED |
RECORDINGS RECEIVED |
11 |
1 |
List of recordings received since the previous issue |
|
CD REVIEWS |
Recordings, reviewed |
10 |
5 |
EDITOR’S CHOICE: Kaleidoscope. A recording of orchestral works of Australian composer Roger Smalley, with the West Australian Symphony Orchestra. CLASSICAL. The Australian Trio: Hazelwood, Hewgill, Brimer. Infinite Heartbeat: Duo Sol. Lizst: From the Years of Pilgrimage: Stephanie McCallum, pno. Two of a Kind: Katie & Maggie Noonan, Red Fish Blue, TQO, Noble cond. CONTEMPORARY. Beyond Underground: Brethren. Cinema Paradiso: David Hobson, Sinfonia Australis, Cantillation, Noble cond. DeFocus: Low Res Productions. Get Back: The Basics. Liones: Liones. Position Correction: TZU. Star-Lo: uBin. Traversing the Newly Drained Swamps: Godnose. Ways and Means: Paul Kelly and 7 musicians. Don’t Start Me Talking, Lyrics 1984 – 2004: Paul Kelly (book). FILM MUSIC. Solar Max: Nigel Westlake, IMAX soundtrack. JAZZ. By the Scruff: Kadoonka. McJad Goes Organic: Hounslow, tpt, Gould, pipe organ, pno. Place: Aaron Choulai, pno plus quartet. Streaming: Chris Abrahams, pno. WORLD MUSIC. Time never sleeps: Waratah |
|
CD REVIEWS |
Recordings, Reviewed |
7 |
1 |
SSO etc: Carl Vine Choral Symphony, Symphony 4.2 and Piano Concerto; Tamara-Anne Cislowska, pno, Dance of the Wild Men; Crossing a Bridge of Dreams, works by Anne Boyd; J.S.Bach Cello Suites with David Pereira; Sydney Alpha Ensemble: Silbury Air; Live @ Tweekin’ – Funky Beats for Music Freaks: various house artists; Australian Art Orchestra: Into the Fire; B(if)tek: 2020; Multiball: Multiball. |
|
CD REVIEWS |
Recordings, Reviewed |
7 |
2 |
Tessa Birnie: Keyboard Spectacular; Tristram Cary: Soundings; The Song Company/austrLYSIS: The Sinking of the Rainbow Warrior; Australian Boys Choir and The Vocal Consort: Sons of the South; Miriam Morris and Christopher Field: A Souldiers Resolution; Soup: From Anuva Planet; Bernie McGann Trio: Bundeena; Alister Spence Trio: There is a Circle; Jeannie Lewis: Tango Australis; Luis Grimaldi: Tango Images |
|
CD REVIEWS |
Recordings, Reviewed |
7 |
3 |
Australian Brandenburg Orchestra with Andreas Scholl: Andreas Scholl – Vivaldi; Sirius Ensemble: Francesco Maria Veracini, Sonatas Op. 1 nos. 1, 6, 12; Ian Munro, piano: Jamaican Rumba, Vol. 1: Music for Piano by Aurthur Benjamin; Tall Poppies Ensemble: Jamaican Rumba Volume 2: Chamber Music by Arthur Benjamin; John O’Donnell, Organ: Johann Sebastien Bach, Clavierubung III, Schubler Chorales, Canonic Variations; Camerata Classica directed by Philip Swanton: Just for Pleasure; Jeff Dread: The Merchant of Dub Episode II – Return from Alpha One; Deep Child: Hymns from Babylon; Various: JJJ Unearthed; Various: Culture – Music from Black Australia; James Muller Trio: All Out; 10 Part Invention: Unidentified Spaces; Abdoulaye Epizo Bangoura and others: Epizo – N’na |
|
CD REVIEWS |
Recordings, Reviewed |
7 |
4 |
Purple, Black and Blues: piano music by Elena Kats-Chernin: Lisa Moore, piano; The Ockeghem Legacy: Sydney Chamber Choir cond. by Nicholas Routley; Esiterik Psikology: various artists; Intersound: Juju Space Jazz; It Is What It Isn’t: Itchee and Scratchee; Closer: Mark Isaacs; Song and Dance: Wanderlust; Sunman: Andrew Robson; Anamika: Sangam Ensemble; Kofi Goes Abroad: Eddie Quansah; Telares: Telares Ensemble |
|
CD REVIEWS |
Recordings, Reviewed |
7 |
5 |
Recordings, Reviewed Franz Schubert: Complete Piano Trios — Macquarie Trio Kouvaras: Piano Works — Linda Kouvaras Lotus Moon - She-Cheen Yu, Sinfonia Australis Sea Children and other new choral music — The Australian Voices, directed by Stephen Leek Backrooms, Corridors, Table and Chairs — Betaville Orchestra Beat and Squelch 3 — The Future Was Filling in the Corners — Telafonica Pear Shaped — Pear Shaped Jazzgroove — compilation Yellow Glasses — Theak-tet Mara! Live in Europe — Mara! |
|
CD REVIEWS |
Recordings, Reviewed |
7 |
6 |
Concerto Symphonique. Virtuoso Works for Piano & Orchestra, Vol. 1. Munro, TSO/Porcelijn Harmonies in Blue. Canberra New Music Ensemble Music for Federation. Sculthorpe, Edwards, Broadstock, MSO/Markus Stenz Solitudo: Alone in Darkness. Quaife, SOV/Mills Olimpia - Cantatas of Alessandro Scarlatti. Chacona directed by Rosalind Halton Perfume. The Exquisite Piano Music of France. Stephanie McCallum, piano A Sky For Dreaming. Guitar Trek Tall trees. Canberra New Music Ensemble Terrains. Michael Hannan: piano interior Body & Soul. The Song Company, dir. Peelman Digital Manipulation. FourPlay/Various Music For Reset People. The Bird Re-Fashioned. Various artists |
|
CD REVIEWS |
Recordings, reviewed |
8 |
3 |
Australia Unite! The Road to Federation: Songs and Dances of Colonial Australia - SOV, Divall, Quaife, Bolton-Wood; Henryk Mikolaj Górecki: Symphony No. 3, Op. 36 ‘Symphony of Sorrowful Songs’ -- Yvonne Kenny, soprano; ASO/Takuo Yuasa; Margreta Elkins: The Classic Recordings -- Elkins, Mezzo-Soprano, LSO, QSO, Bamberger Symphoniker; Noel Mewton-Wood, piano – 3 CDs with various orchestras, artists; Song in the Night. Concert Fantasies, arrangements & original works for harp by Carlos Salzedo -- Alice Giles, harp; Storm Sight --Michael Keiran Harvey, piano; Spin -- Jeannel Carrigan, piano; The Best of Joan Sutherland Live from the Sydney Opera House, Vol. 2., Elizabethan Sydney Orchestra, Bonynge; Bagarap empires -- Fred Smith; Dub For The Masses Vol.2 -- various artists; Mechanical Bull - Mik La Vage; Pseudo Sound Project -- various artists; Train Noise -- Don Meers |
|
CD REVIEWS |
Recordings, reviewed |
8 |
4 |
Recordings: Fauré Requiem, La Naissance de Venus, Cantique de Jean Racine -- Cantillation, Sinfonia Australis, Macliver, Tahu Rhodes, cond. Walker; Harvest: the music of John Tallis, Esther Rofe and Dorian Le Gallienne -- Çakmakçioglu, Robt Chamberlain, Ian Cousins, Jeannie Marsh, Tamara Smolyar; |
|
CD REVIEWS |
Recordings, reviewed |
8 |
5 |
The Gentle Muse: Jane Edwards, sop., w. Helyard, Marshall McGuire; Handel Arias: Alcina, Giulio Cesare, Rinaldo: Emma Matthews, sop., NZCO cond. Armstrong; Stix ‘n’ Tones: Percussion Ensemble, Flinders St School of Music dir. Pusz; Where Morning Lies: Spiritual Songs: Clare Gormley, sop., w. Kevin Murphy; Cut Copy: Little Bird; Fractures In The Elderly: Circle of Willis; Future Conduit: Mik La Vage; Iolini: Robert Iolini; Libraries Are Fun: Artificial; Looking For Andrew Bradley: Quro; Love Hertz: Ray Diode; Zephyr: The Zephyr Quartet; Machines: Craig Fermanis Trio; Songs from the Kitchen: Keklik Aile (ensemble) |
|
CD REVIEWS |
Recordings, reviewed |
8 |
6 |
The Australian Album: Asmira Woodward-Page vln and Scott Davie pno;The Ghost Ship: Tamara Anna Cislowska, pno; Sonatas & Fantasies: Slava Grigoryan, gtr with Leonard Grigoryan, second gtr; Two CDs of works by Alan Holley – Ophelia: The Gallery Players, and Masquerade: Enigma-Five; Piracy: Baroque music stolen for the recorder: Genevieve Lacey, recorder: Linda Kent, harpsichord and organ; |
|
CD REVIEWS |
Recordings, Reviewed |
8 |
1 |
Discs of the works of Andrew Ford 1. Whispers. Duo Contemporain, Gerald English, Tasmanian Symphony Chamber Players, others 2. Harbour Gerald English (tenor): Australian Chamber Orchestra, others 3. Icarus Various artists Colours of Fire: the essential guitar album Gareth Koch, guitar Journey to the Otherworld Gareth Koch, guitar The Power of Love: British Opera Arias. Deborah Riedel, soprano; AOBO/Bonynge, Vivaldi: il flauto doice Genevieve Lacey, recorder; Australian Brandenburg Orchestra/Paul Dyer Beatzwork Vol2 Various/Organarchy Sound Systems DOS Telafonica The Blue Hour Vol.3: Deep Blue Andy Rantzen The Inaudible Music: Jazz, Gender and Australian Modernity Archival compilation Thirteen Sketches The Andrea Keller Quintet Not Just Music GengGong |
|
CD REVIEWS |
Recordings, Reviewed |
8 |
2 |
Flat Earth -- Electra String Quartet, Inner Voices, Mark Atkins, Philip South, Steve Elphick; In Flagranti. Contemporary Works for Guitar -- Geoffrey Morris; The Inner Line — pianists Stephen Emmerson and Bernard Lanskey; Jiri Tancibudek – the Landmark Recordings — Jiri Tanicbutek, oboe, and various artists; Mozart and Brahms Clarinet Quintets — The Australia Ensemble; Soldier, soldier: the barrack-room ballads of Rudyard Kipling -- Michael Halliwell, baritone, David Miller, piano; Spanish Battle Music in the Age of Discovery -- The Song Company, directed by Michael Noone; A Feast Of Beats -- Jonny Phive; The Herd -- The Herd; Resistance -- Ali Omar; Ilura – Blastcorp; Southpaw -- Jeremy Sawkins; Old Linden Tree -- Sydney Balalaika Orchestra; Tufa – Tufa |
|
CD REVIEWS |
Recordings, reviewed |
9 |
1 |
Salut! Baroque:Salut! Baroque; Taking Flight: chamber music by Sadie Harrison; An Englishman In Ibiza: Disco Stu; Appropriate Pop: Goulburn Poultry Fanciers Society; Compilation 2002: Semikazi Collective; Fundamental Sampler: Hiroshi; Mota Musik: Up'n'Atom; Music For Retirement Villages Circa 2050: Jeremy Dower; From Within: Tony Gould (pno) and Peter Petrucci (gtr); The Last Will & Testament of John Sangster (1928-1995): John Sangster and others; From the New Continent: Shen Pangeng (erhu), Catherine Ingram (pno); Willow Spirit Song: Folksongs of the Orient: Shu-Cheen Yu, sop, Sinfonia Australis, Cantillation cond. Antony Walker |
|
CD REVIEWS |
Recordings, reviewed |
9 |
3 |
Charisma: Roslyn Dunlop (cl), Julia Ryder (vcl), David Vance (pno); Prayer for Peace: Cantillation, cond Antony Walker; Resurrection. Organ Works by Olivier Messiaen: Annette Goerke, organ; Song of Songs: The Song Company, dir Roland Peelman; Inside This Room: Hobson and Hirschfelder; Australian Folk 2000: 37 Original Compositions on 2 CDs: various artists; Musical Traditions in Australia: 41 Tracks on 2 CDs: various artists; The Field: The Field; Joe Chindamo plays the Paul Simon Song Book: America!: Joe Chindamo trio; Jupiter Moon: Brian Brown, leather instruments, others; Mikrokosmos: The Bartok Project, dir. Andrea Keller; Open Road. Rufus Records Soundtracks: various artists; Three Voices: Fiona Burnett w Ben Robertson, David Jones |
|
CD REVIEWS |
Recordings, reviewed |
9 |
4 |
Brahms: Complete Piano Trios: Macquarie Trio; Rachmaninoff Lilacs: Scott Davie, pno; Messiah (Handel}: Macliver, Sherman, Field, McMahon, Tahu Rhodes, Cantillation, Orchestra of the Antipodes, cond. Walker; Music for All Seasons: Australian composers Gross, Carr-Boyd, Allworth; Song of the Angel: Jane Sheldon, Sinfonia Australis, Cantillation, cond. Stanhope and Weymark; Mozart Arias and Orchestral Music. Teddy Tahu Rhodes, bar, TSO cond. Rudner; X: Ros Dunlop, cl; Fiona Burnett. Soaring at Dawn: Burnett, sop sax, jazz trio, str quartet; Debra Blaquière: Little Wing: Standards Inspired by Angels: Blaquière (voc), Chindamo, Rex; Michelle Nicole Live. Keep Your Heart Right: Nicole, voc, trio; Where's Love Gone?: Susan Gai Dowling Band; Augadhau Nawal (Songs of Our Lord): Hymns, Kores of Torres Strait; Caroline Lynn. The Shaman's Kiss: Lynn, voc, octet. |
|
CD REVIEWS |
Recordings, reviewed |
9 |
5 |
Haydn Fortepiano Trios: Oxford, Surprise & Miracle Symphonies, Fortepiano Trios Nos 12, 14 & 18; Ensemble of the Classic Era. Recital. Australian Art Song; Merlyn Quaife, sop, Michael Kieran Harvey, pno. The Liszt Album; Stephanie McCallum, pno. Africussia; D’volv guitar trio – Peter Martin, Jim Kelly, Jon Fitzgerald. Mike Nock: Changing Seasons; Mike Nock: pno, Brett Hirst, bass, Toby Hall, drums. On; Andrew Robson. Southeast; Baartz Freeman Sextet. Jenny Thomas. Into the Ether; with Jason Day, Dean Frenkel, Glen Kniebass, Andrew Schrape, Ali. Steady Steady; Seaman Dan, various musicians |
|
CD REVIEWS |
Recordings, reviewed |
9 |
6 |
Debussy Piano Music (4 CDs), Roy Howat, pno. Fantasies; Esther van Stralen, vla. New Light New Hope; Gondwana Voices, Lyn Williams and Mark O'Leary, cond. Past Life Recall: Derek Strahan. Peter Sculthorpe: Music for Cello; David Pereira, vcl, Ian Munro, pno. Slava and Leonard Grigoryan Play; Slava Grigoryan, Leonard Grigoryan, gtrs. Water Pushes Sand; Clocked Out Duo, erik Griswold, pno, Vanessa Tomlison, perc. Fourthcoming; Har Di and Co. - Guy Harvey, ten sax, Frank Di Sario, bass, Phil Collings, drms. Spirals; John Bell Trio: John Bell, vibes, Ronny Ferella, drms, melodica, Frank Disario (bass). Tomorrow, Just You Wait And See; Emma Gilmartin, voc, Tony Gould, pno. Femalia; Tufa. |
|
CD REVIEWS |
Recordings, reviewed |
10 |
1 |
Colin Bright, Young Tree Green (A Song of the Republic): Kees Boersma, cb; Sydney Symphony Orchestra cond Elgar Howarth; Mahler -- Symphony No. 4 (chamber version) and Songs of a Wayfarer (chamber version): Sydney Soloists with Clare Gormley, sop, Jeffrey Black, bar, and John Harding, cond; Get Reel: The Fiddler's Festival; Ishish. Waiting for it: Ishish; Severance: Band of Five Names; Strobe Coma Virgo: Strobe Coma Virgo, with Phil Slater; Wide Eyed. Rob Burke: Burke (sax), Tony Gould (pno), Nick Haywood (bass), Tony Floyd (drms); Harmonic Colour Fields: Warren Burt, composer and programmer; Sonic Archaeologies: Ros Bandt; Listen To My Drum: King Kadu from Werbadu |
|
CD REVIEWS |
Recordings, reviewed |
10 |
2 |
Mahler Symphony No. 5: Melbourne Symphony Orchestra, Markus Stenz, cond.; Malcolm Williamson. Complete Works for Piano: Antony Gray, piano; Saffire. The Australian Guitar Quartet: Antony Field, Slava Grigoryan, Gareth Koch, Karin Schaupp, guitars; Yvonne Minton: The Essential Recordings: compilation with orchestras; A Good Thing on Hold: Sharney Russell, voc, with sextet; Frangipani: Guy Strazzullo ; Here & Now: The Idea Of North a cappella ensemble; Tenderland: Renée Geyer; Work, Play, Sleep - Children's Songs from Around the World: Blindman's Holiday a cappella ensemble, plus Jubilate Singers, others |
|
CD REVIEWS |
Recordings, reviewed |
10 |
3 |
Lost in the Real Sky: Curseovdialect; Bach Arias & Duets: Sara Macliver and Sally-Anne Russell, Orchestra of the Antipodes/Antony Walker; Praise – An inspiring collection of hymns, choruses and sacred songs: Various artists; Puccini Passion: The Richard Bonynge Collection: Cheryl Barker, soprano, Orchestra Victoria, cond. Richard Bonynge; Downtown: Petula Clark vs The Outpsider; Independence - Volume One: Various artists; Straight from the Art: Various artists; Evolutionary Vibes Volume 5: The Winter Of Our Discotheque(Summer Edition): Various artists; Today: Maya Jupiter; The Calling: Hilltop Hoods; Evolve/All U Mob 2: Morganics; Flux: Alister Spence Trio: Alister Spence (piano), Lloyd Swanton (bass), Toby Hall (drums); |
|
CD REVIEWS |
Recordings, reviewed |
10 |
4 |
Drive By: The Necks; Allegri Miserere: Cantillation, Antony Walker and Brett Weymark, cond.; Australian Heritage: Glenda Raymond: Glenda Raymond, sop, various artists; Lifecycle, by Howard Blake: William Chen, piano; The Convict Harpsichordist: Elizabeth Anderson, harpsichord; Mozart, Clarinet Concerto & Arias: Australian Brandenburg Orchestra, Paul Dyer dir, Craig Hill, basset clarinet; Cynthia Sieden, sop.; Semele, by George Frideric Handel: Ryberg, Russell, Wood, Bennett et al; Cantillation, Sirius Ensemble, cond. Antony Walker; Yvonne Kenny: The Salley Gardens: A Treasury of English Song: Yvonne Kenny, sop, Caroline Almonte, pno; Audible Inventions: The Bird; Boardface: Gotye; Consistency Theory: 1200 Techniques; Late Set: Dark Network; SouthHeart: Jeannie Lewis; Healing Song: Eugene Ball, trumpet, Stephen Magnusson, guitar, Sergio Beresovsky, drums; Jazzhead 2003: Various artists; Line Songs: The Cathedral Band; Dha: Dha; Taikoz. Live at Angel Place: Taikoz percussion, Matthew Doyle, didjeridu |
|
CD REVIEWS |
Recordings, reviewed |
11 |
1 |
MUSIC FORUM EDITOR’S CHOICE. Storyteller: Joseph Tawadros. CLASSICAL MUSIC. The Lark Ascending: Vaughan Williams with Australian orchestras. Madama Butterfly: Opera Australia with Cheryl Barker and Jay Hunter Morris, conductor Patrick Summers. The Voice: Teddy Tahu Rhodes. CONTEMPORARY MUSIC. Doppler Shift: Electro Selections: Various artists. I Dreamed about You. Songs of Love and Longing from World War II: Phillip Sametz and The Mell-O-Tones. Make It Happen: Upshot. Part 3 - Random Thoughts: Koolism. Song of the Federation – A Musical Tribute to A.B. (Banjo) Patterson: Wallis & Matilda. Sonic Allsorts: Modern Music - Native Tongues: Various Artists. JAZZ. 1000 Wide: Kynan Robinson’s En Rusk. Assumptions 2: Magnusson/Wilson/Guthrie. Evidence: The Idea of North. Looking Up: Phil Bywater’s Buried Teasure. The Secret: Alison Wedding, voc, with trio. NEW MUSIC. Alchemy: Tasmanian Symphony Orchestra, various conductors and soloists. Corrosion: music for instruments, computers and electronics: Paul Doornbusch, c |
|
CD REVIEWS |
Recordings, reviewed |
11 |
2 |
MUSIC FORUM EDITOR’S CHOICE. Yearning for the Bell (7CDs): Riley Lee, shakuhachi. CLASSICAL MUSIC. Beethoven - Complete Piano Concertos: Gerard Willems, soloist, Sinfonia Australis cond. Antony Walker. The Great Rossini Overtures: Tasmanian Symphony Orchestra cond. Ola Rudner. CONTEMPORARY. 15.OZ: 15 Years of Australian Hip-Hop on Vinyl. Abelard and Heloise: music theatre by Ross Fiddes, Paul Kavanagh. The Art of Trance: Jumping Jack. Floppydisco: Bleepin’ J. Squawkins. Nautical Forlorn: A Selection of Works for Film, Television, Festivals and CD: David Bridie. JAZZ. Cyclosporin: Allan Browne Quintet. Fear Smile: Survival of the Fiddes. Fortune: Peter Gelling feat. Doug Williams. If Blue Was Orange: Steve Hunter. Jacinta's Song: Jenny Game Ensemble. Keeping The Standards: Mark Isaacs with Jay Anderson, Adam Nussbaum. Nine open questions: Tim Stevens Trio. NEW MUSIC. Carl Vine, The Tempest: Tasmanian Symphony Orchestra, cond. Ola Rudner, Diana Doherty, oboe. The Golem: Opera Australia from the 1993 production |
|
CD REVIEWS |
Recordins, Reviewed |
11 |
3 |
MUSIC FORUM EDITOR’S CHOICE:Upon a Time: Genevieve Lacey and Poul Hoxbro. CLASSICAL MUSIC. An Introduction to Handel’s Messiah: A Listener’s Guide in words and music: Graham Abbott and various performers. Bach For Christmas: John O’Donnell - Jürgen Ahrend Organ, Monash University. The Fairy Queen, by Henry Purcell: Cantillation, Orchestra of the Antipodes, Pinchgut Opera, cond. Antony Walker. Handel Italian Cantatas: Arcadia, dir. Jacqueline Ogeil. I fiamminghi in Italia – Italian madrigals by Flemish composers: The Song Company with Tommie Andersson, lute. O Blessed Light - In Praise of the Holy Trinity: Choir of Trinity College, University of Melbourne, dir. Michael Leighton-Jones. CONTEMPORARY. Colliding Worlds: Sophie Serafino. One Step Ahead: Reason. Players Club: 2Up. JAZZ. About Time: Mark Lockett. The Assemblers: Jamie Oehlers. For Elvin: Ted Vining Trio plus Steve Magnusson. Mosquito/See Through: The Necks. NEW MUSIC. Rabid Bay: Michael Kieran Harvey, piano. Sea Changes: music of John Carmichael: Va |
|
Letts, Richard |
Red House |
7 |
1 |
A small new music publisher plays an exemplary role |
|
MacArthur, Sally |
Reflections on the 3rd Australian Women's Festival and Conference |
4 |
3 |
Attitudes to and opportunities for women musicians are still under threat from gender bias |
|
Music Council of Australia |
Reforming the Australia Council peer assessment process |
1 |
5 |
The Music Council’s submission proposes procedures, calls for establishment of a Music Board |
|
Turner, Mary |
Regional Conservatorium in the Far Corner? |
7 |
6 |
A dream solution to the musical isolation in the NSW south-west |
|
Beatson, Jim |
Regional Music Festivals Broadcast Nationally |
4 |
2 |
The operation of the Community Broadcasting Association of Australia's national Community Radio Satellite |
|
Coote, Martin |
Regional ROMP |
9 |
2 |
A program to bring music instruction to outback New South Wales |
|
Fargher, Matthew |
Reinventing the singalong |
7 |
5 |
A singalong program with disabled people has been very effective and changed the way Matthew teaches |
|
Scales, Barbara |
Reminder: what is at stake in the arts |
6 |
2 |
A reminder of the intrinsic reasons we value the arts |
|
Music Council of Australia |
Report |
1 |
2 |
Report of activities, December 1994 |
|
Music Council of Australia |
Report |
1 |
3 |
Report on activities, February 1995 |
|
Music Council of Australia |
Report |
1 |
4 |
Report on current activities, April 1995 |
|
Music Council of Australia |
Report |
1 |
5 |
Activities, June 1995. Community music development |
|
Music Council of Australia |
Report |
1 |
6 |
Report on activities, list of members as of August 1995 |
|
Walker, David |
Report from Vietnam 1 |
8 |
6 |
“Karaoke cuddles” everywhere. But is the traditional music played only for tourists? |
|
Walker, David |
Report from Vietnam #2 |
9 |
1 |
David at last finds out what happened to the traditional music of Vietnam |
|
Letts, Richard |
Report of the Inquiry into the Definition of Charities |
8 |
1 |
The Commonwealth Government’s Inquiry has reported. The issue seems to have genuine rather than political roots in ancient and confusing definitions. Of course, there will be practical outcomes. Charities get privileges. |
|
Barrett, Margaret |
Research in music education |
7 |
3 |
Several Australian Research Council Large Grants and one CUTSD grant have gone to music education |
|
Music Council of Australia |
Resolutions of the Assembly |
1 |
1 |
Resolutions adopted by the MCA concerning communications, directory of music organisations, government funding of music, teriary music education, community music development, Australian music and musicians on radio, ARC and music research, music education, copyright, careers, Australian music and musicians internationally, honours to musicians |
|
Community CD Review |
Resonate 2001 |
8 |
3 |
Resonate 2001. Project of Brisbane City Council |
|
Letts, Richard |
Responses to the Australia Council Restructure |
11 |
3 |
ArtsPeak's observations about the proposed 2005 restructure of the Australia Council for the Arts |
|
Concert reviews |
Reviews of The Necks in London, and the AYO’s Gurrelieder in Perth |
9 |
4 |
Reviews of The Necks in London, and the AYO’s Gurrelieder in Perth |
|
Harvey, Lawrence |
RMIT Capitol Theatre: centre for acoustic environment and culture |
7 |
2 |
A new project in acoustic science is to be established in the old Walter Burley Griffin theatre in Melbourne |
|
Couttie, Judy |
Rocky Fringe |
8 |
2 |
The fringe festival in Rockhampton, 2001 |
|
Couttie, Judy |
Rocky Fringe River Rhythms |
7 |
1 |
A festival of percussion and dance in Rockhampton |
|
Letts, Richard |
Roger Frampton: “I did it for jazz”. |
6 |
3 |
Obituary for the great jazz performer |
|
Jones, Anthony Linden |
Roland Peelman Interview |
11 |
1 |
The director of Australia’s great a cappella ensemble, The Song Company, talks about its challenges |
|
yadayadayada |